Category Archives: Cemeteries, Sewerage & Sanitation

Steel workers’ resting place 2

Tinsley Park Cemetery, Sheffield

Tinsley Park Cemetery, Sheffield

I’ve known Tinsley Park Cemetery, Sheffield, all my life, because my maternal grandfather and a bevy of Salvation Army aunties and uncles lie there.  When you visit a cemetery for a funeral, or even simply to tend a grave, as my mother and grandmother did when I was little, you don’t take notice of the surroundings.

The cemetery was opened in 1882 by the Attercliffe Burial Board to supplement their earlier cemetery adjoining the burial ground of Christ Church parish church, a Commissioners’ church built in 1826 and demolished after it was ruined in the 1940 Blitz.

In recent years, when I’ve found my way to Tinsley Park Cemetery, I’ve been intrigued by the quality of the architecture of the funeral chapels, a typical pair – one for the Church of England, the other for the Nonconformists – with an archway, a timber loggia, a clock in the gable and twin bell-turrets.  Each of the arches of the carriageway is decorated with angel headstops carrying Biblical mottoes.

The superintendent’s house incorporated a boardroom for meetings.

The cemetery was designed by a local practice, Holmes & Johnson.  Samuel Furness Holmes (1821-1882) was essentially a civil engineer:  he had been a highway surveyor and was Borough Surveyor from 1864 to 1873.

It’s likely therefore that the architectural work was done by his partner, C H Johnson, about whose career and work I’ve so far been able to trace nothing of any substance.

The Burial Board was taken over by the city in 1900, and Tinsley Park Cemetery remains under the care of what is now called Sheffield Bereavement Services:  https://www.sheffield.gov.uk/caresupport/bereavement/cemeteries-directory.html?showdetails=Show&uuid=b11e9afa-d9d8-4ee6-b005-b3ef498370f7&isDirectorySearch=true.  The Anglican chapel is still available for funeral services, while the Nonconformist chapel is a store.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

Steel workers’ resting place 1

Anglican Chapel, Burngreave Cemetery, Sheffield

Anglican Chapel, Burngreave Cemetery, Sheffield

The great company cemeteries of the early Victorian period attract a great deal of attention, but the major push to bring decent burial to Britain’s industrial towns and cities followed the Burial Acts of 1852-7, which recognised that most people couldn’t afford the fees of the cemeteries companies, and empowered local authorities to provide dignified burial facilities for all.

In most towns this led to the establishment of an elective Burial Board, backed by the power to levy rates and led by local figures who knew, and felt a responsibility to, their local community.

This meant that overcrowded, insanitary churchyards could be closed.  It also enabled Roman Catholics and Nonconformists to be interred by their own clergy, rather than by the local Church of England priest.

I recently visited my local Victorian municipal burial ground, Burngreave Cemetery, Sheffield, which has a small but active Friends’ group:  http://www.friendsofburngreavecemetery.btck.co.uk.

The cemetery was opened in 1861, and extended by Sheffield Corporation when they took over from the Burial Board in 1900.  It’s still open for burials in existing graves, and the magnificent chapels by Flockton & Son are intact and listed, but in urgent need of weather-proofing and restoration.

In more prosperous times a company called Creative Outpost devised a grandiose restoration scheme but it seems to have closed down:  http://www.facebook.com/pages/Creative-outpost-sheffield-located-at-Burngreave-chapels/166750873081.

This leaves the Friends seeking fresh support, expertise and – most of all – funds.  They’ve digitised the cemetery records to provide an invaluable service locating graves for relatives and descendants, and they’ve begun a detailed study of some of their more celebrated “residents”:  http://www.friendsofburngreavecemetery.btck.co.uk/Residents.

They open the chapels as often as possible on Sunday mornings, and they serve as a link between the local community and the council’s Bereavement Services department.

Their existence is the vital factor that keeps Burngreave Cemetery safe and civilised, and encourages its use as a place to walk, jog and enjoy the fresh air in a built-up area that is not blessed with many amenities.

Every cemetery deserves friends like the Friends of Burngreave Cemetery.  The co-ordinating body for such organisations is the National Federation of Cemetery Friends:  http://cemeteryfriends.org.uk.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

Steel barons’ Valhalla

Nonconformist Chapel, General Cemetery, Sheffield (1976)

Nonconformist Chapel, General Cemetery, Sheffield (1976)

When I first knew the Sheffield General Cemetery in the late 1960s it was an undignified, sometimes frightening eyesore.

It was hard to believe that when it was opened in 1836 the Porter Valley was Sheffield’s classical Elysium.  On the north side of the valley stood the classical terrace The Mount (William Flockton c1830-2), the Botanical Gardens (Benjamin Broomhead Taylor & Robert Marnock 1833-6) and the Palladian Wesley College (William Flockton 1837-40, now King Edward VII School).

Opposite, the General Cemetery was laid out in terraces by the designer and curator of the Sheffield Botanical Gardens, Robert Marnock, with Greek Revival buildings, the Lion Gate, the Nonconformist chapel and the Secretary’s House, all designed by Samuel Worth, the designer, with B B Taylor, of Sheffield’s Cutler’s Hall (1832).

The original nine acres were extended by a further eight in 1850 to provide a consecrated section, dominated by William Flockton’s fine Gothic Cemetery Church.

The valley became built up in the later nineteenth century.  The turnpike road became a tram-route and Cemetery Avenue, originally built across open fields, is now one of the very few streets of terraced houses in the city with trees on either side [http://en.wikipedia.org/wiki/File:Sheffield_General_Cemetery_1830s.jpg].

The Cemetery is now recognised as one of the finest provincial company cemeteries in England, built in response to the 1832 cholera epidemic (which in Sheffield killed 404 people, including the Master Cutler), founded as a joint-stock company by Nonconformists, with picturesque landscaping and a fondness for Egyptian detail on otherwise classical buildings.

It is the resting place of many of the great names of Victorian Sheffield – Samuel Holberry (1816-1842), the Chartist leader;  James Montgomery (1771–1854), newspaper editor and hymn-writer – now reburied at Sheffield Cathedral;  Mark Firth (1819-1880), steel magnate and philanthropist and the brothers John, Thomas, and Skelton Cole, founders of the Sheffield department store.

Like almost all early-Victorian company cemeteries it fell into ruin as the income streams of plot-sales and burial fees dried up after the Second World War.

A development company bought the cemetery company, but gave up on the idea of building apartments on the site when they realised they’d have to exhume 87,000 corpses.

Eventually, in 1978, Sheffield City Council took it over, secured an Act of Parliament to extinguish burial rights, and perhaps ill-advisedly cleared eight hundred gravestones to create a green recreational space.

In 1989 a Friends’ group, now reconstituted as the Sheffield General Cemetery Trust [http://www.gencem.org/index.php], took on a voluntary role as custodians of the place, encouraging conservation, preservation and appropriate use of a fine amenity that at one time seemed an insoluble liability.

There is still much for the Trust and the City Council to do:  the Lion Gate and the Dissenters’ Chapel have been fully restored, but the Cemetery Church is an empty shell awaiting a creative and sympathetic use.

In the meantime, the Trust works constantly to “encourage everyone to enjoy this historical site by walking its paths, learning its history or simply as a quiet place to sit and contemplate”.

Without their voluntary labours, the place would simply slip back into dereliction.

The Sheffield General Cemetery features in Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

Wool barons’ Valhalla

Undercliffe Cemetery, Bradford, West Yorkshire

Undercliffe Cemetery, Bradford, West Yorkshire

The best view of Bradford, sitting in its valley bottom, is from Undercliffe Cemetery, which from 1851 was the resting place of many of the great and the good of the booming wool town.

At the vantage point stands a prominent thirty-foot obelisk, commemorating Joseph Smith, the original land agent for the Cemetery Company.

Swithin Anderton, a wealthy wool-stapler, lies beneath a version of the Scott Monument which Ken Powell aptly describes as “scaled down” rather than miniature.

Less luminous but no less interesting characters buried at Undercliffe include Charles R Whittle, the author of ‘Let’s all go down the Strand’, Charles Rice, “comedian…for many years lessee and manager of the Theatre Royal, Bradford”, and David Brearley, an official of the United Ancient Order of Druids whose inscription is distinguished by at least five spelling mistakes.

Undercliffe Cemetery was used as a location in the film Billy Liar (1963).

Stranded by the tide of changing economic conditions and funeral fashions since the last war, the Bradford Cemetery Company went into liquidation in 1976 and the site was purchased for £5 by a developer who went on record saying, “I was very concerned to see the cemetery had fallen into disrepair and I thought it was terrible to see the place being neglected.”

The local newspaper later alleged that inscribed kerbstones were sold for scrap stone, and Bradford City Council, spurred by the small but energetic group of the Friends of Undercliffe Cemetery, took it on in 1984, by which time the chapels and lodges had all been demolished.

Now the Cemetery is well cared for by Bradford City Council in partnership with the Undercliffe Cemetery Charity [http://www.undercliffecemetery.co.uk].  A replacement lodge was transplanted from Bowling Cemetery, Bradford in 1987.  All it needs is for someone to donate two matching Gothic funerary chapels in need of a good home.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2012 Yorkshire Mills & Mill Towns tour, with text, photographs and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  Please send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

No place to rest

Tower of Elphinstone, Dunmore Park, Scotland (1982)

Tower of Elphinstone, Dunmore Park, Scotland (1982)

Before the Murray Earls of Dunmore built Dunmore Park House, the place was called Elphinstone, after the family that had lived there in the sixteenth century, and the residence was a substantial 57-foot-high tower, alternatively known as the Tower of Elphinstone or Elphinstone Tower.

A curious structure with enormously thick walls, and major rooms on the first, second and third floors, it seems to have been unoccupied after the 3rd Earl of Dunmore bought the Elphinstone property in 1754, until in 1836 the barrel-vaulted ground-floor room was converted into a mausoleum.

In 1840 the two-storey service wing was cleared away to give space for St Andrew’s Church, a modest Gothic building with a bell-turret.

By the time I visited the place in 1982 the Tower had collapsed, and St Andrew’s Church had been completely demolished, leaving free-standing wall monuments surrounded by thin air.

Since then, the Tower has been neglected and vandalised, and the Falkirk Local History Society’s website [http://www.falkirklocalhistorysociety.co.uk/home/index.php?id=126] indicates that it may not survive for many more winters.

The corpses that had been interred in the vault have apparently been removed, but not – so it seems – the coffins, which were left to tempt passing vandals.  The 2009 state of the place, and also the ruins of Dunmore Park House, are illustrated at http://urbanglasgow.co.uk/viewtopic.php?t=1532&start=0.

It’s not a pretty sight.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

 

 

The belly of the beast

Crossness Pumping Stsation, London

Crossness Pumping Station, London

I received some very strange looks on a train recently, reading Paul Dobraszczyk’s Into the Belly of the Beast:  exploring London’s Victorian Sewers (Spire 2009).  It’s a perfectly sensible subject, with an entirely respectable cover, but maybe the title is a little over-wrought.

(The last time I got funny looks on a train was years ago when I first read Sue Townsend’s delightful The Secret Diary of Adrian Mole aged 13¾ [1982]:  I was rolling around the carriage at the Christmas lunch scene where Adrian is lusting after his aunt’s prison officer girlfriend, and ends up eating the wing of the turkey because he’s too embarrassed to ask for any other part of its anatomy.)

Paul Dobraszczyk’s book is a very interesting addition to the somewhat limited literature about what the Victorians called the “sanitary question”, the great environmental issue of the nineteenth century – how to provide the rapidly growing urban areas with clean drinking water, sewage disposal and a dignified, hygienic way of disposing of the dead.

Dr Dobraszczyk analyses how Sir Joseph Bazalgette’s Metropolitan Main Drainage system, constructed at huge expense and upheaval, initially between 1859 and 1868, is represented by the illustrative material left behind – maps and drawings, photographs and press coverage.

Among the insights he uncovers is the fact that before Bazalgette could begin to lay down a coherent drainage system for London he needed the area to be surveyed systematically.  All the previous maps had stopped at some arbitrary district boundary, and they were all at different scales or levels of detail.

Another revelation is the identity of the architect of the great steam pumping stations which are the glory of London’s industrial archaeology – Crossness (1862-65), Abbey Mills (1865-68) and the less flamboyant sites at Deptford (1859-62) and Pimlico (1870-74).  This was Charles Henry Driver (1832-1900), who also worked for the London, Brighton & South Coast Railway, provided architectural detail for the seaside piers at Llandudno (1878) and Southend-on-Sea (1887-90), and collaborated on the Mercado Central [Central Market], Santiago, Chile (1868-70) and the Estação da Luz [Station of Light], São Paulo, Brazil (1897-1900)*.

I was concerned that I’d never encountered Driver’s name before, and began to feel I needed to keep up, until I read a review of Dr Dobraszczyk’s book in the Victorian Society’s magazine, The Victorian, which admits “this reviewer had never heard of Charles Driver”.  The reviewer was Stephen Halliday, whose book The Great Stink of London: Sir Joseph Bazalgette and the cleansing of the Victorian Metropolis (Sutton 1999) I greatly admire.  If the name is news to Stephen Halliday, then Charles Driver is a real discovery.

*  The Estação da Luz suffered a disastrous fire, in which one firefighter died, in December 2015:  http://www.bbc.co.uk/news/world-latin-america-35157694.

Abbey Mills Pumping Station is a working installation operated by Thames Water and is very rarely accessible to the public.

The pumping stations at Abbey Mills and Crossness feature in Mike Higginbottom’s lecture Temples of Sanitation.  For details, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

The Duke of Newcastle’s dormitory

Markham Clinton Mausoleum, Nottinghamshire

Markham Clinton Mausoleum, Nottinghamshire

Authoritarians have a way of undermining themselves.

The 4th Duke of Newcastle (1785-1851) was a clumsy politician.  Queen Victoria sacked him from the post of Lord Lieutenant of Nottinghamshire because he wouldn’t appoint magistrates he disapproved of:  “for though his integrity could never be suspected, his discretion was by no means remarkable”.

When his Duchess died giving birth to twins in 1822, he built the stern and chilly Milton Mausoleum at West Markham, Nottinghamshire designed by Sir Robert Smirke.  This project, which took eleven years to complete, became a lugubrious farce.  Known in the family as the “Dormitory”, it was intended to supersede the cramped family vault at Bothamsall Church, and was designed to accommodate 72 coffins.  It was also to serve as a replacement for the tiny medieval parish church of All Saints’, West Markham.

The fourth Duke himself was eventually buried there with his wife, but only fourteen members of the family lie in the vault, and the parishioners of West Markham abandoned its dismal isolation to return to their more homely church in the heart of their village.

Sir Richard Westmacott’s superb monument to the Duchess was carried off to Clumber Chapel, and later returned to its original resting-place where it remains.

The Milton Mausoleum is now in the care of the Churches Conservation Trust and can be visited:
http://www.visitchurches.org.uk/findachurch/milton-mausoleum-newark.  There is a description at http://www.mmtrust.org.uk/mausolea/view/134/Newcastle_Mausoleum.

Visitor-information for Clumber Park, including the Chapel, is at http://www.nationaltrust.org.uk/clumber-park/.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

Lapidary description

Tomb of Dr John St John Long, Kensal Green Cemetery, London

Tomb of Dr John St John Long, Kensal Green Cemetery, London

Dr Johnson remarked that “In lapidary descriptions a man is not upon oath”.

But how do you frame an epitaph when the life of the deceased has been marked by scandal?

Dr John St John Long (1793-1834) lies beneath a tomb in Kensal Green Cemetery that is a masterpiece of lending dignity to a remarkable man who is, perhaps, remarkable for unfortunate reasons.

Long is usually described as a quack doctor.  In fact he practised from a Harley Street surgery, though he “had not been regularly educated as a surgeon”.  On at least two occasions the deaths of his patients led to manslaughter charges:  in the first instance he was fined £250;  on the second, though the coroner’s jury returned a manslaughter verdict “on the ground of gross ignorance, and on other considerations”, Long was exonerated at the Old Bailey and “several ladies, elegantly dressed, remained with the prisoner in the dock throughout the day, to whom this verdict appeared to give great satisfaction”.

Nevertheless, he received glowing testimonials from patients who felt they had benefitted from his treatments – among them the Countess of Buckingham and the radical politician, Sir Francis Burdett, who recommended Long to the Marquess of Anglesey for a treatment for tic doloureux.

His tomb at Kensal Green carries a lengthy and delicately poised inscription:

It is the fate of most men to have many enemies, and few friends.  This monumental pile is not intended to mark the career but to shew how much its inhabitant was respected by those who knew his worth and the benefits derived from his remedial discovery.  He is now at rest and far beyond the praises or censures of this world.

Stranger as you respect the receptacle for the dead as one of many who must rest here, hear the name of John St John Long without comment.

Most commentators quote only the final paragraph – which has a more terse effect.

Of the “benefits derived from his remedial discovery” nothing further was heard after Long’s death.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Equestrian genii

Tomb of Andrew Ducrow, equestrian, Kensal Green Cemetery, London

Tomb of Andrew Ducrow, equestrian, Kensal Green Cemetery, London

Probably the most bombastic monument in Kensal Green Cemetery is that to Andrew Ducrow (1793-1842), the equestrian owner of Astley’s Amphitheatre in Lambeth.

Ducrow’s entry in Wikipedia [http://en.wikipedia.org/wiki/Andrew_Ducrow] likens his stage act to the modern-day Chippendales, because he and his sons dressed in flesh-coloured body stockings and posed on the backs of white stallions.

Even though Astley’s burnt down three times, Ducrow was clearly worth something.  His plot in Kensal Green Cemetery is in a prestigious location near to the Duke of Sussex, and his monument cost £3,000.  Built initially for Mrs Ducrow, its design by George Danson is a ponderous mix of classical and Egyptian motifs, originally coloured and surmounted by a statue of Hygieia, goddess of health, cleanliness and sanitation.

The inscription, which Ducrow clearly wrote, declares that the tomb was “erected by Genius for the reception of its own remains”.  It was described in the contemporary periodical The Builder as “ponderous coxcombry”.

The real genius of Astley’s Amphitheatre was, of course, its founder, Philip Astley (1742-1814).  In many ways he is the originator of the modern circus, because he was the first professional trick-rider to perform in a circle, though he never used the Latin term “circus” or the English “ring”, but called it a “ride”.  He introduced clowns and acrobats into his show to extend and vary the performance.

Most significant of all, he determined that the diameter for the circus ring, as we now call it, should be 42 feet, for that caused a cantering horse to lean at the optimum angle for a man to stand on its bare back.

Now thats genius.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Royal relief

Gentlemen's lavatory, King William III statue, Market Place, Old Town, Hull

Gentlemen’s lavatory, King William III statue, Market Place, Old Town, Hull

Queen Mary’s advice to her eldest son was (reputedly) – “Take every opportunity to take the weight off your feet and to relieve yourself.”

It’s widely known in Hull that if you seek relief in the city centre it’s a good idea to head for a royal statue.

There are two, and they’re very fine indeed – one beneath the fine Scheemakers statue of King William III (1734) on the Market Place and the other beneath the H C Fehr’s 1903 monument to Queen Victoria in Queen Victoria Square.

Both are listed Grade II.  The King William III gents was designed by the City Engineer, W H Lucas, at a time when such creations were a matter of pride.  It has fittings by Finch & Co of Lambeth dating from c1900, including marble-and-glass cisterns, faience Ionic columns and original doors with leaded lights.  The Queen Victoria lavatories are later than the statue, dating from c1925 when the Ferens Art Gallery was under construction:  again the gents has its original earthenware fittings.

There’s an account of the local pride in these magnificent facilities, told by the people who care for them, at http://static.hullcc.gov.uk/hullinprint/archive/october2002/a_right_royal.php.

The Hull historian, Paul Gibson, includes in his website a lengthy account of the history of Hull’s public lavatories:  http://www.paul-gibson.com/history/public-toilets.php.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.