Category Archives: Victorian Architecture

No expense spared 3: Old Hebrew Congregation Synagogue, Liverpool

Old Hebrew Congregation Synagogue, Princes Road, Liverpool

Old Hebrew Congregation Synagogue, Princes Road, Liverpool

Among the many fine Victorian buildings in and around Liverpool 8, the Old Hebrew Congregation Syngogue is a particular jewel.

Built 1871-4 to the designs of the brothers William James and George Ashdown Audsley, it is constructed, like St Margaret’s Church on the same side of Princes Road, of red brick dressed with red sandstone.

Its façade combines elements of Gothic and Moorish styles, the pointed west door and the rose window contrasting with the oriental arches of the doorframes and the minarets that once surmounted the turrets.

The spectacular galleried interior has a tall arcade, supported by cast-iron columns with acanthus capitals. The horseshoe arches of the arcade lead the eye to the much more elaborate arch at the east end, which frames another rose window above the marble Ark with painted domes and gold stars.

The initial total cost was £14,975 8s 11d.

The marble pulpit, given in 1874 by the widow of James Braham, faces the bimah, the platform from which the Torah and haftarah are read. This was the gift of David Lewis, founder of the Liverpool department store, “in gratitude to Almighty God for His great goodness”.

The Ark is a replacement of the original which with its holy scrolls was destroyed by arson in May 1979: it was reconstructed and the synagogue restored and reopened in December 1980.

This spectacular place is open to group tours, which feature an exhibition about the history of the congregation: http://www.princesroad.org/#!tours/cfvg.

For details of Mike Higginbottom’s lectures on Liverpool architecture, please click here.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

Burning issue

Woking Crematorium

Woking Crematorium

In Victorian times there was huge controversy about cremation.  Utilitarian and sanitary arguments against burial were opposed by intransigent clergy. The Bishop of London, John Jackson, complained that cremation would “undermine the faith of mankind in the doctrine of the resurrection of the body, and so bring about a most disastrous social revolution”. The Bishop of Manchester, James Fraser, responded that God would have no more difficulty resurrecting ashes than dust, or “bodies which had passed into the structure of worms”.

The very occasional cremations that came to public knowledge caused great scandal – Honoretta Brooks Pratt illegally cremated in 1769, Captain T B Hanham who built a private cremator for his wife, his mother and ultimately himself in Dorset – until the wildly eccentric Dr William Price’s cremation of his five-month-old son Iesu Grist in 1884 led to Mr Justice Stephen’s ruling that cremation was not an offence “provided no nuisance was caused”.

The Cremation Society built the first cremator in Britain at Woking in 1879, originally little more than a furnace with a 42ft chimney. They hesitated to use it until the legal ambiguities had been resolved, and the first cremation on the site, 71-year-old Mrs Jeanette Pickersgill, took place on March 26th 1885.

Thereafter a small number of cremations were carried out each year, and in 1891 a chapel and reception rooms designed by Edward Channing Clarke were added in a comfortable thirteenth-century Gothic style that was intended to reassure mourners and hide the functionality of the machinery within.

The relationship between Woking Crematorium and the nearby Brookwood Cemetery was fraught with ambiguity. The Cremation Society bought the land from the London Necropolis Company, but through a third party so that the cemetery company could dissociate itself. Yet in due time the London Necropolis Company provided funeral facilities, including trains from Waterloo, and sold plots for the burial of ashes.

Similarly, the vicar of St Peter’s Church, Woking, Rev Frederick J Oliphant, made an enormous fuss when the crematorium was first proposed, yet by 1889 the Rev William Hamilton, vicar of St John the Baptist, Woking, was conducting frequent funeral services at the crematorium for a fee of one guinea a time and also burying cremated remains in the churchyard at St John’s.

Woking Crematorium is still in use, its buildings cherished for their atmosphere and historical significance, its grounds a beautiful and extensive garden of remembrance:  http://www.thelondoncremation.co.uk/woking-crematorium.

Cremation is now by far the most prevalent form of disposal of the dead: in 2012 only a quarter of disposals were burials.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Porth-y-Nant

Porth-y-Nant, Gwynedd (1979)

Porth-y-Nant, Gwynedd (1979)

Way back in 1980 I had a holiday in North Wales with a bunch of mates and someone mentioned a lost village on the coast of the Llŷn Peninsula.

With no more information than an Ordnance Survey map we located the unbelievably steep valley of Nant Gwrtheyrn and trekked in the afternoon sun down the precipitous road to the abandoned terraces of the quarry village of Porth-y-Nant.

The granite quarry which overlooks the wide bay was opened in 1861 by a Liverpool company, Kneeshaw & Lupton. In its heyday the place provided granite setts for roadways; latterly it produced larger blocks for civil engineering works and ballast for railways.   All of the output and many of the supplies were transported by sea; the roadway was unfit anything but pedestrians and horse-drawn sledges.

The initial small group of quarrymen’s houses was supplemented in 1878 by two larger terraces, Sea View and Mountain View, which housed families. The chapel, which bears the same date, accommodated a school which in the 1930s consisted of around twenty pupils and one teacher.

The quarry closed early in the Second World War and by 1954 only three inhabitants remained.

Thereafter the village buildings fell derelict, and this is what we stumbled on in 1980. The walk back, up one-in-three gradients and round hairpin bends in the gathering dusk, was not pleasant.

At the time only a notice on a ruined building told us that the place had been purchased by a trust, pioneered by a local GP, Dr Carl Clowes, which transformed the ruins into a thriving Welsh-language teaching centre, Nant Gwrtheyrn: http://www.nantgwrtheyrn.org/default.aspx.

There is an outline of the gestation of this enterprise at http://www.forachange.net/browse/article/1950.html.

There is remarkable film footage of the first motor-car ever to traverse successfully the steep access road (now, thankfully, much improved) in 1934: http://www.britishpathe.com/video/climbing-the-unclimbable/query/wales+hill.

Saltburn-by-the-Sea: the cliff lift

Saltburn-by-the-Sea, North Yorkshire:  the cliff-lift

Saltburn-by-the-Sea, North Yorkshire: the cliff-lift

The contours of Saltburn provided a major inconvenience from the start, simply because the streets are over a hundred feet higher than the beach. A writer in The Middlesbrough Weekly News and Cleveland Advertiser (November 1st 1867) remarked,–

One of the first objections to Saltburn as a seaside resort, especially by elderly people, or even by any whose tendency to embonpoint makes them averse to bodily exertion, is the fact that it is SUCH A HORRIBLY TIRING PLACE.  To go down to the beach involves a certain amount of unpleasant jarring of the system, and to come up again such a waste of muscular power…

John Anderson, the railway contractor who owned the Alexandra Hotel and designed Saltburn Pier, resolved this difficulty with a vertical hoist linking the Marine Terrace, just outside the Alexandra, with the pier.

This structure was built of timber, and powered by water-gravity: it opened in July 1870, and carried up to twenty passengers at a time in its cage for a halfpenny each way.

It was closed precipitately after an inspection in 1883, and replaced by the inclined cliff-lift (also water-gravity powered) which continues to operate on the same site.

The cliff lift was developed by George Croydon Marks (1858-1938, latterly Lord Marks), chief engineer of Tangye Ltd, the company that had devised the first cliff lifts in Scarborough from 1869 onwards.  It lifts passengers 120 feet from the promenade to the streets.

The two cars, connected by cable, carry water-tanks beneath their carriages: the uppermost tank is filled with water and the lower tank emptied, so that the weight-differential lifts the lighter car as the upper one descends.  Operation is controlled by the banksman in the upper cabin.

The Saltburn cliff lift is the oldest water-balanced funicular still in operation in Britain, and was upgraded for the first time in 1998 when a supplementary hydraulic braking system was added. Superficial modernisations have been reversed:  the 1979 passenger cars were restored in 2011 and the upper banksman’s cabin was refurbished in 2014.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Saltburn-by-the-Sea: the pier

Saltburn-by-the-Sea, North Yorkshire:  the pier

Saltburn-by-the-Sea, North Yorkshire: the pier

One of the first purchasers of Improvement Company land in Saltburn was John Anderson, a railway contractor who had worked for the Stockton &Darlington Railway and who also had ironworking interests locally.

He built the Alexandra Hotel, intended to be the centre-piece of Britannia Terrace, and invested funds and enormous energy in the resort.

He was the driving force behind Saltburn Pier, such that construction was well under way before the enabling Act was passed, and the structure was open to the public in May 1869, only eighteen months after the initial public meeting to propose the idea.

The original length was 1,500 feet, but after a storm on October 15th 1875 in which a section of Saltburn Pier collided with Redcar Pier, Saltburn Pier was shortened to 1,250 feet.

The Pier Company was wound up in 1879 and its assets transferred to the Improvement Company and then in 1883 to the Owners of the Middlesbrough Estate.   The pier head was widened, with new refreshment rooms and kiosks, a bandstand and gas lighting, in 1884, and subsequently with electric lighting in 1887.

A collision in 1924, when the china-clay carrier SS Ovenbeg punched a 210-foot gap in the pier, was repaired by 1929, and a theatre was added the following year.

The local council took over the pier in 1938, and at the start of the war it was breached as a precaution against invasion. The gap was not repaired until 1952, and gales in the following winter required repairs that took five years to complete.

Storms in 1971, 1973 and 1974 successively shortened its length to 1,100 feet, and after a demolition threat and a popular campaign to save the pier it was truncated to 681 feet and reopened in 1978.

Refurbished by a £1.2 million lottery grant in 2000 and listed Grade II*, Saltburn pier is now celebrated as the only surviving seaside pier on the Yorkshire coast.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Saltburn-by-the-Sea: the Zetland Hotel

Saltburn-by-the-Sea, North Yorkshire:  Zetland Hotel, railway platform and rear entrance

Saltburn-by-the-Sea, North Yorkshire: Zetland Hotel, railway platform and rear entrance

The first public building in Saltburn was the Zetland Hotel, built by the Stockton & Darlington Railway to the designs of William Peachey, who also built the Methodist Church on Milton Street (1865) and later, as architect to the North Eastern Railway, built the gothic station at Middlesbrough.

The foundation-stone of the hotel was laid by Thomas Dundas, 2nd Earl of Zetland (1795-1873), from whom the land for the whole town was bought, on October 2nd 1861, and the hotel opened on July 27th 1863.

In its situation it’s strongly reminiscent of the Grand Hotel at Scarborough, but its Italianate styling is much lighter than Cuthbert Brodrick’s magnificent bombast.

The circular turret above the central bay of the Zetland was initially equipped as a telescope room.

So strong was the connection – through the Pease family – between the railway and the resort that the station platform was extended so that the buffer stops stood within feet of the back door of the hotel.

A covered train-shed protected passengers as they left the train and entered the hotel without discomfort whatever the weather.

The stable block, incorporating coach-houses and accommodation for livery servants, was designed with an imposing blind arcade facing Milton Street.

The hotel eventually closed in 1989 and was later converted into an apartment block. The Milton Street stables building is now adapted as housing also.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Saltburn-by-the-Sea: the vision

Saltburn-by-the-Sea, North Yorkshire:  railway station

Saltburn-by-the-Sea, North Yorkshire: railway station

Saltburn-by-the-Sea is a classic example of a Victorian holiday resort built at the end of a railway line.

Its site was a bare cliff-top until Henry Pease, the Quaker son of the founder of the Stockton & Darlington Railway, came upon it in 1859 and – in his wife’s words – saw, “in a sort of prophetic vision, on the edge of the cliff before him, a town arise and the quiet unfrequented glen turned into a lovely garden”.

Henry Pease, with his brother, nephew and numerous other S&DR personalities and figures in the local iron industry, formed the Saltburn Improvement Company in 1860, in anticipation of the opening of the railway.

The foundation stone of the first building in the new town, a row of six railwaymen’s houses named Alpha Place, was laid on January 23rd 1861.

Passenger trains began to run on August 17th that year, at which time not even Alpha Place, apparently, was finished.

The Improvement Company held a competition to obtain a street-layout, and commissioned from the winner, George Dickenson of Darlington, a plan which is still the framework of the town centre.

Parallel to the railway which bisects Saltburn, to north and south, run Milton Street and Dundas Street, with the “jewel” streets (Amber, Pearl, Diamond, Emerald, Ruby and Garnet) grouped between Milton Street and the Marine Terrace, and the “river” streets (Eden, Leven, Tweed, Lune, Avon and Greta) running roughly at right-angles to Albion Terrace which overlooks the valley of Skelton Beck.

Alpha Place was demolished because it conflicted with Dickenson’s alignments.

The Saltburn Improvement Company kept strict control over building standards in the town, insisting on uniform rooflines, though allowing some freedom in architectural detail, and specifying for all frontages the use of a white firebrick which was, perhaps predictably, obtained from Peases West Brickworks in Co Durham.

The prices of plots were fixed on a scale which placed obvious value on sea and valley views, and on commercially valuable sites in the centre. Plots on the Jewel Streets cost around half as much as those on the sheltered sites looking across the valley (5s 6d as opposed to 10s 6d).

Economic depression in 1873-5 halved the price of Cleveland iron-ore, and effectively halted the planned development of Saltburn.

The Assembly Rooms, designed for the plot at the south end of Britannia, was never started. Britannia Terrace itself was never finished.

The Improvement Company was wound up in the early 1880s after passing its responsibilities to a local Board of Health and the Owners of the Middlesborough Estate.

No longer did buildings in Saltburn have to be faced in Peases West brick, and the distribution of this pale, unlovely material illustrates as clearly as a snapshot how far development had gone by about 1875.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Not-so-grand Central

Lowestoft Central Station

Lowestoft Central Station

Lowestoft divides neatly into a northern shopping area and a southern resort area, separated by the swing-bridge over the harbour approach.

All this results from the initiative of Samuel Morton Peto (1809-1889), the great civil engineer and entrepreneur, who had moved into Somerleyton Hall, a few miles west, in 1844.

When the Norfolk Railway was built to connect with Peto’s Lowestoft Railway & Harbour Company’s docks in 1845, its terminus was a mile and a half from the existing settlement. The town stretched southwards as its population grew during the nineteenth century.

To this day, Lowestoft Central railway station sits absolutely in the centre of the town. It became Central after the Norfolk & Suffolk railway opened Lowestoft North in 1903. Though the “Central” epithet was dropped in 1971 after Lowestoft North closed, the building still carries an enamel sign with the words “British Railways Lowestoft Central” – one of the few such still in situ anywhere in the Britain.

The station was stripped of its platform awnings in the late 1960s and the heavy timber roof of the concourse disappeared in a 1992 modernisation, leaving passengers to wait for the surviving services to Norwich and Ipswich in a windy circulating area open to the skies.

Arguments about redevelopment of the station’s public areas and the streetscape surrounding it have been running since 2010. The Waveney District Council initially advocating moving the rail lines back so that the surviving historic buildings could be used for commercial development; Network Rail took against that, having been caught out at Cromer and elsewhere in East Anglia, because it would hide the rail operation from passers-by.

Discussions continue amid piecemeal improvements to the surrounding infrastructure: http://www.peteraldous.com/content/aldous-calls-improvements-lowestoft-train-station.

Whatever results won’t look much like Central Station as it existed until the 1990s, but the station continues to be staffed and heavily used, and there are sufficient historic structures to provide better amenities.

Lots of places have to put up with a couple of bus shelters.

An ace caff with quite a nice cemetery attached

Arnos Vale Cemetery, Bristol:  Nonconformist chapel and the chhatri of Raja Rammohun Roy (1772?–1833)

Arnos Vale Cemetery, Bristol: Nonconformist chapel and the chhatri of Raja Rammohun Roy (1772?–1833)

Arnos Vale Cemetery in Brislington, Bristol, is a superb example of an 1830s company cemetery laid out as an Elysian landscape with fine classical buildings and a rich collection of monuments up to and including the past decade.

The cemetery was designed by the Bristol architect Charles Underwood (1791-1883) and the landscaping, including two thousand ornamental trees and shrubs, was the responsibility of the local nurserymen James Garraway and Martin Hayes (c1801-1858).

The cemetery opened, after the consecration of the Anglican chapel by the Bishop of Gloucester and Bristol, in October 1840. Successive extensions were added from 1855 until the time of the Second World War.

Because military hospitals were concentrated around Bristol in the First World War soldiers and seamen who were wounded in action and died after repatriation came to be buried at Arnos Vale. All these graves are maintained by the Commonwealth War Graves Commission.

To maintain income in the face of changing fashion, the cemetery company built a crematorium, cloister and columbarium, designed by H G Malcolm Laing, around the nonconformist chapel in 1927-9. This was for a time the only crematorium in the South West, and attracted business from far into Devon and Cornwall. Latterly, the equipment became superannuated and was maintained only with difficulty.

By the 1970s the physical and financial condition of the site caused considerable concern, and it took until 2003 for Bristol City Council to take ownership. It is now maintained by the Arnos Vale Cemetery Trust and reopened to the public in May 2010.

Under its new ownership, Arnos Vale has become distinctive among restored Victorian cemeteries for promoting its buildings and amenities. With lottery grants and other funds the lodges and the two chapels have been fully restored: the Anglican chapel is available for religious wedding ceremonies and the Nonconformist chapel is licensed for civil ceremonies: http://www.arnosvale.org.uk/cemetery-services.

At first it may seem odd to get married in a cemetery, but what could be more appropriate than to commit to a life partner – or, for that matter, to name a child – in the presence of ancestors?

And on a daily basis, the tactful glass extension of the Nonconformist chapel provides a superb café, operated by Whisk!, a highly regarded firm of Bristol caterers, where visitors can unwind in glorious Elysian surroundings: http://www.arnosvale.org.uk/atrium-cafe.

A visit to the basement loo provides an opportunity to see the workings of the catafalque and relics of the former crematorium.

The Atrium Café is open every day except Christmas Day and New Year’s Eve.

There’s an attractive account of Arnos Vale by the son and grandson of successive superintendents at http://www.theguardian.com/lifeandstyle/2015/oct/30/experience-i-grew-up-in-a-cemetery?CMP=Share_AndroidApp_Gmail?CMP=Share_AndroidApp_Gmail.

 

Nottingham’s Water Palaces 2: Papplewick Pumping Station

Papplewick Pumping Station, Nottinghamshire

Papplewick Pumping Station, Nottinghamshire

If, while dining in splendour at the Lakeside Restaurant, the former Bestwood Pumping Station outside Nottingham, your imagination wonders how much more splendid the place is than when it was a waterworks, you need only drive up the road to the Papplewick Pumping Station to see a similar installation that was and is even more splendid.

The Papplewick Pumping Station was completed in 1886 after the Waterworks Company was taken over by Nottingham Corporation, and its construction was the responsibility of the engineer Marriott Ogle Tarbotton (1834-1887), who gave Nottingham its sewage system and the present-day Trent Bridge.

The engine house at Papplewick was built of local Bulwell bricks with terracotta and Mansfield stone decorations.  It contains two magnificent James Watt & Co beam engines, which pumped from wells two hundred feet deep.  

Papplewick Pumping Station was given the same elaborate architectural treatment and landscaped grounds as Bestwood, but, apparently because the project cost £55,000, well under the £67,000 budget, it is more richly decorative, with stained glass, carved stone and ornamental brasswork designed around the theme of water and water-creatures.

Brass fish swim between the individually turned bronze water-lilies, reeds and bullrushes that decorate the square faces of the columns supporting the engine-beams and gilded ibis embellish the capitals.

The strong resemblance between the Bestwood and Papplewick buildings may indicate the guiding hand of Thomas Hawksley, who acted as an informal mentor to Marriott Ogle Tarbotton.  A letter from James Watt & Co about the design of the engines asked if they could save time and money by adapting features for Hawksley’s Yarmouth waterworks:  “There is a great similarity and we seem to detect Mr Hawksley’s design and ornamentation in your drawings.”

The sheer magnificence of the interior of Papplewick Pumping Station almost certainly saved the engines when it was decommissioned in 1969.  The Bestwood engines were scrapped without controversy in 1968.  The scrap value of the engines at Boughton Pumping Station further north near Ollerton was assessed in 1970 at £10,000, and the proceeds of that sale helped to set up the Preservation Trust that took over Papplewick Pumping Station and brought it back to life:   Papplewick pumping station: Industrial museum and unique wedding venue in Nottinghamshire.

Opening and steaming dates and times at Papplewick Pumping Station are at Papplewick pumping station: Industrial museum and unique wedding venue in Nottinghamshire – Visit us.

Papplewick Pumping Station features in Mike Higginbottom’s lecture ‘Temples of Sanitation’.  For further details, please click here.