Author Archives: Mike Higginbottom

Halfway to the clouds

Great Orme Tramway, Llandudno:  car 6

Great Orme Tramway, Llandudno: car 6

Llandudno’s Great Orme Tramway [Tramffordd y Gogarth] is the only British example of a street-running funicular railway.  It is completely unlike the San Francisco cable-cars, because its trams work in two pairs, permanently fixed to a winding cable.

It opened in two sections, the lower half on July 31st 1902, and the summit section on July 8th 1903.  The winding house was steam-powered from 1902 to 1958, and since then the cables have been electrically hauled.

The lower section of the Great Orme Tramway looks like its San Francisco cousins, because the cable is concealed for much of its length under the roadway in a conduit slot between the running rails.  The upper section, above the half-way winding house, runs on railway track, and the complex arrangement of cables and rails is visible.

Until 1991 the tramway had an overhead trolley-wire solely to carry the telephone-system so that tram-drivers could communicate with the engineman.  Now the communication-system is radio-operated and the trolley poles, which convinced some visitors that this was an electric tramway, are entirely cosmetic.

The line is operated by four trams, 4 and 5 on the lower section and 6 and 7 on the upper:  the first three numbers were taken by jockey-cars, propelled by the cable-connected trams and manhandled along loop tracks between the two sections.  Cars no 1, 2 and 3 were wagons for carrying coal for the boiler house and coffins to St Tudno’s Church:  all three disappeared before 1930.

There has been only one fatal accident:  the drawbar on No 4 snapped on August 23rd 1932, killing the brakesman and a little girl he tried to rescue by jumping from the car.  In 1963 a retired GOT employee revealed to Ivor Wynne Jones [Llandudno:  Queen of Welsh resorts (Landmark 2002)] that the Board of Trade inspector was deceived into thinking the emergency brake worked at the time of his inspection on July 30th 1902.

As a result of compensation claims amounting to £14,000, the original Great Orme Tramway Company went bankrupt, and after a completely new and still effective safety system had been designed for the lower section, a new Great Orme Railway Company was formed in 1934.

The Llandudno Urban District Council compulsorily purchased the tramway in 1949;  the UDC was absorbed by Aberconwy Borough Council in 1974.

After a collision between cars 6 and 7 on April 30th 2000, when the facing points at the loop malfunctioned, injuring seventeen passengers, the entire tramway was closed and refurbished, with an induction-loop system that electronically locates each car on a monitor in the central control-room, and the system was fully operational in time for its centenary in 2002.

Another accident occurred in 2009, when cars 6 and 7 collided as a result of a further points failure on the passing loop:  http://www.raib.gov.uk/cms_resources.cfm?file=/100816_R132010_Great_Orme.pdf.

It’s worth the ride, not only for the vintage travel-experience but also for the views from the top of the Great Orme.  Having blown away the cobwebs at the summit, the smart advice is to return to the Victoria Tram Station and visit Fish Tram Chips alongside:  http://www.thebestof.co.uk/local/llandudno/business-guide/feature/fish-tram-chips/24034.

The most recent history of the tramway is Keith Turner, The Great Orme Tramway – over a century of service (Gwasag Carreg Gwalch 2003).  The tramway website is at
http://www.greatormetramway.com.

 

Where Gladstone became dizzy

Great Orme, Llandudno

Great Orme, Llandudno

The connection between Llandudno and Alice in Wonderland is never knowingly undersold – http://www.wonderland.co.uk/llandudno and http://myweb.tiscali.co.uk/tauspace/llandudno.htm and http://www.attractionsnorthwales.co.uk/news/324/llandudno-s-connections-with-alice-in-wonderland – even though it’s entirely spurious.

Dean Henry Liddell, father of the real Alice, purchased an unpromising plot on the West Shore from the Mostyn Estate and built an elaborate Gothic villa which he called Penmorfa, “the end of the shore”.

The house was completed in 1862:  Charles Lutwidge Dodgson was inspired to write Alice in Wonderland by a boat-trip on the River Isis near Oxford on July 4th 1862, and completed his manuscript in February 1863;  there is no record of him visiting Llandudno during that period.

This didn’t prevent the construction of the white-marble statue of Alice, unveiled by David Lloyd George in 1933.  Strenuous attempts to protect this twee souvenir from vandalism eventually led to its removal to the middle of a lake:  http://www.northwalesweeklynews.co.uk/conwy-county-news/local-conwy-news/2011/06/30/llandudno-s-alice-in-wonderland-statue-to-moved-to-a-safer-location-55243-28963871.

There’s a much better story about Alice Liddell than anything to do with Lewis Carroll.

When the Liddells first came to Llandudno the only route around the Great Orme was a precipitous walkway called Cust’s Path, built in 1856-8.  This was so vertiginous that when he came to stay at Penmorfa W E Gladstone had to be blindfolded and led to safety by Dean Liddell and his family, including Alice.

Cust’s Path was adapted for road vehicles between 1872 and 1878 as the four-mile Marine Drive.  Building it wiped out the last remaining cave-dwelling on the Great Orme, occupied by Isaiah and Miriam Jones.  Isaiah was famous for having attempted to fly using seagull’s wings attached to his arms:  his wife nursed him to a full recovery and he lived into his eighties.

She lived to the age of 91, dying in 1910, and protested that having brought up thirteen children in a cave she disliked the more modern accommodation she was given in compensation for her eviction.  From her Welsh name, Miriam yr Ogof, “Miriam of the Cave”, her many descendants are still nicknamed ’R’ogo.

You can ride round the Marine Drive in a vintage coach [http://www.alpine-travel.co.uk/vintagecoaches.htm], drive round it on payment of a toll, or walk.  Half way round is the Rest-and-be-thankful Caféhttp://www.restandbethankful.net.

You can even stay at the Lighthouse, built by the Mersey Docks & Harbour Board in 1862 and now a sumptuous bed-and-breakfast guest-house:  http://www.lighthouse-llandudno.co.uk.

Near the western end are the fragmentary remains of what was called Gogarth Abbey but is in fact the thirteenth-century palace of the Bishop of Bangor, Anian, his reward from King Edward I for baptising his eldest son, the first English Prince of Wales and later King Edward II.

Dean Liddell’s Penmorfa, which for years was the Gogarth Abbey Hotel, was demolished, despite protests, after a botched restoration attempt, in 2008:  see http://www.dailypost.co.uk/news/north-wales-news/2008/11/20/llandudno-s-alice-in-wonderland-house-to-be-demolished-55578-22298706 and http://www.greatorme.org.uk/Trail13.html.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

Pier excellence

Grand Hotel & Pier, Llandudno

Grand Hotel & Pier, Llandudno

Llandudno Pier is one of the finest unspoilt British piers, and it’s always been my favourite because it’s the one I remember, as a child, still in use for its original purposes.

Seaside piers were, after all, primarily landing stages, which quickly gained an entertainment function because they offered landlubber holidaymakers the experience of being out at sea without the inconvenience of sea-sickness.

The main section of the Llandudno Pier by the engineer James Brunlees, 1,200 feet long, opened on August 1st 1877.  The Baths, Reading Room and Billiard Hall alongside were reopened as the Baths Hotel in 1879, and a spur was added linking the Pier to the promenade in 1884.  Alongside this the Pier Pavilion, a huge glass structure 204 feet long and between 84 and 104 feet wide, was opened in September 1886.  Its basement contained a swimming pool 160 feet by 48 feet, then one of the largest in existence.

The Baths Hotel was replaced in 1900 by the existing Grand Hotel, designed by James Francis Doyle.  The Pier Pavilion, having stood derelict in the ownership of a developer who famously didn’t develop, was destroyed by fire on February 13th 1994:  [See http://llandudnoandcolwynbay.blogspot.com/2009/07/pier-pavilion-llandudno.html and http://llandudnoandcolwynbay.blogspot.com/2009/08/exploration.html].

When we stayed in Llandudno in the 1950s one of the highlights was a paddle-steamer trip from Llandudno Pier to Menai Bridge and back on one or other of the Liverpool & North Wales Steamship Company steamships, St Tudno or St Seiriol [http://www.simplonpc.co.uk/LNWSS3.html].

The trip, which we did on more than one occasion, included chugging round the enigmatically inaccessible Puffin Island, with its mysterious hill top tower, and gazing from Telford’s suspension bridge at the beached wreck of HMS Conway.

Puffin Island [Ynys Seiriol] was part of the Bulkeley family’s Baron Hill estate, of which the derelict Palladian house by Samuel Wyatt is illustrated at http://www.welshruins.co.uk/photo2076816.html and http://www.urbexforums.co.uk/showthread.php/10992-Baron-Hill-Mansion-Beaumaris-Jan-2011.

The tower forms part of the remains of one of the stations on the semaphore telegraph system that brought news of incoming ships from Holyhead to Liverpool [see Frank Large’s detailed study, Faster Than the Wind: A History of and a Guide to the Liverpool to Holyhead Telegraph (Avid 1998)].  More details of the island, and the opportunity to take a close look at it, are at http://www.photographers-resource.co.uk/locations/Routes/Islands/LG/Anglesey/Puffin_Island.htm.

What we knew as HMS Conway was originally HMS Nile, launched in 1839 and used as a Liverpool-based training vessel until, while being towed through the Menai Strait in 1953, she grounded and broke her back.  She was eventually destroyed by fire three years later.  A detailed account is at http://www.hmsconway.org/RootFolder/Assets/Home_Page.htm.

The Isle of Man Steam Packet Company maintained a tenuous steamer service to and from Llandudno Pier, and the celebrated PS Waverley and MV Balmoral made occasional visits until the landing stage was declared unsafe in 2007.

Nevertheless, the Pier itself appears to be in good order, and it’s an essential part of the Llandudno experience to stroll to the end of the pier, watch the fishermen and have either a cup of tea or an alcoholic drink in the bar, very much as the Victorian patrons would have done 130 years ago.

Descriptions of Llandudno Pier are at http://www.piers.org.uk/pierpages/NPSllandudno.html and http://the-pier.co.uk/llandudno-pier.

Blog-articles about other piers are at Lost resort in YorkshireStars on the streetEnd of the pier showExploring Australia 10:  St Kilda and Wasting asset.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

 

Between two Ormes

Glan y Mor Parade, Llandudno,

Glan y Mor Parade, Llandudno,

Llandudno is a beautifully unspoilt Victorian holiday resort because the freeholds are still largely owned by the Mostyn Estate, which dictated the layout, the width of the streets and the height of the buildings, and has never allowed razzmatazz on the seafront (or anywhere else, for that matter):  http://www.mostyn-estates.co.uk/history.htm.

In the 1830s, before anyone even thought of building a holiday resort, it could have been a replacement for Holyhead.

At the beginning of the age of steam railways, there was a problem in speeding up the Irish mails that went by horse-drawn stage-coach along Thomas Telford’s road across Anglesey because the Admiralty insisted on a high-level bridge over the Menai Strait. 

George Stephenson seriously suggested drawing railway carriages by cable across Telford’s suspension road-bridge of 1826, which couldn’t cope with the weight of even the earliest locomotives.

The St George’s Harbour & Railway Company proposed a rail-served new port, to be called St George, beside the Great Orme.  This would bring the journey-time from London to Kingstown (now Dun Laoghaire) in good weather to 19½ hours, and avoid the need for a high-level railway bridge to cross the Menai Straits.

A rival scheme to avoid Anglesey was proposed between London, Worcester, Bala, Ffestiniog, Tremadog and Pwllheli to a port at Porthdinllaen, the only safe haven on the north-west coast of the Lleyn peninsula.  The Porthdinllaen Harbour Company, originally established in 1804-8, apparently still exists:  its premises on what would have been the harbour-front now belong to the National Trust:  http://www.walesdirectory.co.uk/Towns_in_Wales/Porth_Dinllaen_Town.htm.

Neither scheme gained much favour:  the Railway Magazine of October 1838 argued that if Irish ferries had to pass Holyhead they might as well also pass Ormes Bay and sail directly into Liverpool.

Both schemes were rejected by a Treasury Commission in 1839-40, which accepted the Admiralty’s uncompromising view that Ormes Bay and Porthdinllaen were alike “mere roadsteads”.

So instead, the Mostyn estate developed the flat land between the Great and Little Orme promontories from 1849 onwards as a holiday resort which became known, after the church of St Tudno on the headland, as Llandudno.

It’s perhaps as well:  the idea of carrying the Irish mails through Wales via a harbour named after the English patron saint was, at the very least, tactless.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

 

Another Albert

Stanley Dock, Liverpool (1983)

Stanley Dock, Liverpool (1983)

Stanley Dock, in Liverpool’s north docks, comes as a surprise to those who only know the celebrated tourist honey-pot of Albert Dock.

Built soon after Albert by the same engineer, Jesse Hartley, and opened in 1848, Stanley is the only one of the Liverpool docks to lie inland from the dock road.  This is because it forms the link between the dock system and the Leeds & Liverpool Canal.

Only in recent years has this link been extended through what remains of the north docks, across Pier Head in a cutting and into the Albert Dock complex.  Now you can sail your narrow boat all the way into the heart of the rejuvenated city centre:  http://www.penninewaterways.co.uk/liverpoolcanallink/link60.htm.

Stanley Dock itself has hardly been touched since the Second World War.  Its austere brick warehouses, with iron columns and semicircular crane-arches, are very similar to the buildings at Albert and Wapping Docks.  Adjacent are entertaining Hartley buildings such as the battlemented gatepiers and the Hydraulic Power Centre (1854).

The southern half of the dock was filled in at the end of the nineteenth century to accommodate Anthony George Lyster’s gigantic Tobacco Warehouse (1900).  Probably the largest warehouse in the world, this impressive structure held raw tobacco in bond.  Alongside is the King’s Pipe, in which scrap tobacco was burnt to avoid paying duty.

The Tobacco Warehouse is gigantic, thirteen storeys (125 feet) high and forty-two bays wide with a floor-area of 36 acres.  Joseph Sharples, in his Pevsner Architectural Guide Liverpool (2004) points out that its great depth and low ceilings (only 7 feet 2 inches because the tobacco was stored in short stacks to prevent damage) have been an obstacle to redevelopment since it came out of use in 1980.

Now at last it looks as if Stanley Dock and the Tobacco Warehouse are ready, after years of planning,  for redevelopment:  see http://www.liverpoolecho.co.uk/liverpool-news/capital-of-culture/capital-of-culture-liverpool-news/2003/12/08/100m-plan-for-tobacco-building-100252-13704568/ and http://www.liverpooldailypost.co.uk/liverpool-news/regional-news/2011/12/07/stanley-dock-tobacco-warehouse-residents-will-share-development-with-bats-92534-29908689/2/.

This enormous project will require the disruption of one Liverpool’s Sunday-morning amusements, the Heritage Market:  http://www.liverpoolecho.co.uk/liverpool-news/local-news//tm_headline=dock-market-fear-for-jobs&method=full&objectid=18817453&siteid=50061-name_page.html.

There is a superb series of images of the Tobacco Warehouse in its current state at http://www.28dayslater.co.uk/forums/showthread.php?p=797873#post797873.

The photographer, an urban explorer who goes by the name ‘rookinella’, says, “Stanley Dock has made for a fine night’s sleep the few times that we’ve been to Liverpool.  Picturesque views, period features and private en-suite bathrooms for everyone…”  What can they mean?

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

Eight wonder of the world

Empire State Building, New York City

Empire State Building, New York City

The Empire State Building, described when it opened in 1931 as “the eighth wonder of the world”, epitomises Manhattan. Perhaps the most elegant of all the New York skyscrapers, faced in Indiana limestone and granite, with stainless steel mullions running from the six-storey base to the Art Deco pinnacle, its setbacks make light of its vast bulk.

Nowadays it wouldn’t get built, because it occupies the site of the original Waldorf-Astoria Hotel: http://en.wikipedia.org/wiki/File:Waldorf-Astoria_1904-1908b.jpg. This grand Victorian pile, originally two hotels of 1893 and 1897, was pulled down in 1930 and the business transferred to its current address at 301 Park Avenue.

The Empire State Building was extended during construction from its planned 86 storeys to 102 storeys to be sure of the accolade of the World’s Tallest Building. It was completed in advance of schedule and below budget, yet initial rentals were so few that it was dubbed the “Empty State Building”. Once again the tallest building in New York City after the destruction of the World Trade Center towers, its height to the top of the TV mast is 1,454 feet.

There are comfortable open promenades as well as a glass-enclosed viewing-area at the 86th floor. The view from the 102nd-floor observatory stretches up to eighty miles, reaching into the states of New Jersey, Pennsylvania, Connecticut and Massachusetts.

The mast was originally intended as a mooring for dirigibles, but only one landing was ever attempted. This hair-raising procedure failed because it was impossible to stabilise the end of the airship that wasn’t anchored to the tower.

In 1946 a B-25 bomber collided with the 79th floor in thick fog, killing fourteen and causing only localised damage.

The Empire State lives in New York legend. It starred notably in the film King Kong (1933) where the giant gorilla ends its life clinging to the top of the building.

When the film director Peter Jackson consulted primatologists while planning his 2005 version of King Kong, he was told that a real giant ape would fling excreta at the attacking aircraft, and offer what was discreetly described as a “display-challenge” [John Harlow, ‘Hollywood agenda,’ The Sunday Times, November 2nd 2003].

The Empire State Building is open to the public until midnight, which makes it an admirable and popular place from which to watch the city lights, carpeting the view in all directions.

The official website is http://www.esbnyc.com, and the smart tourist information is at http://www.nycinsiderguide.com/Empire-State-Building.html#axzz1ilC4n9Jg.

For details of Mike Higginbottom’s lecture ‘The Big Apple: the architecture of New York City’, please click here.

 

Pinnacle of the Jazz Age

Chrysler Building, New York City

Chrysler Building, New York City

Woody Allen’s movie Manhattan (1979) first inspired me to visit New York.  Freddie Laker’s Skytrain made it possible, in the summer of 1981.  My former school-friend, Malcolm, at that time lived on E41St, so when I came out of his apartment each morning, the first building I saw was the Chrysler Building, the epitome of Jazz Age New York.

The Chrysler was built, not by the Chrysler Corporation, but by Walter P Chrysler on his own account.  Its architect, William Van Alen, engaged in a race with his former professional partner, H Craig Severance, to build the tallest building in the world.

The story is repeatedly told of how Van Alen waited until Severance’s 40 Wall Street was topped out at 927 feet before launching the 27-ton, 125-foot steel spire, which had been secretly delivered to the site in pieces, through the roof in ninety minutes flat on the night of Friday September 27th 1929, giving a final height of 1,046 feet 4¾ inches.  Van Alen remarked afterwards that “it was necessary to resort to the unusual”.

This procedure is explained in ‘How engineers crowned world’s tallest building’, Popular Science, August 1930, p 52 at http://kanikasweet-amazing.blogspot.com/2011/10/unreal-structures-built-in-secret.html in the section ‘Chrysler Building’s secret spire’.

Black Thursday, the beginning of the Wall Street Crash, came less than a month later, on October 24th 1929, and the Chrysler has always had a fin-d’époque air.  It was the tallest building in the world for all of eleven months, until the rival Empire State Building was in turn topped out.

The building is known for its embellishments, the genuine Chrysler hubcaps fixed to the brickwork around the 30th floor, the corner features at the 31st floor based on Chrysler radiator caps and the eagle-gargoyles on the 61st floor, modelled on the hood (boot) handles of the 1929 Plymouth.  Its diamond-honed Enduro KA-2 stainless steel cladding by the German manufacturer Krupp has needed neither cleaning nor replacement since it was installed.  Lewis Mumford dismissed it as “advertising architecture”.

The red African marble lobby with its ceiling mural by the English artist, Frank Brangwyn, carefully restored by the current owners, is accessible to the general public, though if you try to take a photograph the security guards become agitated.  I’ve never dared outface them to enter one of the elevators, which are also apparently still in original condition.

When the Chrysler opened, the 66th-68th floors were given over to the Cloud Club, the most blatant speakeasy in Prohibition New York.  Long before the police stepped out of the elevator the members’ liquor could be stowed in individual lockers, personalised by indecipherable hieroglyphics.  Its decoration included a Georgian lobby, a Tudor lounge, a Bavarian bar and a dining room with faceted blue marble columns and white-ice sconces and a vaulted ceiling painted with clouds.  All this survived a couple of decades after the club finally closed in 1979, only to be ripped out and dumped at the end of the 1990s.  Randy Juster’s images of the club area are at http://decopix.com/art_deco_photo_galleries/the-cloud-club;  there are further images of the Chrysler Building at http://adamunderhill.wordpress.com/2012/02/26/the-chrysler-building-new-yorks-art-deco-masterpiece.

Above the Cloud Club, on the 71st floor, was a public observatory giving views into neighbouring states across fifty miles in each direction [http://flappergirlcreations.wordpress.com/2011/05/18/the-chrysler-buildings-long-lost-observatory].  This closed after the Second World War and is now the offices of an architectural practice [see http://chryslerbuilding.circa68.net/cloudclub.html].

Though the Chrysler Building nominally has 77 floors, in fact there are more levels, each tapering within the spire, lit oddly by the shark’s tooth windows.  The 74th floor contains a derelict radio station.  Above the 75th floor the windows have never been glazed, so it’s exceptionally draughty, even on hot days.

Beyond the final floor, 77, a further seven levels accessible by ladder lead eventually to an area about a yard square, which gives access to a trapdoor through which, once a month, an engineer checks the base of the lightning conductor.

There is a detailed description of this by David Michaelis at http://mrbellersneighborhood.com/2002/03/inside-the-needle-the-chrysler-building-gets-lit.

Another enjoyable essay on the building is by Claudia Roth Pierpont, ‘The Silver Spire:  how two men’s dreams changed the skyline of New York’, which appeared in The New Yorker, November 18th 2002, and can be found at http://jayebee.com/discoveries/criticism/silver_spire.htm.

For details of Mike Higginbottom’s lecture ‘The Big Apple:  the architecture of New York City’, please click here.

Outside the box

St Hilda's Church, Shiregreen, Sheffield (December 2011)

St Hilda’s Church, Shiregreen, Sheffield (December 2011)

Photo:  Midlands Churchcrawler

I didn’t realise when I first posted an article about St Hilda’s Church, Shiregreen, Sheffield how many of my neighbours I would stir up.

A local resident started a website to campaign for the future of the building – http://sthildas.webs.com/:  the associated petition attracted over three hundred signatures, most of them local.

I did an interview on BBC Radio Sheffield and an article has appeared in the Sheffield Star newspaper.

Local people woke up to the probability that a distinguished local landmark is about to disappear, and those individuals who have a past connection with St Hilda’s were particularly upset that it could disappear.

Since it finally closed for services in 2007, there seems to have been no mention or discussion of its fate in the local media, and I could find no proposal to replace it with any other kind of building.

Local politicians explained, politely but wearily, that the problem had been around for years, and say that they wouldn’t stand in the way of a practical, businesslike scheme to save the building.

Some national amenity societies were encouraging, but their brief is primarily to engage with English Heritage within their guidelines, which are interpreted to the disadvantage of St Hilda’s.

Members of the core group of supporters made contact with the Church Commissioners, who currently still owned the building.

One can’t blame the Church Commissioners for their disinclination to support a redundant building at the expense of the real work of the Church.  It’s a pity, nevertheless, that the situation wasn’t advertised a good deal more loudly in the streets that surround St Hilda’s.

Not everyone loved the building.  One commentator on a web forum said she thought it looked like a factory, which suggests a sanguine view of Sheffield’s industrial architecture.

In the Sheffield Local Studies Library I came across a run of parish magazines from the late 1980s which show exactly how a once thriving parish went downhill.

In April 1988, the month before the fiftieth anniversary of the consecration, the vicar, Father Roger Bellamy, enumerated the previous year’s rites of passage:   baptisms – 11;  confirmations – 0;  marriages – 0;  blessing of a marriage – 1;  funerals – 57.  He noted that fund-raising was “not a great success”.

At the end of 1988 he estimated the active membership of the parish at 42, and expected around ten of those to be “lost”, through age or migration, over the following year.

At the start of 1990 he commented:  “We are facing the realities of our situation:  a small congregation, a largeish building and a remarkable indifference to us from the parish.”

It’s not so much the eleventh hour as after midnight for St Hilda’s, too late – as it turned out – for those of us who live on the spot and care about the building’s existence to audit whether there really were community and commercial needs that it could serve, and to identify any positive, practical proposals to present to the owners and the planners.

Old-fashioned for its date

St Catherine's Roman Catholic Church, Pitsmoor, Sheffield

St Catherine’s Roman Catholic Church, Pitsmoor, Sheffield

When I was collecting signatures for the petition to save St Hilda’s Church, Shiregreen, Sheffield, a gentleman who knows a thing or two about historic building conservation told me a scurrilous tale suggesting that listed-building inspectors aren’t always infallible.

Apparently the very fine Italianate St Catherine’s Roman Catholic Church, Pitsmoor, Sheffield was originally listed Grade II and dated “c1860”.

In fact, the original, temporary St Catherine’s by M E Hadfield & Son was built in 1884 on an entirely different site on Andover Street.

Eventually, the very fine permanent church that stands on the corner of Burngreave Road and Melrose Street was built to designs by the Halifax architects Charles Edward Fox & Son and consecrated with great ceremony in 1926.

Its interior is sumptuous:  black marble columns with Carrara capitals support a coffered ceiling over the nave.  The aisles are vaulted.  The chancel apse has a mosaic frieze with a cornice of Connemara marble, under which stands a baldachino, its canopy supporting a statue of Christ the King.

I’m told that when this date came to light English Heritage promptly delisted it on the grounds that it was so recent – and so old-fashioned for its date.

I’ve found no evidence to back this story, except that St Catherine’s does not appear on the current English Heritage list.

The fact that an authentic-looking Italian basilica was planted in the midst of inner-city Sheffield in the year of the General Strike is actually more significant than if it was simply a mid-Victorian Italianate church.

On the night of its consecration – the Feast of St Catherine – the Bishop of Leeds carried the Sacred Host from the temporary church to the new building in a torchlit procession.  Two thousand Sheffield Catholics turned out to witness their faith, and Canon Charles Leteux pointed out in an address to the crowds that “their public procession made history, for not twenty years before, a similar function in London had been banned by the orders of the Prime Minister”.

Apparently, the legislation banning public processions by clergy and members of the Roman Catholic Church was repealed soon after St Catherine’s opened.

It’s salutary to consider the power and energy that invested organised religion in Britain up to the Second World War.

For this reason, apart from its aesthetic value, St Catherine’s deserves to be recognised for its historic interest.  Fortunately, this church apparently continues to thrive, unlike so many.

Alma de Cuba

Former St Peter's Roman Catholic Church, Seel Street, Liverpool

Former St Peter’s Roman Catholic Church, Seel Street, Liverpool

If you’re looking for somewhere unusual to eat in the centre of Liverpool you can do a lot worse than Alma de Cuba [http://www.alma-de-cuba.com/homepage] on Seel Street, one of the streets running parallel to, and between, Bold Street and Duke Street, within easy walking distance of Lime Street and Liverpool One.

This vibrant, ultra-modern bar restaurant sits inside the oldest surviving Catholic church building in Liverpool.

Indeed, St Peter’s Church is astonishingly old for a post-Reformation Catholic place of worship.  It opened in 1788, ten years after the passing of the first Act of Parliament rescinding the penal laws governing the persecution of Catholics ever since Tudor times.

St Peter’s thrived as a place of worship for nearly two hundred years.

When it could no longer support a local congregation it was transferred in 1976 to the Polish Catholic community and rededicated to Our Lady of Czestochowa.  This attempt to keep it going lasted only two years.

Eventually, the developer Urban Splash rescued the building and it opened as a particularly fine Latin American restaurant in August 2005.

It’s the sort of place where award-winning barmen toss glasses in the air and usually catch them.  And Sunday brunch is enlivened with, of all things, a Gospel choir.

The walls are stripped to the bare brickwork and the ceiling has been removed, revealing the roof-beams.  The ornate Classical sanctuary is intact, with a plate-glass mirror in place of the reredos.

It’s disconcerting to eat and drink and listen to music while staring at the inscription “TU ES PETRUS” – Christ’s words to St Peter, “Thou art Peter, and upon this rock I will build my church” [Matthew 16:18].

The contrast between spirituality and hedonism isn’t quite comfortable, and some customers might look askance at the restaurant’s tag-line “Heaven can wait”.

Nevertheless, the building – arguably the most precious archaeological gem of the proud Liverpool Catholic community – survives and is physically safe.  It needn’t be a restaurant for ever, and at least it’s not a pile of rubble.

For so many former places of worship, that’s all too likely a fate.

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.