Category Archives: Victorian Architecture

Destination station

Schlesisches Tor U-bahn station, Berlin

The Schlesisches Tor station on Berlin’s U1 elevated railway is spectacular – much more than a place to catch a train.

It formed part of Berlin’s first overground electric rail service, built to the designs of the architects Hans Grisebach (1848-1904) and Georg Dinklage (1849-1926) by the construction company Siemens & Halske, pioneers of electric traction.  Heinrich Giesecke (1862-1937) was responsible for the architectural decoration which included elaborately carved stonework, wrought-ironwork and an onion-dome turret.

Its opulent historicist style gave it prestige, and the street-level facilities were generous – several shops, including a pastry shop, and a restaurant named Torkrug.

Named after a former entrance to the city, the Silesian Gate, it was opened in 1902.

It suffered a direct hit in an Allied air raid on March 11th-12th 1945, but services continued until the power supply failed, putting the entire network out of action on April 22nd.

For a time after the end of the War Schlesisches Tor became a terminus until the through service was restored in April 1947.  It was interrupted again, briefly during an uprising in 1953, and ultimately when the Berlin Wall divided the city in 1961.  The through service was eventually reopened in 1995.

Even before reunification the station was recognised as a historic monument.  The former restaurant was occupied by a retail store, the Kaufhaus am Tor (commonly shortened to Kato).  The name Kato was perpetuated by a club which took over the space after 1981.  From 2012 Kato was succeeded by a night-club, Bi Nuu.

The station was listed in 1980 and renovated for the International Building Exhibition in 1984 and the 750th anniversary of the city of Berlin in 1987.

A commemorative plaque honours Alfred Flatow (1869-1942), a Jewish gymnast who won three gold and one silver medals in the 1896 Olympic Games.  He and his colleagues were suspended by the national gymnastics governing body Deutsche Turnerschaft which regarded the Games as “unGerman”.  Alfred and his cousin Gustav (1875-1945), who himself won two gold medals in 1896, were among the founders of the Judische Turnerschaft in 1903.  Both perished in the Holocaust – Alfred at the Theresienstadt Concentration Camp and Gustav in the Theresienstadt Ghetto.

Both cousins are commemorated in the naming of the Flatow-Sporthalle nearby, the renaming of the Reichssportsfeld Strasse [street of the National Sports Complex] as Flatowallee [Flatow Boulevard].  They are also illustrated on one of a set of four stamps issued by Deutsche Post to celebrate the centenary of the 1896 Olympic Games.

Appleton Water Tower

Appleton Water Tower, Sandringham, Norfolk (1980)

Accounts of the nineteenth-century “Sanitary Question” – the controversy over how to resolve the environmental problems of water-supply, sewerage and disposal of the dead – usually focus on the rapidly expanding, densely-populated towns and cities and their poor, unhealthy and undernourished populations of the time.

In fact, the crises of public health and limited medical knowledge cost the lives of individuals in all levels of society.

The best-known example of a prominent life cut short by avoidable disease in this period is Queen Victoria’s consort, Prince Albert of Saxe-Coburg and Gotha (1819-1861).  He died, after several weeks’ illness, at Windsor on December 9th 1861, probably of typhoid, leaving a shocked nation and a bereft widow.

His accumulating personal woes would have undoubtedly lowered his spirits and sapped his physical strength – several years of discomfort from stomach cramps, a near-death experience in a carriage accident, the death of his mother-in-law, concern over his eldest son’s liaison with an Irish actress and the strain of being involved in a diplomatic skirmish, the Trent affair.

However, it was the fetid drains under Windsor Castle that almost certainly did for him.

He was not alone.  In the same few weeks of 1861, typhoid swept through the Portuguese royal family, who were Prince Albert’s young cousins,– the Infante Ferdinand (15) on November 6th, his brother King Pedro V (24) on November 11th and another brother, Infante João, Duke of Beja (19) on December 27th.

A decade later, by which time the Prince of Wales, later King Edward VII (1841-1910), had married, raised a family and acquired the Sandringham estate in Norfolk, he himself contracted typhoid while staying with the Earl of Londesborough at Scarborough.  A fellow guest, the 7th Earl of Chesterfield, and the Prince of Wales’ groom died of the disease, but His Royal Highness recovered.

It seems that the drains at Londesborough Lodge were no better than those at Windsor Castle.

The Prince quickly enlisted the experienced civil engineer Robert Rawlinson (1810-1898) and a sanitary specialist James Mansergh (1834-1905) to ensure that the newly completed Sandringham House was safely supplied with water and properly drained.

The nearest supply, a chalk spring about a mile away, was twenty feet lower in altitude than the ground floor of the house, and the highest point on the estate was only five feet higher than the roof.

Not only did the supply require pumping, but a greater head of water was needed for fire-fighting.

The solution was to construct a sixty-foot-high water tower, surmounted by a 32,000-gallon tank, overlooking the surrounding landscape and visible for miles.

James Mansergh designed an elegant brick structure in a style he called “neo-Byzantine” in polychrome brick and local stone.

Its two lower storeys provided accommodation for a caretaker, and the second floor, accessible by a private staircase, was reserved for the occasional entertainment of royal house parties who could, if they wished, climb to the top of the tank to enjoy the view.

The chimney flues from the fireplaces ran through the centre of the tank to prevent the water freezing in heavy frosts.

The four foundation stones were laid on July 4th 1877 by Alexandra, Princess of Wales, her brother Prince Waldemar of Denmark, and the Wales’s two young sons, Princes Albert Victor and George (later King George V).

When the water-supply system was completed the following year, the hydrants surrounding Sandringham House were tested by a personal friend of the Prince of Wales, the celebrated Chief of the London Fire Brigade, Captain Sir Eyre Massey Shaw KCB (1830-1908), “to his entire satisfaction”.

The water-supply system was maintained first by the Sandringham estate and later by the local water authority until 1963.  Four years later the Tower was leased to the Landmark Trust which cleared away the surrounding outbuildings and converted the first three storeys into a memorable holiday let  [Holiday at Appleton Water Tower, Sandringham | The Landmark Trust], receiving its first visitors exactly a hundred years after the foundation stones were laid.

156 years of continuing prayer

St Charles Borromeo Roman Catholic Church, Attercliffe, Sheffield

When I run my annual Heritage Open Days Walk Round Attercliffe we visit one of only two remaining Christian places of worship in the Lower Don Valley. It’s also the only historic place of worship in the Valley that has been in continuous use since it was built.

The Roman Catholic Church of St Charles Borromeo was consecrated in 1868 to provide a home for a congregation that had been meeting since 1864.

This was the time when the flat rural meadows and gardens of the Lower Don Valley were being replaced by huge steelworks served by rail and canal. 

Housing for the workers, many of whom came from surrounding counties and as far away as Ireland, had to be within walking distance of the works because public transport was inadequate and expensive.

The church was the gift of Mr William Wake of Osgathorpe, and partly financed by gifts of £500 each from the Duke of Norfolk and from Mrs Wake and her family.  The eventual cost was £4,700. 

The dedication commemorates the Wakes’ son, Charles, who drowned while skating on the Serpentine in Regent’s Park in January 1867.

The building was designed by Charles John Innocent (1837-1901) and Thomas Brown (c1845-1881), who went on to design nineteen out of the twenty-two schools built by the Sheffield School Board from 1873 onwards.

Initially only the nave and the presbytery were constructed.  Charles Innocent returned in 1887 to oversee the lengthening of the nave and the construction of the baptistery and two porches to the west and the chancel, Lady Chapel and sacristy to the east.  These extensions, costing £2,400, were the gift of the Duke of Norfolk and Mr and Mrs Wade.

The interior is spacious and light, with a hammerbeam roof.  The screens, choir stalls and pulpit were designed by C J Innocent and carved by the sculptor Harry Hems of Exeter (1842-1916).  The organ is by the Norwich builder Norman & Beard, and dates from 1911.

The adjacent brick-built school was originally built in 1871 and rebuilt in 1929 in memory of the first rector of the parish, Father Joseph Hurst, who served from 1866 to 1905.  It was remodelled in 1964 by Hadfield, Cawkwell & Davidson, and closed because of falling rolls in 1981. 

After some years of use for Youth Training Scheme activities it became the Diocese of Hallam Pastoral Centre, opening on June 27th 1990.

Alongside the Centre, regular services continue in the church of St Charles, as they have done since 1868.

St Charles Borromeo Church is a destination on Mike Higginbottom’s Heritage Open Days A Walk Round Attercliffe which takes place on Friday September 6th 2024 from 10am to 12.30pm, starting and finishing at the Attercliffe tram stop.  

Call 07946-650672 or e-mail mike@mikehigginbottominterestingtimes.co.uk to book.

St Anne’s Roman Catholic Church, Keighley

St Anne’s Roman Catholic Parish Church, Keighley, West Yorkshire

Augustus Welby Northmore Pugin (1812-1852) began his career as an architect in the early 1830s, empowered by two events, the Roman Catholic Relief Act (1829) and his own conversion to Catholicism in 1834, which led him to become the great pioneer of the Gothic Revival in the British Isles and across the world.

John Talbot, 16th Earl of Shrewsbury (1791-1852) enlisted him to design Catholic churches, monasteries and schools, and Sir Charles Barry (1795-1860) hired him to contribute detailed designs to the rebuilding of the Palace of Westminster for which he was never in his lifetime accorded adequate credit.

In a short career lasting barely a decade Pugin directed his prodigious artistic talent to provide inexpensive church designs for impoverished congregations alongside opulent commissions for wealthy Catholic patrons.

He was capable of devising simple, dignified parish churches for as little as £3,000, yet when he had access to a generous budget – and when he was footing the bill himself – he spent lavishly and designed richly.

St Anne’s, Keighley is typical of his low-budget commissions, a modest nave with a short chancel and a belfry which fell down during construction and had to be rebuilt.  The current edition of Pevsner’s Buildings of England:  Yorkshire West Riding – Leeds, Bradford and the North (Yale University Press 2009) points out that the simplicity of the lancet windows were “popular among less exacting architects”;  given the chance, Pugin would have insisted on tracery.

The Pevsner volume (p 353) shows an 1843 engraving of the building in its original form – modest, simple, elegant, and instantly recognisable as essentially Pugin.

However, by the end of the nineteenth century the congregation had outgrown the building and the Bradford architect Edward Simpson (1844-1937) turned the place on its axis and more than doubled its floor area in 1907.

Pugin had observed the tradition that worshippers should face east towards Jerusalem, but his chancel became the entrance, and at the west end Simpson added a florid new chancel and a pair of double transepts.  They are clearly by a different hand, yet Simpson shows respect for the original design.  This layout is practical, providing direct entry from North Street, and is visually harmonious.

The interior was extensively beautified in the period 1908-1915.  Pugin’s 1841 east window by Thomas Willement (1786-1871) remains above the entrance doors, and the original altar is now in the Chapel of Our Lady.  The main sanctuary has an imposing high altar and reredos, installed in 1915:  Taking Stock – Catholic Churches of England and Wales (taking-stock.org.uk).

It’s ironic that when a similar rearrangement was proposed at the former St Aidan’s, Small Heath, Birmingham, now All Saints’, in 1998, the Victorian Society strongly objected, until firmly told by the Chancellor of the Consistory Court that worship took precedence over antiquarianism.

St Anne’s amalgamated with the nearby parish of Our Lady Of Victories Keighley in 2016 and it’s apparent from the parish website that the congregation is thriving:  St Anne’s Catholic Church – Priest’s Welcome (stanneskeighley.org.uk).

The parish has a long tradition of welcoming strangers to its community – “…not only the Irish immigrants but later on the Italians, Poles, Slovenians, Ukrainians, Hungarians, Latvians, Czechoslovakians, people from many African countries and most recently Indians from Kerela as well as many migrant workers from Eastern Europe” – and supports socially and economically disadvantaged members of the local community through its charity shop and at the Good Shepherd Centre:  St Anne’s Catholic Church – Good Shepherd Centre (stanneskeighley.org.uk).

Temple Street Methodist Church, Keighley

Temple Street Methodist Church, Keighley, West Yorkshire

Temple Street Methodist Church (1846) is indeed a temple celebrating the growth of Wesleyan Methodism in Keighley in the former West Riding of Yorkshire.

There had been Methodists in the town for just over a hundred years by the time it was built.  A journeyman shoemaker called John Wilkinson formed a small group to meet in his cottage for worship in 1742. 

The tiny congregation rapidly grew to over a hundred, and John Wesley (1703-1791) made his first visit to the town in 1746.  He returned in 1753, 1759 and 1772.  On his last visit, in April 1774, he preached to “our old, upright, loving brethren at Keighley”.

The first purpose-built preaching house opened in 1754 and was enlarged in 1764 and 1777.  It was superseded by the Eden Chapel in 1811, which became a Sunday School when the Temple Street chapel opened, designed to accommodate 1,600 people, in 1846.

At that time the façade looked out across an open space to North Street, the main road, but later its façade was hemmed in by the buildings of Russell Chambers.

This was not the only Methodist presence in Keighley.  The Primitive Methodists began a mission in 1821 and eventually extended to three circuits, and the Wesleyan Protestant Methodists built their Gothic church with its 125-foot spire, the tallest in the town, in c1863.  These were only the most prominent among a scattering of little chapels across the locality.

My friend John who grew up in Haworth in the 1960s remembers Temple Street for the Keighley Grammar School Founder’s Day services and the annual performances of Messiah which, in the local tradition, were in two parts, afternoon and evening, with community hymn-singing in between.  The Messiah events involved choirs of up to three hundred.  Sometimes extra chairs were needed to seat the congregation.

In a surprisingly short time at the end of the 1960s there followed a rapid decline, as the Christian population moved to the outlying suburbs and villages and an Asian population replaced them.  The Methodist congregation formed an ecumenical partnership with the parish church of St Andrew and the chapel was sold to the Borough Council for an intended redevelopment plan that was promptly abandoned when Keighley was transferred to the City of Bradford Metropolitan District in 1974.  In that year the Temple Street Chapel was listed Grade II.

The war-memorial stained-glass windows were transferred to the museum at nearby Cliffe Castle and the magnificent Foster & Andrews organ seems to have disappeared, as fine organs did and sometimes still do.

The oak war-memorial board also disappeared, but was reclaimed in remarkable circumstances in 2015:  Temple Street | Men of Worth.

Temple Street was sold in 1978 and became the Shahjalal Mosque, and remains after all a place of worship.

The prettiest bridge in Berlin

Oberbaumbrücke, Friedrichshain-Kreuzberg, Berlin

The Oberbaum Bridge [Oberbaumbrücke], which links two Berlin suburbs, Friedrichshain and Kreuzberg, across the River Spree, is engagingly weird. 

Lonely Planet describes it as “Berlin’s prettiest bridge”, while the Berlin Historical Walks website suggests “its strutting proud form reflects the confidence and swagger” of imperial Germany.

In fact, its chequered history touches every aspect of the growth and resilience of this fascinating city.

The crossing was established at the boundary of early eighteenth-century Berlin as part of a customs wall to collect tolls.  The name literally translates as “Upper beam bridge”, indicating the tree-trunk barrier that was lowered overnight to discourage smugglers.  There was a lower (ie, downstream) beam at Unterbaumstraße.

The original wooden bridge was replaced by the present brick, double-deck structure in 1894-96, to overcome a bottleneck for road vehicles and pedestrians and to accommodate elevated tracks for the city’s first subway trains.  Services on the U-bahn from Stralauer Tor on the eastern side of the bridge to Potsdamer Platz began in 1902.

To mask the bare structure the architect Otto Stahn (1859–1930) dressed it in the distinctive Brick Gothic style, with two entirely decorative towers flanking the central span, indicating that this had been a historic gate into the city.

In the final weeks of the Second World War the Wehrmacht blew up the central section in a vain attempt to impede the advancing Red Army, and Allied air raids damaged the Stralauer Tor station so severely that it was never rebuilt.

The Oberbaumbrücke came to symbolise the division of Berlin, first into four sectors administered by the Allies, and then into the two separate enclaves of East and West Berlin.

In the early post-war years West Berliners could exercise the right to travel across to the East, but East Berliners were strictly forbidden to set foot on the bridge, and the U-bahn service was cut back to Schlesisches Tor in West Berlin. 

The boundary between East and West was the western bank of the Spree, so the construction of the Berlin Wall in 1961 turned the river waters into no-man’s land. 

On October 5th 1961 25-year-old Udo Düllick got himself sacked by his East German Railways [Deutsche Reichsbahn] supervisor, took a taxi to the Oberbaumbrücke and tried to swim across the river to reunite with his older brother in West Germany.  The East German guards fired warning shots and then took direct aim.  West Berliners watching daren’t enter the water to rescue him for fear of being shot themselves. 

The East Germans failed to hit Düllick but he drowned and his body was recovered from the west bank the following day.  2,500 people attended his funeral.  He was the first, but by no means the last, to die in the waters of the Spree at this place.

A permanent arrangement to open the bridge for pedestrians was agreed in 1972, and three years later a formal emergency plan to rescue people – often children who climbed through gaps in the parapet – from the river waters.

The Oberbaumbrücke came to symbolise the sadness and separation of the city’s inhabitants.  The subway viaduct was partly dismantled and the ornamental towers were demolished in 1974.

The reunification of Germany in 1990 has been celebrated by the restoration of the crossing. 

The gap in the viaduct was filled by a tactful, elegant steel structure by the Spanish architect Santiago Calatrava (b1951), and the distinctive towers were rebuilt.  The bridge reopened to pedestrians and motor traffic in 1994 on the fifth anniversary of the fall of the Wall, and the U-bahn service was restored to Warschauer Straße station the following year.

Now the Oberbaumbrüke is a celebrated tourist spot in its own right, enjoyed and loved by Berliners and foreigners alike.

The pedestrian walk beneath the U-bahn tracks is remarkable: it was designed as a prestige project by Otto Stahn in medieval style, with castellated towers, gothic arches, polychrome brick, heraldry – very St Pancras. 

Romantic garden with a theme park attached

Alton Towers Garden: Pagoda Fountain (1978)

The fifteenth and sixteenth Earls of Shrewsbury’s wonderland at Alton Towers is a sideshow to the Merlin Entertainments’ theme park and resort.  To the present operators’ credit, they’ve pumped some of their profits into restoring and maintaining the historic fabric, but visiting isn’t easy if you seek to be edified rather than exhilarated.

The fifteenth Earl (1753-1827) developed the romantic garden in an unwatered valley on his Alton estate from around 1814, repeatedly extending the original estate manager’s lodge to entertain his family and guests.  The house grew until his nephew and heir, the sixteenth Earl (1791-1852), occupied one of the largest country houses in England.

The engineering involved in creating the garden, including terracing and the digging of lakes supplied from a spring two miles away, was largely the work of Thomas Allason (1790-1852). 

Most of the buildings which are scattered about the gardens seem to be the work of Robert Abraham (1774-1850).  He is credited with the range of conservatories, their domes surmounted by earl’s coronets, and the cast-iron Gothic Temple, or Prospect Tower, which provides one of the most panoramic views of the whole composition. 

Abraham also produced the initial design for the Pagoda Fountain in 1827, with a stone base containing a gasometer, six storeys and no less than forty gas-lit Chinese lanterns. The completed structure, started after 1831 and fabricated by the Coalbrookdale Iron Company, is smaller (44ft), unlit, and entirely of cast-iron;  its seventy-foot plume of water remains the major spectacle of the garden.

Guide-books regularly attribute Robert Abraham’s design to a “To-Ho Pagoda in Canton”.  I ransacked Google and Wikipedia for an illustration without success, but I did find this:  Ta-Ho Pagoda Canton Temples Antique Chinese Architecture Engraving Pri – Ephemera Finds.

Among the other garden features to notice at Alton Towers are the Corkscrew Fountain and what is now known as the Swiss Cottage (1835), apparently originally designed by the Uttoxeter architect Thomas Fradgley (1802-1883) for the Earl’s blind Welsh harpist, Edward Jervis, who when not employed in the entrance hall of the house, provided musical accompaniment for promenades round the gardens.

The fifteenth Earl’s contribution to the beauty of Alton Towers is commemorated by his nephew’s iron monument, in the form of the Choragic Monument of Lysicrates in Athens, which stands at the entrance to the garden, containing a portrait bust and surmounted by the motto, “He made the desert smile.”

If all you want to do at Alton Towers is admire the historic house and gardens without being frightened silly, you can ignore the rides: the house is straight ahead and unmissable; the gardens are to the left.

The entire complex is open from mid-March to November and there are quieter times outside school holidays:  Theme Park Tickets, Passes & Discounts | Alton Towers Resort.

There is extensive amateur footage of both the house and the grounds at Alton Towers Ruins 2006 & 2014 (youtube.com).

History repeats itself

Norwood Hall, Sheffield (1976)

In my book Demolished Sheffield I used Norwood Hall as an example of how easily a valuable historic building can be lost when a determined owner wishes to be rid of it without regard to public opinion, forethought and common sense.

One of the earliest surviving buildings in the north of Sheffield, Norwood Hall was built in 1713 and for much of its history was occupied by the descendants of James Wheat, an eighteenth-century solicitor, until it was sold to Sheffield Corporation in 1916.  It passed two years later to the Diocese of Sheffield as a residence for the first Bishop, Hedley Burrows (1857-1940), and became known as Bishopsholme.

During the Second World War it was requisitioned and afterwards returned to the ownership of Sheffield City Council and listed Grade II in 1952.  Ultimately it became a social-care hostel until it closed in 1968, after which it was left empty and repeatedly vandalised. 

The City Architect at the time remarked that it didn’t “possess sufficient architectural merit to warrant its retention, and I am surprised that anyone should consider it does”.

When the proposed demolition became public knowledge in April 1969 the resulting controversy prompted to the formation of the Hallamshire Historic Buildings Society, which led a campaign accusing the Council of attempting to demolish the building by neglect.  

Two public enquiries, in February 1970 and December 1972, each concluded that the Hall was worth saving. The inspector at the second inquiry declared that the Council’s estimates of the cost of restoration were outlandish.

Despite these judgements, Sheffield City Council as guardian of health and safety overruled Sheffield City Council as protector of ancient buildings, and Norwood Hall was demolished as unsafe before dawn on June 6th 1976.

A housing estate now covers the site, which is remembered only in the street-names Bishopsholme Road and Burrows Drive.

Fifty years later, we have a parallel problem because the present-day City Council, however much it values the city’s heritage, simply hasn’t the resources to safeguard places of architectural and historic significance.

The auditorium of the Adelphi Cinema, listed Grade II, was stripped of its ornate interior plasterwork by a previous owner, and now belongs to the Council, which intends to restore it using ring-fenced Levelling Up funds.

The Old Town Hall, also listed Grade II, was never owned by the Council but was sold to a private developer early in this century, and has been left to rot ever since.  By 2007 it featured as one of the Victorian Society’s Top Ten Endangered Buildings, and in 2014 the Friends of the Old Town Hall group was established to promote its significance.  It’s now in such a state that it looks increasingly unlikely that it can be rescued.

The Abbeydale Picture House, appreciated and celebrated by the people who have enjoyed events there since 2005, is unsafe because the auditorium ceiling is in danger of collapse, and though the current lessees have secured funding to purchase the freehold a legal stand-off with the current owner continues.

The City Council has struggled for years to maintain essential services and no longer has the funds to support culture and the environment adequately.  Like other public bodies under siege, the Council has sometimes been its own worst enemy, most notoriously in the controversy over the culling of street trees in Sheffield between 2014 and 2018.

It’s unfortunate, to say the least, that the City Council, having purchased and neglected the Market Tavern on Exchange Street, eventually announced that the building had become dangerous and must be taken down, only to have to admit – in the face of evidence to the contrary from Hallamshire Historic Buildings and enterprising local journalists – that in fact it did not fall down by accident.

It’s understandable, in the face of a succession of scandals caused by the duplicity of elected members and paid officers at all levels of government across the UK, that people are increasingly cynical and distrustful about the lack of transparency in public life.

The result is that when a council commits an error it’s damned for concealing it and damned for admitting it.

There’s not much ordinary people can do to protect local buildings in distress, but we can make a loud noise in support of those who, by their voluntary, professional or political efforts are working against enormous odds to preserve the attractive and familiar environment that has been handed down to us.

American Church Berlin

Luther Church, Schöneberg, Berlin, Germany

Public transport in Berlin has several layers. 

There are buses, though in two visits I’ve only ever boarded one.  Rail is faster and more comfortable – trams in the former East Berlin, alongside the U-Bahn (underground railway) and the S-Bahn (overground railway).  Some services duplicate each other’s routes in places, and I found it easier to rely on signage at stops and on vehicles than to try to interpret the incompatible maps.  Ticketing is simple:  the day ticket [tageskarte] offers the run of the system.

I like to take time in any big city simply to hop on a bus, tram or train and see where it goes.  Serendipity takes over at such a point. 

With a couple of hours to spare one afternoon I took a westbound U2 train, trusting that I’d see something interesting when it eventually surfaced outside the central area.  Sure enough, shortly before the train entered Bülowstraße station it passed close by a spectacular brick Gothic church. 

The line went underground shortly afterwards, so I left the train at Wittenbergplatz and backtracked.  Bülowstraße station is a fine Art Noveau structure dating from 1902, part of the city’s first U-bahn route, designed by Bruno Möhring (1863-1929). 

Train services were severed when the Berlin Wall was built, and subsequently the station opened in 1980 as a bazaar and music restaurant which became a vibrant centre for the city’s Turkish community.  The tracks within the trainshed were covered over, and for a few months a vintage streetcar shuttled along the viaduct between Bülowstraße station and a flea-market at Nollendorfplatz station.  The station reopened in 1993.

The tall spire of the church I’d spotted is immediately visible from the street outside the station, though the building itself is difficult to photograph because of the surrounding trees.

It was originally built as the Luther Church [Lutherkirche] (1894), a rich and complex design by Johannes Otzen (1839-1911).  It’s a cross between the Scandinavian Church in Liverpool and the Midland Grand Hotel at St Pancras. 

The external detail is of the highest quality, though it’s one spire short of a full set of turrets because of wartime bombing, and the interior, rebuilt in 1958-59, is simple and tasteful:  American Church in Berlin – Church in Berlin (foursquare.com)

The church is occupied by the American Church Berlin [https://www.americanchurchberlin.de].  Their pre-war building at Nollendorfplatz was destroyed in 1944, though a vestige survives as a monument. 

If ever I return to Berlin it’ll be at the top of my list to revisit, preferably in the morning when the sun will be better placed, and if possible in winter when the trees are bare.

Old Town Hall on the brink

Old Town Hall, Sheffield (2023)

Photo: Simon Hollis

At the end of November 2023 Sheffield’s digital news site Tribune published an in-depth article [The Old Town Hall has had some terrible owners. Is Gary Ata the worst? (sheffieldtribune.co.uk)] about the lamentable state of the Old Town Hall, one of the largest, oldest and most significant historic buildings in the city centre, which though Grade II listed is deteriorating inexorably.  Tribune had previously reported on the building in August 2021:  Sheffield’s Old Town Hall changes hands again (sheffieldtribune.co.uk).

I posted blog articles about the Old Town Hall in 2011 [Court adjourned | Mike Higginbottom Interesting Times], 2015 [Friends of the Old Town Hall | Mike Higginbottom Interesting Times] and 2019 [Old Town Hall at risk | Mike Higginbottom Interesting Times].

Ownership has long been a problem with this building.  It was never owned by the City Council or its elected predecessors.  It was built in 1807-08, before Sheffield was even a borough, by the Town Trustees, one of the three ancient foundations that administered the town from Tudor times. 

Through the nineteenth century the Trustees leased space to the borough authorities until the new Town Hall was completed in 1897.  After that the building became the city’s law courts until 1995 when the new Crown Court building opened on West Bar. 

The Department of the Environment bought the Old Town Hall in 2000 and passed it to a succession of property developers who allowed the place to rot.  The intentions – and sometimes the identities – of these shadowy figures have not always been apparent to the media or the public. 

By 2007 it featured as one of the Victorian Society’s Top Ten Endangered Buildings, and in 2014 the Friends of the Old Town Hall group was established to promote its significance.

The only owner who made a positive effort to put the Old Town Hall to commercial use was Mr Efekoro Omu, whose 2019 scheme for serviced apartments, hotel rooms in the old cells and a “souk” – “a boutique marketplace of characterful commercial spaces” – would have severely compromised its historic integrity. 

That idea sat uneasily with the scheme that the Friends had created using funds from the Heritage Lottery Fund and the Architectural Heritage Fund.

Mr Omu’s scheme collapsed during the Covid lockdowns and led to his bankruptcy in 2021.  When the Old Town Hall was sold, the Friends estimated that restoration might cost £15 million.  That figure has undoubtedly risen since, as weather, inflation, vandalism and neglect take their toll, perhaps to £25 million.

The problem is conservation deficit, the gap between the cost of restoring a neglected building and its market value when fully restored.  Consequently, commercial use almost inevitably compromises historic integrity, so a prominent historic structure like the Old Town Hall needs to be supported by scarce grant aid.

Urban explorers may yet be the saving of the building because they have chronicled and publicised its increasingly miserable condition.

In Bradford the New Victoria Cinema might have gone by now if urban explorers hadn’t publicised the fact that behind post-war modernisations the original 1930 décor was intact and retrievable:  Our History Timeline | Bradford Live.

In Sheffield, two more modest cinemas bit the dust, as I chronicled in my book Demolished Sheffield [Demolished Sheffield | Mike Higginbottom Interesting Times], because their intact interiors weren’t recognised until the roof was off.  An English Heritage inspector apparently declared that the ornate Electra Palace (1911), Fitzalan Square, did not merit listing shortly before it burnt down in 1984.  The Star Cinema, Ecclesall Road (1915) was unrecognised as an intact silent-movie picture house until part way through its demolition in 1986.

I’ve met a number of building owners who are wary of the “risk” of having their buildings listed because they fear it will prevent them from using the site as they wish, but Sheffield can be proud of buildings at risk that became thriving assets to their owners and the community, such as Carbrook Hall (17th-century, II*), Greentop Circus (1876, II) and the soon-to-be-opened Leah’s Yard (mid-19th century II*).

The ultimate player in the process of rescuing buildings in distress is the City Council and it’s true that they have in the past missed chances to wrest the Old Town Hall from negligent owners.  At one time the Council had a team of planners whose brief was to monitor the city’s stock of historic structures.  Now there is only one conservation officer, and he works part time and lives outside the city.  His workload is unenviable.

For this reason, when I raise an issue about a historic building, as I did recently with the listed Adelphi Cinema, Attercliffe, I present a concern but I don’t hold my breath waiting for action.

In particular, after decades of financial strictures, the Council’s priorities are rightly prioritised to supporting essential services and helping vulnerable people.

For the immediate future, whether an old building that’s lost its purpose stands or falls depends on community stakeholders and imaginative benefactors who can work together to make the city a better place for future generations.

The least any of us can do as individuals is to express concern about the Old Town Hall, the Adelphi Cinema or any other Sheffield building that we don’t want to lose.

A good place to start is by contacting the Council’s heritage champion, Councillor Janet Ridler:  Sheffield Council makes ‘small but significant’ steps for heritage (thestar.co.uk) at Councillor details – Councillor Janet Ridler | Sheffield City Council.