The Heineken effect

Chapel of St Peter, Alton Towers, Staffordshire

I like my tours to include the “Heineken effect”, reaching the parts that other tours don’t reach.

I was particularly pleased when a professional architect guest on my ‘Pugin and the Gothic Revival’ tour in September 2019 remarked that he’d been on a previous Pugin tour but I’d taken him to two places he’d never visited before.

One was Alton Castle, normally inaccessible to the public because its use as a retreat for Catholic school pupils involves strict safeguarding rules. We were allowed an hour between school groups departing and arriving to see Pugin’s interiors.

The other was the spectacular Chapel in the ruins of the house at Alton Towers.

I’d never seen this space, and thanks to the theme park’s Corporate Events team we were able to visit another rarely accessible Pugin interior.

The chapel was designed in 1832-33 by Thomas Fradgley, Joseph Ireland and Joseph Potter of Lichfield for the devout Catholic 16th Earl of Shrewsbury.  The nave is 90 feet long, 30 feet wide and 60 feet high.  It has a slender tower with ogee windows and pinnacles that were reduced in height in the 1950s.

Augustus Welby Pugin brightened the Chapel in 1839-40 with carved and painted panels, some of medieval date from Magdalen College, Oxford – and a new reredos and altar. 

Later, in 1850, he decorated the previously plain ceiling in blue, red and gold and added a frieze with Latin texts painted on canvas. 

The angels on the roof corbels are plaster (which Pugin would be unlikely to have countenanced) but after he had designed the reredos and altar screen in 1839-40 he is known to have been “fixing figures in the chapel gallery” in 1840 and supervised the decoration of the ceiling between 1849 and 1851.

The sixteenth Earl inherited a personal estate of £400,000 from his uncle.  At one point he was spending £20,000 a year on building and restoring churches across his many estates.

When he died in 1852 the title passed to his invalid nephew, Bertram, who himself died without an heir four years later.  At his death the estate amounted to some 50,000 acres, the income from which was in excess of £50,000.

There followed a legal dispute about the succession of the titles and estates, in the course of which the contents of Alton Towers were auctioned over a period of a twenty-nine days in 1857. 

The property eventually passed to a distant Protestant member of the family, Henry, Earl Talbot of Ingestre, who became the 18th Earl of Shrewsbury.

The altar and reredos were removed in 1860 from the Chapel to St Peter’s Catholic Church, Bromsgrove where they remain;  most of the other Pugin work was stripped out in 1951 and only fragments remain.

The eighteenth Earl was the first to open the gardens to the public in 1860.  By the 1890s the annual August grand fêtes were attracting crowds of up to 30,000, mainly brought by train to Alton station.

His grandson, the twentieth Earl, died in 1921, and three years later the Alton Towers estate was sold to a business consortium, Alton Towers Ltd, which ran the estate as a tourist attraction and place of entertainment until the War. 

The house was requisitioned as an Officer Cadet Training Unit, and when the owners regained possession in 1951 the dilapidations were such that they chose to strip almost the entire interior of lead roofs and internal timber. 

The grounds were reopened to the public in 1952. 

From 1958 to 1993 the Chapel interior was obscured by a tented ceiling, beneath which spread a gigantic model railway.

In the late 1970s installing concrete floors and wooden stairs within the Towers ruins enabled visitors to appreciate the scale of the house from a variety of levels up to the roof. 

The collapse of a beam on to the Chapel floor in 1993 prompted a full structural and decorative restoration of the ceiling in 1994.

Since the late 1990s further conservation programmes have restored some parts of this exceptional building, but the owners’ priority is inevitably to encourage visitors looking for thrills and spills on amusement-park attractions.

I was particularly grateful to the Alton Towers management for allowing my tour-group to see parts of the ruins that other groups can’t reach.

The 56-page, A4 handbook for the 2019 ‘Pugin and the Gothic Revival’ tour, with text, photographs and a reading list, is available for purchase, price £15.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

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