Monthly Archives: November 2025

Second Lieutenant Iowerth Ap Roland Owen (1896-1917)

Family tomb of Iorwerth ap Roland Owen (1896-1917), Anfield Cemetery, Liverpool

Walking through Liverpool’s Anfield Cemetery, I noticed a neat monument topped by a Gothic spire, commemorating the Owen family, on which one panel of the square base carries a carved portrait of their airman son Iowerth Ap Roland who was killed in action in 1917.

The magic of Google connected me with the research of Louise McTigue, who in its early days contributed to the informative blog of the funeral directors Sarsfield Memorials Liverpool:  Blog – Sarsfield Memorials LiverpoolSarsfield Memorials Liverpool | The Oldest Family Run Monumental Masons In Liverpool.

Iowerth’s father Dr Roland Owen came from Anglesey but he and his wife Margaret lived in Seaforth on the northern edge of Liverpool.

Iowerth joined the Officers’ Training Corps at his public school, Mill Hill, and though he intended to qualify in medicine at London University he put his studies on hold in 1915, joined the Inns of Court OTC and applied for a commission in the Royal Flying Corps where he was awarded his wings after six months’ training.

He immediately left for France and on the morning of May 7th 1917 he set off on a photo-reconnaissance mission from Savy airfield to Arras where he and his observer Air Mechanic Reginald Hickling were overpowered by five German planes.

It seems that Reginald Hickling was killed instantly, yet Iowerth Owen, though he was shot in the head and chest, managed to land the plane successfully before passing out.  He was bundled into an ambulance but died without regaining consciousness.  He was twenty.  He served in France for less than a month.

The two British airmen’s nemesis was a protégé of Manfred von Richthofen, the “Red Baron”. Leutnant Karl Allmenröder in a short career as a fighter pilot claimed thirty victories before he himself was shot down on June 26th 1917 aged twenty-one.  He too was a medical student.

Iowerth Owen is buried in St Catherine’s British Military Cemetery, Arras, and commemorated on his parents’ memorial in Anfield. 

Reginald Hickling, a policeman’s son who worked as a gardener, was buried at Albuera Cemetery at Bailleul-Sire-Berthoult in the Pas de Calais.  He was aged 29.  A week after his funeral his brother Frederick, a Quartermaster Sergeant in the 2/8th Worcestershire Regiment, was mentioned in dispatches.

Karl Allmenröder was buried in the Evangelical Cemetery, Wald, Germany.  His reputation as an air ace encouraged the Nazi government to name streets after him.  All these streets were renamed after 1945 and he has no public memorial.

In a time of peace these three men would have lived their lives without harming anyone.  Indeed, in their different ways they’d have made the world a better place.

Their contemporary Wilfred Owen (1893-1918) called this waste of humanity “The old Lie:  Dulce et decorum est/Pro patria mori” – “It is sweet and fitting to die for one’s country”.

Nottingham Playhouse

Nottingham Playhouse

When I visited Nottingham Playhouse recently to see my friend Andrea in a superlative production of Aaron Sorkin’s play based on Harper Lee’s novel To Kill a Mockingbird [To Kill A Mockingbird] I felt an immediate sense of nostalgia when I entered the auditorium.

When the Playhouse opened in 1963 I was in the middle of my grammar-school education and by the time we reached the sixth form the following year our English teachers had formed a rota to take us by coach once a month on a Friday evening to see whatever was on in the Playhouse’s opening seasons which were directed principally by John Neville (1925-2011).

Neville shared his role of artistic director at first with Frank Dunlop (b1927), who went on to found the Young Vic in 1969, and the polymathic Peter Ustinov (1921-2004).  Between them they brought to Nottingham a broad range of classic drama and a scintillating troupe of talented actors.

Therefore, in our teens, we were privileged to see – live on stage – not only John Neville’s Richard II, Oedipus and Willy Loman in Death of a Salesman, but the twenty-something Judi Dench as Margery Pinchwife in William Wycherley’s bawdy Restoration comedy The Country Wife, which had us rolling about in our front-row seats, even if some of us didn’t at first twig the pun in the title.

These opportunities were unrepeatable:  Neville resigned in 1969 because the theatre’s grant was repeatedly frozen;  nowadays theatre seat-prices are elevated beyond most school budgets, especially when big-name performers are cast.  Indeed, Nottingham Playhouse runs a laudable 50:50 Appeal, which enables audiences to donate the cost of tickets for local people who otherwise wouldn’t experience live theatre:  50:50 Appeal – Nottingham Playhouse.

I’m pleased to see that Peter Moro’s theatre, with the circular drum of the auditorium prominent above the rectilinear outer shell, has been respectfully restored:  Moro had been involved in the Royal Festival Hall project, and for Nottingham created a conventional proscenium theatre that encloses its audience so they share the same space as the actors. 

And on the night I was there the To Kill a Mockingbird tour filled every seat in the house as it storms around the country on its way to a West End run in August 2026:  TOUR — To Kill A Mockingbird.