Category Archives: Transports of Delight

Osgathorpe

National Tramway Museum, Crich, Derbyshire: Sheffield 74

‘Hidden in Open Sight with Calvin Payne’ is an informative Substack by one of Sheffield’s most popular local historians.

Some time ago Calvin posted an image of a tram at the Batley Street terminus, noting that the street is now named Crabtree Close, and picked up on a refreshingly precise and helpful history-forum thread, in which a contributor ‘Waterside Echo’ pinpointed the date of the photo to late 1902.  The Batley Street siding off the Barnsley Road opened in August 1902, and the tram was fitted with an enclosed top deck in 1903.

There’s a different photograph of a similar tram on Batley Street, taken from a different angle at around the same time, in Kenneth Gandy’s Sheffield Corporation Tramways (Sheffield City Libraries 1985), p 120.

Calvin was intrigued that the street had had three names – Brook Lane until 1886, then Batley Street and more recently Crabtree Close – and that the doyen of Sheffield street-names, Peter Harvey, listed it twice in his alphabetical survey, Street Names of Sheffield (Sheaf Publishing 2001), once in its own right and also as part of the collection of roads named Crabtree after the location.

I came to know about the short-lived Batley Street terminus by a different route.  Once when I visited the National Tramway Museum at Crich, the Sheffield tram 74 was running with the destination ‘OSGATHORPE’.

The place-name isn’t much used nowadays, except for a little-known public park which “offers a tranquil escape from the bustling city”.  Osgathorpe Road lies directly opposite Batley Street/Crabtree Close, and the 1905 Ordnance Survey 25-inch map shows the locations of now-demolished residences named Osgathorpe House, Osgathorpe Cottage and Osgathorpe Hills.

‘Waterside Echo’ refers to Charles Hall’s Sheffield Transport (Transport Publishing Company 1977) to piece together the origins of the tram route from town, along Barnsley Road and Firth Park Road to Page Hall, which the tramways department obstinately described as Pitsmoor, though it’s over a mile beyond the actual Pitsmoor.

Electric trams began operating to Page Hall within a month of the first electrified route from Tinsley to Nether Edge beginning in September 1899.

The end-to-end service was operated by single-deckers because of doubts about the braking power of double-deckers on the steepest gradient beyond Osgathorpe.  The Batley Street siding was brought into use in August 1902 so that short-working double-deckers could reverse at the furthest safe point out of town.  By January 1905 the double-deck cars were considered safe to run down to Page Hall, whether by an easing of the gradient or a strengthening of the brakes, and the siding was closed.

That fits with a hypothesis I’ve nursed for decades sitting on the top decks of buses travelling from town along Barnsley Road.  There’s something odd about the road formation from the toll house where the nineteenth-century Burngreave Road joins Pitsmoor Road, the Wakefield & Sheffield Turnpike, which dates from 1757.

It’s possible to explore this virtually by googling ‘Pitsmoor Toll House’ on Google Earth and heading away from Sheffield:  Barnsley Rd – Google Maps

On the left, from the Church of God Seventh Day, there’s a stretch of road behind a retaining wall higher than the modern Barnsley Road.  The retaining wall continues as far as Abbeyfield Primary School where the gradient dips downhill.

Then, at Crabtree Close (formerly Batley Street), on the opposite, right-hand side of the road, there is a separate elevated footpath at a higher level, which eventually drops steeply to meet the main road at the former Sheffield Companions Club, now a mosque with a couple of shops, at Fir Vale.

Presumably the present carriageway was regraded at some time for safety, but the tramway histories are silent about whether it was connected with the introduction of electric trams at the start of the twentieth century.

I often think of the novelist George Eliot’s remark in Middlemarch that “the quickest of us walk about well wadded with stupidity”. 

I’ve so often sat on a bus observing these features and never turned up an answer.  And if Calvin hadn’t posted the 1902 photograph of the tram I’d never have found out about the Osgathorpe grand houses, and I’d have been less well-informed about the area where I’ve lived since the mid-1970s.

Well-kept station

Great Malvern railway station, Worcestershire
Great Malvern railway station, Worcestershire

Great Malvern railway station was built as the arrival and departure point for the elite visitors who flocked to the district to take water cures in the mid-Victorian period.

The spa resort thrived from the arrival of the Worcester & Hereford Railway in 1860, and the station at Great Malvern, opened in 1862, was the major hub for visitors, local inhabitants and freight.  There were two other less important stations, Malvern Link to the north and Malvern Wells (closed in 1965) to the south.

The character of the station, like the rest of the town, was heavily influenced by Lady Emily Foley (1805-1900), the widowed Lady of the Manor, whose late husband’s will gave her independence and considerable influence.  She disliked travelling through the two tunnels on the line, at Ledbury and Colwall, so she habitually travelled by road between her country seat at Stoke Edith and her private waiting room at Great Malvern. 

The Gothic buildings at Great Malvern station were built in local Malvern Rag stone and designed by a local architect, Edmund Wallace Elmslie.  He was responsible for the road bridge at the north end of the platforms and the remarkable iron columns which support the canopies on both platforms.  The beautifully restored and brightly painted capitals are in twelve different designs, hand-forged in wrought iron, and serve to direct rainwater down the interior of each column.

Edmund Wallace Elmslie at the same time designed the Imperial Hotel across Avenue Road from the station.  It was the largest hotel in Malvern, owned by the Great Malvern Hotel Company, chaired by the hydrotherapy pioneer Dr James Manby Gully (1808-1883). 

Its elaborate Gothic architecture is enlivened by carvings by the Worcester sculptor William Forsyth (c1834-1915), whose brother James created, among much else, the huge Perseus Fountain at Witley Court, Worcestershire.

In 1919 the hotel was bought for £32,500 by Miss Greenslade and Miss Poulton, the two founders of Malvern Girls’ College which dated from small beginnings in 1893 elsewhere in Malvern.  A complex succession of amalgamations with Lawnside, The Abbey and St James’s School (all of which were founded by women) eventually created Malvern St James in 2006. 

The hotel was directly connected with the station platform by a gently sloping covered passageway of brick, wood and corrugated iron which is known as The Worm, for reasons which are obvious when looking at it from the overbridge.  It enabled guests with limited mobility to reach the hotel from the railway.  There is a shorter underground goods tunnel north of passenger walkway.

Great Malvern railway station: The Worm
Great Malvern railway station: The Worm

There’s a regular train service to Great Malvern from Worcester and Hereford, and a bus-service up the hill to the town centre.

Lady Foley’s former private waiting room operated as Lady Foley’s Tea Room until it closed in October 2023. 

Though there was a project in 2017 to restore The Worm, it’s currently inaccessible for safety reasons.

Monongahela Incline

Monongahela Incline, Pittsburgh, Pennsylvania, USA
Monongahela Incline, Pittsburgh, Pennsylvania, USA

The great steel city of Pittsburgh is built at the confluence of two rivers with Native American names – the Monongahela and the Allegheny.

The south bank of the Monongahela is precipitous and coal-bearing, useful for supplying the expanding industries but impractical for residential development until engineers adapted mining technology to construct what Americans call “inclines”, steep cable-hauled lifts for both passengers and freight.

Ultimately there were seventeen of these useful facilities, though not all of them operated at the same time:  List of inclines in Pittsburgh – Wikipedia.

The two survivors – located almost a mile apart – are the Monongahela (1870) and Duquesne (1877) Inclines.  They were both included in the National Register of Historic Places and designated Historic Mechanical Engineering Landmarks in the 1970s and serve the convenience of local residents as well as giving benefit to tourists seeking a spectacular view of the city’s central business district, the Golden Triangle.

The two Castle Shannon Inclines (1890/1892) originated from coalmining infrastructure but most were purpose-built, often encouraged by German-Americans who remembered the stanseilbahnen [cable railways] in their native country.

The Monongahela Incline was designed by the Prussian-born engineer John J Endres, assisted by his daughter Caroline (1846-1930) who is regarded as the first female engineer in the USA, and who married her father’s Hungarian-born assistant, Samuel Diescher (1839-1915).  She designed the Mount Oliver Incline (1871) and he was responsible for at least eight of the other Pittsburgh inclines, including the Duquesne Incline.

Both the surviving inclines served freight.  John Endres and Samuel Diescher designed a separate Monongahela Freight Incline on 10ft-gauge track.  It opened in 1880 and operated until road improvements rendered it redundant.  It closed in 1935 and its track-bed is visible alongside the existing passenger track.

Visitors to Pittsburgh find the Monogahela Incline easier to reach, across the Smithfield Bridge from downtown and past the Station Square shopping centre.  It’s adjacent to the Light Rapid Transit station at Station Square:  Welcome to the Monongahela Incline’s Flowpage.

The Duquesne Incline was rescued in 1963 by what became the Society for the Preservation of the Duquesne Heights Incline and has been restored back to its original condition:  Official site of the Duquesne Incline.

Trams on the move

National Tramway Museum, Crich, Derbyshire: Liverpool 762 and Wallasey 78

Birkenhead can claim to be the historic foundation of street tramways in Britain. 

The very first horse tramway in Europe opened from Woodside Ferry to Birkenhead Park in 1860. 

The first British manufacturer of horse trams, George Starbuck, opened his factory at Cleveland Street, Birkenhead, in 1871 and, as G F Milnes & Co, the company built hundreds of electric trams before the Birkenhead factory closed in 1902.

In the 1990s Wirral Borough Council sought to commemorate this history by opening a museum and four hundred yards of track and overhead from the Woodside ferry terminal along Pacific Road, having commissioned two specially-built double-deck trams from Hong Kong Tramways, which were tested in Blackpool on arrival in Britain.

The reason for acquiring these bizarre vehicles is obscure.  Though the trams that still operate in Hong Kong are directly derived from British models, they look nothing like any Merseyside originals, and the Hong Kong line is 3ft 6in gauge, so these two had to be built to standard gauge from scratch.  Their only local connections are their historic liveries, one Birkenhead, the other Wallasey, and their numbers, 69 and 70, which continue the numbering of Birkenhead Corporation Tramways.

The Council enlisted the expertise of several volunteer enthusiast groups one of which, the Merseyside Tramway Preservation Society [MERSEYSIDE TRAMWAY PRESERVATION SOCIETY. About Us], had spent twelve years restoring the Liverpool “Green Goddess” 869, which now operates at the National Tramway Museum at Crich, Derbyshire.

The Woodside museum line was extended to a depot at Taylor Street, and the MTPS successively restored Birkenhead 20 (built in Birkenhead in 1900), Wallasey 78 (built 1920) and Liverpool 769 (built 1931-32).  The group’s latest project is the restoration Warrington 28 (a hybrid identity based on two originals, the remains of 2 rebuilt to look like 8).

In 2006 National Museums Liverpool loaned Liverpool 245 (a smaller version the Green Goddess design, nicknamed a “Baby Grand”, built in 1938), which had been stored since the Liverpool tram system closed in 1957.  The amount of volunteer work involved to restore it to operation is described here:  245 Restoration Progress Report.

The relationship between the Council and the MTPS was always vulnerable to instability.  Council officers and elected members had only tenuous insights into transport preservation;  the enthusiasts focused on raising finance to restore and maintain their growing fleet. 

The wheels continued to turn until Covid, after which the Museum failed to recover.  Tram service reopened November 20th 2021 and closed a day later because of trackwork problems.  It reopened on February 26th 2022 and lasted until April 14th.  No trams have operated on the line since.

The Council made an arrangement with a not-for-profit organisation, Big Heritage CIC, which had successfully revived the Western Approaches Museum [Western Approaches] in central Liverpool, and offered £4.5 million of ring-fenced money to expand the Wirral museum to interpret transport history on Merseyside more widely.

This didn’t work, and it’s difficult to discern why.  The funding offer was reduced to £1.5 million and Big Heritage backed away.  The MTPS eventually lost patience and donated their three electric trams to the National Tramway Museum and moved them to Crich in March 2025.

Other vehicles have been transferred elsewhere.  Liverpool horse-tram 43, together with two weather-beaten Douglas horse-trams, is now installed at the Hooton Park Hangars and Trust at Ellesmere Port.  A regauged 1930 Lisbon tram, 730, is now at the Beamish Museum in Co Durham.

The Wirral Transport Museum is left with one remaining genuine operational Merseyside tram, Liverpool 245, the part-restored Warrington hybrid and the two Hong Kong oddities.

In essence, you can’t move a museum, but you can move trams.  The MTPS statement about the move to Crich ends, “While the MTPS were deeply saddened by this move the decision was made in the best interests of the trams, to secure their future and [to] be available for members of the public to use and enjoy.”

It’s difficult to disagree.

A succinct summary of situation can be found at Just what is going on with the Wirral Transport Museum? | British Trams Online News.

Manchester Oxford Road station

Oxford Road Station, Manchester

I must have travelled through, or changed trains at, Manchester Oxford Road station hundreds of times since my university days, but although I was conscious of its curious architecture I never got round to photographing it until recently.

Its laminated timber arches bear a passing resemblance to the Sydney Opera House (which is pre-cast concrete).  There’s nothing else quite like it in the British railway system.

The line through Oxford Road has been a vital transport link and a notorious bottleneck from its opening in 1849 to the present day.

It was constructed by the Manchester, South Junction & Altrincham Railway to connect the developing railways south and east of Manchester from what is now Manchester Piccadilly (originally London Road) to the west-facing Liverpool & Manchester Railway, as well as extending rail lines into Cheshire.

The “South Junction” is in fact the 1½-mile viaduct that makes that connection.  Though the viaduct carried double track there was only one through platform at Oxford Road, alongside a west-facing terminal stub, and while the station buildings were renewed in 1876 the platform arrangement remained until a further rebuilding in 1903-04.

Throughout the nineteenth and early twentieth centuries the MSJ&AR was piggy-in-the-middle to contentious rivals, the London & North Western and the Manchester, Sheffield & Lincolnshire (later Great Central) railways, and improvements took decades to accomplish, exasperating the millions of passengers who were obliged to put up with its tired facilities.

After 1922 the MSJ&AR was jointly owned by the London Midland & Scottish and the London & North Eastern railways.  Electric multiple-unit trains improved the comfort and speed of the passenger service in 1931, but the station itself remained unmodernised until 1960.

British Railways ultimately had no alternative but to redesign and rebuild the whole station in 1959-60, despite concerns about the structural condition of the 1849 viaduct.

The solution was to build in lightweight laminated timber, hence the adventurous and spectacular conoid shell structure which provides cover without supporting columns on the curved alignment of the trackbed.

It was designed by the British Railways London Midland Region architect, William Robert Headley.  His other designs for the Region, such as Coventry (1959-62) and Stafford (1961-62), are markedly rectilinear, yet he collaborated at Oxford Road with the furniture designer Max Clendinning (1924-2020).  His other laminated timber structure, the porte-cochère at Crewe station (1963) was replaced after twenty years.

Manchester Oxford Road is an attractive, ingenious, practical structure, deservedly listed Grade II.  Unfortunately, like many post-war innovative structures, it has needed repeated renovation.  It was last refurbished in 2004, and will presumably need further treatment in future.

There’s an excellent detailed description of the station at The Wonderful World of Wood (Manchester Oxford Road station, Greater Manchester, UK) – The Beauty of Transport.

Churnet Valley Railway

Churnet Valley Railway, Kingsley & Froghall Station, Staffordshire
Churnet Valley Railway: Kingsley & Froghall Station, Staffordshire

On Friday March 7th 2025 the enterprising, ambitious Churnet Valley Railway operated the first passenger-carrying train to the site of its new Leek (Churnet Valley) station:  Our First Heritage Open Day – What A Huge Success! – Churnet Valley Railway.

(I wish the CHR had not hijacked the brand ‘Heritage Open Day’ which has been the brand of England’s annual celebration of the nation’s history and culture since 1994.)

Leek is a market town with a current population of twenty thousand, which until 1965 was an important rail crossroads created by the North Staffordshire Railway, the much-loved “Knotty”, linking the Staffordshire Moorlands with Stoke-on-Trent, Macclesfield and Uttoxeter, where main lines extended to London, Birmingham, Manchester and Derby.

The north-to-south route stretched from near Macclesfield to Uttoxeter on the line from Crewe to Derby, while the westerly route reached Leek from Stoke-on-Trent.  A branch line eastwards from Leek Brook to Waterhouses formed an end-on junction with the 2ft 6in-gauge Leek & Manifold Valley Light Railway, built to serve a dairy at Ecton though the terminus was further on at Hulme End.  It opened in 1904 and closed thirty years later, shortly after the creamery at Ecton closed.

Services declined in stages between 1956 and 1970, except for a freight connection between the Oakamoor Sand Sidings and Stoke.  Track was lifted but the trackbed remains on the ten-mile line westwards between Leek and Stoke and south from Oakamoor to Alton Towers and Denstone.  The routes north from Leek to Macclesfield and south of Denstone to Uttoxeter have been blocked by redevelopment, including road improvements and the vast JCB factory at Rocester.

The site of the original Leek station is now a Morrisons supermarket.

The Churnet Valley Railway punches well above its weight.  It grew out of earlier efforts to safeguard the railways around Leek from 1971 onwards, and from small beginnings focused on taking over the seven-mile route through the valley between Oakamoor and Leek Brook, which was accomplished when heritage train services began in 1996.  The further mile to the site of the new Leek station was added in 2024.

The stations are interesting in their own right and a testament to the energy behind their restoration.

Leek Brook is only accessible by rail at present.  It was the junction for the St Edward’s Hospital tramway, which ran three-quarters of a mile through the grounds of the Staffordshire County Mental Hospital, using 220-volt DC electric overhead.  Passengers were conveyed in a second-hand London horse tram, but the main purpose of the tramway was supplying the hospital with coal.  Passenger service didn’t last beyond the 1920s, but the coal traffic continued to the end of 1954.

Cheddleton station is the only original building remaining, and was famously saved in 1974 by a local businessman, Norman Hancock, parking his Jaguar on the level crossing to prevent its demolition.  The station was subsequently listed Grade II and became the original base of the grandly-titled Cheshire and Staffordshire Railway Society which ultimately became the Churnet Valley Railway.

Consall station was opened in 1902 to serve the nearby village and the workers of the adjacent forge and lime kilns.  The main building on the down platform is a reproduction, completed in 2002, after which the original 1902 shelter was reinstated on the restored up platform which abuts the Caldon Canal.

Kingsley & Froghall station is a convincing reproduction of the demolished original station.  After passenger services were restored in 2001, the main building on the down platform was completed two years later, followed by the shelter on the opposite side which, like Consall, overhangs the canal.

Timetabled services run on Wednesdays and at weekends from March to October, with additional operations for special events on bank holidays and other occasions:  Events Calendar – Churnet Valley Railway.

The on-train catering offers an impressive range of alternatives, from breakfast to curry night, and there is a tea-room at Kingsley & Froghall.  Prices range from £15 for pie-and-mash to £80 for a murder-mystery experience:  Steam Train Dining Experiences – Churnet Valley Railway.

This is a heritage railway that’s going places.

Caldon Canal

Caldon Canal: Consall Forge, Staffordshire
Caldon Canal: Consall Forge, Staffordshire

Whether you walk, cycle or cruise, the eighteen-mile Caldon Canal is an ideal connector between interesting places between Etruria, on the northern edge of Stoke-on-Trent, where Josiah Wedgwood established his famous pottery, and the depths of the little-known Churnet Valley, hidden from the noisy pleasures of the Alton Towers theme park.

The canal is practically a branch of the Trent & Mersey Canal, which financed its construction, climbing from Etruria to a summit level at Stockton Brook and then following the River Churnet to its terminus at Froghall within reach of the quarries at Cauldon.

It opened in 1778 and was quickly connected to numerous quarry tramroads, adding to the traffic on the main line of the Trent & Mersey, which became so heavily-used that water-supply problems caused intolerable hold-ups.

The canal company needed the support of landowners and townspeople around the market town of Leek in order to build an additional reservoir at Rudyard, so the three-mile-long Leek branch (1800-01) acted as a feeder for traffic as well as water.

A further waterway, the Uttoxeter Canal (opened in 1811), continued from Froghall through Oakamoor and past Alton Towers to Rocester and Uttoxeter.  The canal had a dedicated wharf to bring building materials for the Earl of Shrewsbury’s vast house and landscape garden.  A proposed further extension from Uttoxeter to Ashbourne remained unbuilt.

The Trent & Mersey Canal was sold, along with the Caldon Branch, to the North Staffordshire Railway in 1845, and the railway company saw potential in using waterways as feeders to their operations. 

The NSR closed the Uttoxeter Canal in 1849 in order to use the route for the track of the Churnet Valley Railway, and though canal traffic declined towards the end of the nineteenth century between Froghall, Leek and the railway, the waterway never actually closed.

However, it became practically unnavigable by the 1950s, and it was rescued by the Inland Waterways Association’s collaboration with Stoke-on-Trent City Council and Staffordshire County Council.  The main line to Froghall was reopened in 1974, followed by all but the last half-mile of the Leek Branch.

A particularly interesting walkable section of the Caldon Canal starting from Cheddleton Station southwards includes a length where the canal runs into the River Churnet, simply because there is insufficient room in the narrow valley to accommodate both waterways.

The canal and river separate at Consall, where the remains of the eighteenth-century limekilns are a reminder that this was an industrial area dependent on water for transportation. 

The canalside Black Lion pub [Black Lion, Consall Forge – CAMRA – The Campaign for Real Ale] is a welcome opportunity to rest and, if the timing’s right, it’s possible to return to Cheddleton from the picturesque station on the Churnet Valley Railway.

Detailed information about the places of interest along the canal is at The Ultimate Guide to the Caldon Canal – Leek branch – Black Prince.

Exploring Turin:  Superga

Sassi-Superga Tramway. Turin, Italy
Basilica of Superga, Turin, Italy

The Sassi-Superga Tramway is a rack railway that climbs two thousand feet to a magnificent view of Turin and the Po valley.  Though it operates as a railway it looks like and is called a tramway, to the extent that it has a Turin route-number, 79.

It was built in 1884, powered by cables, and after an accident where the emergency stop fortunately worked perfectly it was rebuilt as a conventional rack railway powered by third-rail electricity in 1935. 

It uses the unusual Italian gauge of 4ft 8⅞in (1,445mm).  This weirdness arises from 1879 legislation which defined railway-track gauges by measuring them from the centre rather than the inside of the rail.  Italian main-line railways have quietly adapted to the worldwide standard gauge of 4ft 8½in (1,435mm), and apart from a solitary funicular, the only other examples of Italian gauge in the world are the tramways of Milan, Naples, Rome and Turin – and the Madrid metro.  There is also an Italian narrow gauge of 3ft 1¹⁄₁₆in (950mm).

The depot yard has no rack track, and a steeple-cab electric locomotive shunts the rack-equipped rolling stock using overhead caternary to the beginning of the rack at the entrance.  Passenger trains are operated, for obvious safety reasons, with the power car propelling one or two trailers, so that in an emergency the brake-power is where it should be.  The loco conveys the cable trams to the Turin street tracks when they need workshop attention.

At the Sassi station there’s a beautifully preserved horse streetcar (no: 197, dating from 1890) in a tiny museum, and outside on a spare platform an early streetcar (no: 209 of 1911).

The trip takes eighteen minutes, mainly through a verdant nature reserve with occasional views of opulent houses with splendid but hilly gardens.  By the time the tram is beyond the midway passing loop you can look straight out of the opposite window at the sky with no sign of the horizon below.

The upper terminus is modern and comfortable:  its café makes the most of the view and it’s pleasant to sit there until the next tram leaves in an hour.

There is a further treat, though, a short, stiff climb above the station.  The Basilica of Superga is a Baroque church, built 1717-31 by Duke Victor Amadeus II of Savoy (1666-1732), later King of Savoy and latterly Sardinia, in fulfilment of a vow he made in the turmoil of the Siege of Turin in 1706.  The Chapel of the Vow, to the left of the sanctuary, is kept as a place of silent contemplation and, filled with respectful Catholics, has a distinctive atmosphere of veneration, like the side chapel of the Holy Shroud in the Duomo.

The Basilica is the site of Italy’s great football tragedy, where the entire Grande Torino football team were killed when their plane, returning from a friendly match in Lisbon, crashed into the retaining wall at the back of the church, on May 4th 1949.

Eighteen players died, together with three members of the coaching team, three club officials, three journalists and the flight crew of four – thirty-one in all.  There were no survivors.

The effect on the world of Italian football and the city of Turin was beyond intense.  Wikipedia describes the aftermath of the tragedy:

At the request of rival teams, Torino were proclaimed winners of the 1948–49 Serie A season on 6 May 1949, and the opponents, as well as Torino, fielded their youth teams in the four remaining games.  On the day of the funeral, half a million people took to the streets of Turin to give a final farewell to the players.  The following season, the other top Italian teams were asked to donate a player to Torino.  The shock of the crash was such that the following year, the Italy national team chose to travel to the 1950 FIFA World Cup in Brazil by ship: Superga air disaster – Wikipedia.

As in subsequent football tragedies, such as Munich (1958), Ibrox (1971), Bradford (1985) and Hillsborough (1989), the emotional toll is remembered by millions every year.

The Sounding Arch

Great Western Railway: Maidenhead Railway Bridge, Berkshire/Buckinghamshire

While Isambard Kingdom Brunel’s pioneering Wharncliffe Viaduct was under construction in the early stages of building the Great Western Railway from 1836, he was simultaneously engaged on a more audacious project, the Maidenhead Viaduct, where the line needed to cross the River Thames.

The Thames Navigation Commissioners were adamant that the river channel and both towpaths must not be obstructed, yet Brunel was determined to restrict the ruling gradient of the railway to 1 in 1,320 (0.076%). 

He located the crossing to take advantage of a midstream island, Bucks Ait, that could accommodate a bridge pier, and designed two brickwork spans, each 128 feet long, that rose only 24 feet in height.  The arches remain the flattest brick spans ever constructed.

The GWR directors lacked Brunel’s confidence in his design, especially after the contractor, William Chadwick, lowered the centring before the mortar had fully set, and the lower courses of the eastern arch dropped half an inch. 

Chadwick took responsibility and reinstated the brickwork, but Brunel was ordered to leave the centring in place when trains began to cross the bridge in July 1839.

His response was to quietly lower the timberwork a few inches, so that arches were self-supporting, while insisting that they remain in situ over the coming winter.  Brunel’s biographer, L T C Rolt, wryly observes, “The suspicion that this was due not so much to excessive caution as to an impish sense of humour is hard to resist.”

Indeed, when an autumn storm destroyed the centring and the bridge remained firm, Brunel’s critics were silenced.

The artist J M W Turner depicted the Maidenhead Viaduct in his painting ‘Rain, Steam and Speed’ (1844), the first time a railway train had been portrayed in a sophisticated work of art.

The Maidenhead Viaduct remains almost exactly as it was built, except that it was widened in 1877 by Sir John Fowler, who took great trouble to preserve the proportions of Brunel’s design, though he used darker Cattybrook brick from Gloucestershire.  When the broad-gauge tracks were removed in 1892 the line was quadrupled. 

Similar care to preserve the beauty of Brunel’s engineering was taken when the line was electrified in 2017.

Oddly, when the viaduct was listed in 1950 only the western arch was designated Grade II*;  the eastern arch was added to the designation in 1985.  The entire bridge was upgraded to Grade I in 2012.

The name “The Sounding Arch” arose because of the spectacular echo.  If you stand underneath the arch on the Taplow towpath and clap, you may be rewarded with six or more echoes.  People on TripAdvisor complain that there isn’t an echo.  People complaining on TripAdvisor is not uncommon.

Bridge over Brent

Great Western Railway: Wharncliffe Viaduct, Hanwell, London

The rail journey from Paddington to Bristol tells the story of the start of Isambard Kingdom Brunel’s spectacular career as a civil engineer.  He was thirty when construction of the Great Western Railway began in 1836, and he barely stopped working until he died, worn out, at fifty-three in 1859.

The first major structure out of Paddington, the Wharncliffe Viaduct, carries trains 66 feet above the valley of the River Brent on eight graceful arches.

Otherwise known as the Hanwell Viaduct, it’s named as a compliment to James Stuart-Wortley, 1st Baron Wharncliffe (1776-1845), who chaired the parliamentary committee that considered and approved the passage of the Great Western Railway Act (1835).  His lordship’s coat of arms embellishes the south face of the viaduct.

Opened in 1838, it’s not the first major railway viaduct – George Stephenson’s Sankey Viaduct in Lancashire dates from 1830 – but it can claim a fistful of other firsts.

It was Brunel’s first major civil-engineering project, yet with audacious confidence he designed it as the first bridge in the world to have hollow piers, saving cost without sacrificing structural strength. 

The interiors of the piers are a favourite roost for colonies of bats, whose privacy is carefully safeguarded by naturalists.

Brunel saw the potential of Sir Charles Wheatstone and William Fothergill Cooke’s new electric telegraph, and persuaded them to lay down experimental telegraph cables alongside the track.  The system proved practical in 1839, making Hanwell the first viaduct in the world to carry a commercial telegraph.  The system was opened to the public in 1843.

This proved invaluable when a suspected murderer, John Tawell, was identified as he boarded a train at Slough and a telegraph message, describing him as “a Kwaker [sic] with a brown great coat on which reaches his feet” and locating his first-class compartment, was passed to Paddington station.  He was duly arrested when he alighted on New Year’s Day 1845.

Queen Victoria travelled by train for the first time from Windsor to London on June 13th 1842, and on at least one occasion is said to have ordered a stop on the viaduct so she could admire the view.

Brunel designed it to carry two broad-gauge tracks, and in 1877 a duplicate set of arches were added to the north side to carry a third line.  The abolition of the broad gauge in 1892 enabled the viaduct to carry four standard-gauge tracks. 

The viaduct continues to prove useful as technology develops.  It now carries transatlantic telephone and latterly fibre-optic cables and overhead power-lines to propel electric trains.

It became one of the first structures in Britain to be listed as a building of architectural and historic importance in 1949, and was commended by Sir Nikolaus Pevsner in The Buildings of England for its “architectural panache”:  its tapered piers are capped by stone cornices that carried the timber centering that supported the arches during construction.

The Wharncliffe Viaduct is easily accessible from Hanwell station, which is now served solely by the Elizabeth Line.  On arrival from London turn right out of the station and head towards the A4060 Uxbridge Road.  Continue away from London to Brent Meadow, an open space beside the Viaduct pub, which until Brunel came along was the eighteenth-century Coach & Horses.  Footpaths lead directly to the viaduct.