Author Archives: Mike Higginbottom

Finding a secret tunnel: Stoke Rochford Hall

Stoke Rochford Hall:  coal tunnel

Stoke Rochford Hall: coal tunnel

When I first got interested in local history, at the age of sixteen, I and my mates had an obsession with what we believed to be secret tunnels, often attached to Georgian houses in mid-Derbyshire where we lived, only to discover in our maturity that they were in fact land-drains.  Now I’ve found a tunnel under a country house that really has been a secret and is really a tunnel.

I’m particularly glad that Country Houses of Lincolnshire (August 6th-9th 2010) is based in the magnificent surroundings of Harlaxton Manor (Anthony Salvin & William Burn, 1830-7), and whenever I’ve taken groups to Harlaxton I’ve always tried to include Stoke Rochford Hall (William Burn, 1841-5), a fascinating scaled-down version of Harlaxton for an owner who wanted a splendid but manageable Jacobethan house with what were later called all modern conveniences.

Stoke Rochford is even more interesting since the disastrous 2005 fire because English Heritage insisted that almost all of the destroyed Victorian craftsmanship should be meticulously replaced, and the owners, the National Union of Teachers, now have a conference-centre full of brand-new “Victorian” craftsmanship.

When I went to reconnoitre for the 2010 tour Suzi, my guide, casually mentioned a “coal tunnel”, and showed me a virtually intact brick tunnel, complete with iron railway-rails and turntables, to convey coal into the house.

The staff at Harlaxton, now the American campus of the University of Evansville, Indiana, are very proud of their railway-viaduct, with wooden rails, that brought coal and other goods into the attics of the house, and had no idea that the neighbours at Stoke Rochford had in their cellar a similar facility which, it has to be said, is more modest in size but perhaps better preserved.

The 40-page, A4 handbook for the 2010 tour Country Houses of Lincolnshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It contains chapters on Boothby Pagnell Manor House, Ellys Manor House, Belton House, Grimsthorpe Castle, Fulbeck Hall, Fulbeck Manor, Leadenham House, Harlaxton Manor and Stoke Rochford Hall.  To view sample pages click here. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Losing a Liverpool legend: Lewis’s department store

Lewis's department store, Liverpool

Lewis’s department store, Liverpool

Liverpool has lost a significant city-centre icon now that the first and last Lewis’s store has closed.

The business was founded in 1856 as a men’s and boy’s outfitters by David Lewis (1823-1885), an entrepreneur and philanthropist of genius who was one of the UK pioneers of what became known as the department store.

The existing building, a post-war replacement of the bombed-out 1910-23 building, was designed in 1947 by Gerald de Courcy Fraser.  Its dominant feature is Sir Jacob Epstein’s bronze statue, Liverpool Resurgans [“Liverpool rises again”] (1954), the subject of much ribaldry, especially in wet weather.

Epstein also provided three relief panels of scenes of childhood in fast-setting ciment fondu.  The emblems that decorate this elegant classical building – a virile man striding forward and a celebration of the generation we now call the “baby boomers” – speak of a post-war optimism for a future that turned out rather differently.

The Lewis’s building reopened as Britain’s first Adagio Aparthotel in June 2013:  http://www.adagio-city.com/gb/united-kingdom/index.shtml.

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

The well-kept secret of St Anne’s-on-Sea

Tram shelter, St Annes-on-Sea

Tram shelter, St Annes-on-Sea

I made a flying visit to St Annes-on-Sea to present my lecture ‘Beside the Seaside:  the architecture of seaside resorts’ to the newly-founded Fylde Decorative & Fine Arts Society a few days ago.  For a society that’s been up and running for less than a year they’ve achieved an enormous amount – over 200 members, an award-winning website, visits to Yorkshire and Krakow, Young Arts sponsorship, a church-recording project and strong connections with other organisations in the region.  They meet at the United Reformed Church, St Georges Road, on the first Wednesday of each month from October to July, and have room for further new members.  See http://www.fyldedfas.org.uk/index.htm.

Kate Cartmell, the Programme Secretary, paid me a warmly-appreciated compliment when she pointed out that my description of Blackpool as a seaside resort “gave the place dignity”.  Sometimes people think I’m joking when I describe the Tower Ballroom as the finest piece of rococo decoration in the North West:  I was heartened that Kate recognised I wasn’t being ironical.

I wish I’d said a little more to place Lytham St Annes into the context of the history of the British seaside.  The Fylde coast tells the whole story, in essence, of how railways and, to a lesser extent, steamships, drove the holiday industry.

The landowner Peter Hesketh Fleetwood gave his name and lost his fortune to the wildly over-ambitious resort of Fleetwood, which was quickly overtaken by the small landowners and businessmen who made Blackpool the premier resort of the North West.

This process was helped by the decision of another landowning family, the Cliftons, to sell up in Blackpool and develop Lytham as a superior, “select” alternative that they could tightly control.  When the Cliftons were in need of cash in the teeth of an agricultural depression, they sold to a developer the land on which St Annes was built from 1875.  Meanwhile, further south, two more landowning families, the Scarisbricks and the Bolds (the latter related by marriage to the Fleetwoods), worked jointly to build spacious, elegant Southport.

To the far north, on the Lune estuary, another miscellaneous collection of landowners threw together Morecambe, in its day phenomenally successful as “Bradford-by-the-sea” and now less a resort than a dormitory for Lancaster.

You can walk round each place and pick up its character very quickly – Fleetwood, St Annes and Southport planned with a ruler and set-square; Morecambe and Blackpool strung together piecemeal;  Lytham, carefully constructed at the gates of the big house, Lytham Hall.

A quick trawl through the new Pevsner (Lancashire North) compels me to return to Lytham St Annes to explore the astonishing quality and variety of its architecture.

Watch this space…

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 80-page, A4 handbook for the 2013 Lancashire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

End of the road in Yorkshire

Spurn-6

Photo:  Richard Miles

Spurn Point is a unique, astonishing place – a sandspit stretching 3½ miles into the Humber estuary, for much of its length hardly a hundred yards wide.  The access road is uncertain, because the spit is literally on the move, gradually repositioning itself to the west as the sea coast erodes and sediment builds up in the calmer waters of the estuary.

The entire peninsula is a nature reserve, administered by the Yorkshire Wildlife Trust [www.ywt.org.uk/nature_reserves.php?id=51] with free admission for pedestrians and a small charge for cars.  It’s a delicate environment, and dogs are strictly prohibited.

The last pub in Yorkshire is the Crown & Anchor, Kilnsea, which has a superb setting and has had a variable reputation over the years.  (The reviews are patchy, but the last time I visited we were well looked after.)

Up the lane on the sea coast are the shattered remains of the Goodwin Battery, a First World War installation which was finally abandoned in 1957.

Some distance north, standing back from the coast, is a sound-mirror, an acoustic precursor of radar, designed to focus the sound of advancing aeroplanes before they became visible over the horizon.  (A practical demonstration of this ingenious technology can be found at the Jodrell Bank Telescope in Cheshire.)

The road down to the Point repeatedly crosses railway lines, often to the puzzlement of modern visitors.  The Spurn Railway was laid by the Army in 1915 to carry supplies from the pier at the end of the peninsula up to the Goodwin Battery.  It was never connected to the main railway system, which approached no nearer than Patrington.  As well as steam locomotives, the line operated petrol railcars and a railed racing car, as well as sail power, there being no shortage of wind. The line was scrapped in 1952-3.  [www.skeals.co.uk/Articles/Spurn%20Railway.html]

Spurn Point is the base of the only fully-manned RNLI station in the British Isles.  Because of its remoteness and its strategic importance the Humber Lifeboat has a long history dating back to 1810 and a proud record of lives saved.  Two of its coxswains retired with outstanding records of service:  as well as their RNLI awards, Robert Cross was awarded the George Medal and Brian Bevan the MBE.  Details of the station can be found at www.spurnpoint.com/lifeboat.htm.

Last time I took a group to Spurn the Coxswain, Dave Steenvorden, and his crew showed us round and told tales of the estuary over tea and biscuits, until suddenly Dave clapped his mobile to his ear, declared “It’s a shout!”, and the crew disappeared down the jetty and sped off in their lifeboat.

Nothing I could say would persuade my group of Nottingham University students that I hadn’t set it all up.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Stars on the street

Withernsea Pier

Withernsea Pier

The life of Kay Kendall, the Withernsea-born film actress, was brief and poignant. Shortly after she began an affair with Rex Harrison, she was diagnosed with leukaemia. As was often the custom in the 1950s, the diagnosis was concealed from her – she apparently thought she had an iron deficiency – and Harrison divorced his second wife, Lilli Palmer, in order to marry Kay and take care of her.  The agreement was supposedly that Rex Harrison and Lilli Palmer would get back together after Kay’s death, which occurred in 1959, but by that time Lilli had found another lover.

This story sheds an interesting light on Rex Harrison, who is often portrayed as an unpleasant character.  Sheridan Morley told a story of his father, the actor Robert Morley, bumping into Rex Harrison in the Burlington Arcade the day after Morley’s appearance on This Is Your Life.  Harrison congratulated his brother actor with the remark, “So brave,– and not a programme I would ever dare have done, not with all my divorces and the suicides.  But for you, Robert, life has been so different:  one wife, one family, one house and, if I may say so, one performance.”

There was a similar encounter between John Gielgud and Michael Redgrave, shortly after Redgrave’s belated knighthood in 1959.  Gielgud would have known a thing or two about Redgrave’s private tastes, because he breezily greeted him, “Ah, Sir Michael Redgrave, I’ll be bound!”

There’s also a wonderful street-scene involving Noël Coward.  Being gay and wealthy, Coward was in great demand among his straight actor colleagues as godfather to their children:  he gave good presents and customarily took the young ones out for tea on their birthdays.

David Niven’s story is that as Noël and Niven’s young daughter walked towards Harrods on her birthday they encountered two dogs copulating on the pavement.  The little girl asked, “Uncle Noël, what are the doggies doing?” to which Noël replied in the blink of an eye, “Well, my dear. The front little doggy has gone blind, and his friend is pushing him all the way to St Dunstan’s.”

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Lost resort in Yorkshire

Withernsea Pier

Withernsea Pier

I’ve always had a soft spot for Withernsea.  It really shouldn’t exist.

Most of the two villages of Withernsea and Owthorne had disappeared into the sea by the nineteenth century, when Anthony Bannister, a Hull fish-merchant and ship-owner with capital to spare, promoted the Hull & Holderness Railway and – to provide somewhere for visitors to stay when they got off the train – built what became the Queen’s Hotel at the Withernsea terminus in 1854-5.  The railway was unsuccessful because it had only one track and was taken over by a larger company in 1862.

In 1870 Bannister tried again to generate income by founding the Withernsea Pier, Promenade, Gas & General Improvement Co.  The pier was completed in 1877, the year before Bannister died, but in 1882 the Pier Company went bankrupt.

The pier was damaged by storms and collisions in 1880, 1882, 1890 and 1893.  In 1903 the owners gave up and demolished what was left, leaving the twin castellated towers that remain as an ornament to the promenade.  It’s now commemorated by a memorably original seat for weary passers-by.

The geology at Withernsea is so unstable that the lighthouse was built several hundred yards inland, where the bedrock could support a tall enough structure.  Its light guided shipping from 1894 to 1976.  Now it’s a charming little museum with an excellent cup of tea [http://www.withernsealighthouse.co.uk].

It contains a tribute to the actress Kay Kendall, who was born in Withernsea.  Her famous trumpet-playing scene in Genevieve (1953) was dubbed by the jazz trumpeter Kenny Baker:  at the time the film was made neither of them apparently realised that the other came from Withernsea, perhaps because of the five years’ difference in their ages.

It’s not a very big place.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

The above image is available as a greetings card, price £2.95 for one or £11.95 for a pack of five, or as a notelet to order. For the entire range of Mike Higginbottom Interesting Times greetings cards, please click here.

Lost Empire in Cleethorpes

Empire Theatre, Cleethorpes

Empire Theatre, Cleethorpes

The Empire Theatre, Cleethorpes is virtually invisible.  When I checked out the resort to run a visit there I discovered textbook references to its existence but it took a great deal of finding. The building stands on the sea front and attracts visitors as an amusement arcade.  It doesn’t have the obvious decorative faience façade of a Frank Matcham variety theatre, and indeed the only exterior clue to its origin is round the back, where a very tall doorway in the back wall is clearly the scene dock.

When I contacted the owner, Rosie Armitage, she was more than ready to give me access and to allow me to bring groups to see the remains of the interior.  What was the stalls is now unrecognisable, but at balcony level – amidst the paraphernalia of Lazer Quest – the proscenium arch and plasterwork remain largely intact, though painted matt black and only visible under working lights.

It’s a spooky time-warp experience to find a late-1890s interior, as it were frozen in time and virtually forgotten.

The place has its share of theatrical stories. 

Sidney Carlton, the lessee in 1899, was “known as much for his frequent court appearances as for his management of the theatre”, and left town abruptly in August of that year. 

A subsequent proprietor, James Carter-White, a chemist who was also a local councillor and a Freemason, established Cleethorpes’ first independent Masonic lodge in the upper rooms. 

The most illustrious performer to appear at the Empire was Charles Coburn, “the man who broke the bank at Monte Carlo”.  

The place was still playing to full houses as late as the 1950s, but abruptly closed after Jimmy James & Co played there in 1960, and has been an amusement arcade now for nearly as long as it was a theatre.

Update:  Since I first posted this article in May 2010, Lazer Quest has gone and there are admirable schemes to reclaim the building.  See About us – The Empire Cleethorpes and Empire Theatre, Cleethorpes, England – shared interest | Facebook.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.