Every citizen of the USA, unless they are a Native American, is by definition the descendant of immigrants.
Something approaching 40% of the current population of the United States can claim ancestry from immigrants who entered through Ellis Island between 1892 and 1954, arriving under the gaze of the Statue of Liberty.
‘Liberty Enlightening the World’ is the full title of the great copper colossus, perhaps the most famous of all the visual symbols of the city and the nation, designed by the French sculptor Frédéric Auguste Bartholdi (1834-1904).
The statue was financed by the voluntary subscription of the French people at a cost of $250,000 “to commemorate the alliance of the two nations in achieving the independence of the United States of America”.
Though the American people were happy to accept the gift, they proved reluctant to subscribe to the cost of the pedestal until Joseph Pultizer, in the editorial columns of the New York World, galvanised public energy into sufficient fund-raising:
It would be an irrevocable disgrace to New York City and the American Republic to have France send us this splendid gift without our having provided even so much as a landing place for it.
It is ironic that even the Statue of Liberty had problems securing a landing here.
The famous figure of a robed woman, stepping forward bearing a flaming torch in her right hand, is formed of copper sheets 3/32 of an inch thick. The suggestion to use this material, shaped by repoussé hammering, came from the architect Eugène Viollet le Duc, and the problem of supporting it was resolved by the engineer Gustave Eiffel who designed the framework and armature on which the copper sheets are mounted with sufficient flexibility to absorb changes in temperature and the effects of wind.
Fabrication initially took place in Paris, where it gradually dominated the streets surrounding Bartholdi’s studio, after which it was dismantled and shipped across in 214 large crates.
The location in New York Harbour, formerly known as Bedloe’s Island, was chosen by Bartholdi. The structure stands on the foundation of the former Fort Wood, in the shape of an eleven-pointed star: the stone pedestal is itself 89 feet high, and the torch of the statue rises to 151 feet above ground-level.
The statue’s size, though it looks insignificant across the distance of the Harbour, is prodigious – the eyes are each two feet wide, and the right arm and torch, which were displayed as a separate unit at the Centennial exhibition at Philadelphia in 1876, are 42 feet high.
This magnificently flamboyant project came to final fruition in 1886, when the completed structure was dedicated by President Cleveland.
Its visual impact was immediately enhanced in the public consciousness by Emma Lazarus’ famous poem written in 1883:
…From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed to me.
I lift my lamp beside the golden door!”
The word ‘iconic’ is heavily overused, yet ‘Liberty Enlightening the World’ is an icon, to everyone from the protesters in Tiananmen Square to Kate Winslet’s character, Rose, in the 1997 film Titanic, as it might be to the property developer and TV show presenter, descended from German and Scottish immigrants, who became the 45th President.
Which is why it’s both distressing and heartening that a protester against Donald Trump’s 2017 travel ban was photographed carrying a placard with the words, “Give me your tired, your poor, Your huddled masses…”