I passed the former Capitol Cinema, Sheffield Lane Top, twice a day for nearly thirty years on my way to work without ever taking much notice of it, from a time when it was still a cinema, through years as a bingo club, until eventually it became a carpet showroom.
I wrote a blog article about it and illustrated it with an image dated 1985, when the exterior was largely as designed by the London architect, George Coles.
A couple of years ago the carpet showroom advertised what became the longest-running closing-down sale I can remember.
I got to know the staff, who were unclear about when and indeed whether the closure would take place.
They’re still there, and in the autumn of 2016 the cinema marquee was dismantled and the entire façade covered with elegant steel cladding.
It’s reassuring to know that the owners are investing in the building, so it’s unlikely to be threatened in the near future, which is as well because it’s unlisted and unrecognised as a building of merit.
It was Sheffield’s last pre-war cinema, opening shortly after the start of the Second World War, on September 18th 1939.
In Sheffield he was commissioned by the building contractor M J Gleeson to build the Forum, Southey (1938, demolished) and shortly afterwards began work on the Capitol.
Indeed, Coles’ plans for the proposed cinema show that Gleesons intended to name it another Forum, until they thought better of having two cinemas with the same name a little more than a mile apart.
The exterior is an impeccable, restrained version of the Art Deco manner that Odeon favoured, but the interior in contrast is elegant neo-Georgian, with alcoves and statuary and a 36-foot proscenium, much of which remains, apparently, behind immaculate white cladding.
The street-level foyer has been swept away to open up the showroom area, but the upstairs crush lobby (inaccessible to the public) remains as it was in the days of bingo, and the operating box and rewind room are intact though empty of equipment.
Although the building has a secure future for the moment, some day it will change hands, and its considerable architectural merit may not be recognised as a largely intact late-1930s moderne cinema by an architect with a national reputation.
Lacking the protection of listing, the long-term future of the Capitol depends on the vigilance of local observers and the support of national conservation organisations.
It would be all too easy to dismiss the building as worth less than the site, when in fact its historic integrity could be a selling point sometime in years to come.