Author Archives: Mike Higginbottom

Friends of the Old Town Hall

Old Town Hall, Sheffield, interior

Old Town Hall, Sheffield, interior

Photo:  Chard

I wrote an article in 2011 about Sheffield’s Old Town Hall, highlighting the virtual invisibility of a major public building in the middle of a busy city centre: https://www.mikehigginbottominterestingtimes.co.uk/?p=1285.

Since then, in November 2014, a Friends of the Old Town Hall group has been formed to ginger up support for this splendid, inexorably decaying building, opened in 1809 as a combined town hall and court house, and disused since 1996 when the courts moved to a new building on West Bar.

The original owners, the Sheffield Town Trust, sold it in 2000, and the developer, G1 London Properties Ltd, that bought it in 2004 has since then apparently done nothing to the building.

The Friends point out that the Old Town Hall is only the largest and most splendid of a group of buildings at the heart of the old town-centre.

As a support group the Friends face an uphill task – first, to conceive positive proposals to restore the building; second, to get the owners to respond to their repeated approaches.

Their enthusiasm is bolstered by positive support from Sheffield City Council, which is beginning the comprehensive redevelopment of the adjacent Castlegate area.

The Friends’ growing body of individual members is open to anyone who would like to offer support. There is no subscription, and everyone on the mailing list receives a regular newsletter. The website is at https://friendsofothsheffield.wordpress.com.

Far from the madding Yorkshire crowds

The Crescent, Filey, North Yorkshire

The Crescent, Filey, North Yorkshire

Filey has unexpected charms. It’s a good place to reach by rail. The station is a particularly well-preserved example of the work of George Townsend Andrews (1804-1855), with an overall iron truss roof and a standard North Eastern Railway footbridge slotted into the train-shed walls.

The short walk to the sea is unremarkable, until you reach the cliff edge. Ahead is the North Sea, which in the nineteenth century was called the German Ocean. In each direction spectacular cliffs stretch to Filey Brigg in the north and southwards towards Muston, Hunmanby and Reighton.

Facing the coast, but separated from the cliff-edge by ornamental gardens, is the Crescent, an elegant ensemble of Regency terraces, constructed for an enterprising Birmingham solicitor, John Wilkes Unett (1770-1856), who commissioned plans for a resort to be called New Filey from the Birmingham architect and surveyor Charles Edge in 1835.

There is a subtle demarcation between the Crescent area and the Old Town. The two are interdependent, but Unett’s speculation was aimed at “those who possess a relish for the pure exhibitions of nature, and take with them a little society”.

Visitors came to Filey, as a quieter alternative to Scarborough, from the beginning of the nineteenth century, and initially they came by road. In the 1820s two stage-coaches operated, each on alternate days, six days a week. Local sailors and their wives recognised that catering for tourists was at least a supplement to the unpredictable fortunes of the fishing trade.

The Hull-Scarborough railway opened in 1846. It could have encouraged an invasion of excursionists, but they seem to have headed for Bridlington and Scarborough. Instead, Filey attracted a constant stream of visitors of high social standing and net worth. Charlotte Brontë visited in 1849 and 1852; Sir Titus Salt came in 1871, and Frederick Delius was a regular visitor from 1876, when he was fourteen, until 1901.

Filey was also the discreet resort of British and foreign royalty. Leopold II, King of the Belgians in 1873 made the first royal visit: he was Queen Victoria’s cousin, and he was followed by her son, Prince Alfred, Duke of Edinburgh (1880), her grandson Prince Albert Victor, Duke of Clarence & Avondale (1890) and her daughter, Princess Louise, later Duchess of Argyll (1899).

German relatives of the British royal family also visited – the Prince & Princess Louis of Battenberg (1900) and Ernest Ludwig, Grand Duke of Hesse, and his family (1910). Indeed, well into the 1930s Princess Mary, the Princess Royal, who was married to the Earl of Harewood, used to bring her young sons for holidays to Filey.

Ironically, Filey’s major claim to fame in the holiday industry was the Butlin camp, started in 1939 and completed as RAF Hunmanby Moor. After the war it flourished, to the extent that it had its own branch line and railway station. The camp’s maximum capacity was 11,000 holidaymakers, and it ran successfully into the 1970s:  http://www.butlinsmemories.com/filey/index.htm.

It’s a fair bet that most of the thousands of visitors to Butlins never went near Filey itself.

The Butlin’s branch line closed in 1977 and the camp lasted until 1983. It has completely disappeared under redevelopment.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 72-page, A4 handbook for the 2015 Yorkshire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Golders Green Crematorium

Golders Green Crematorium, London

Golders Green Crematorium, London

Cremation became a legal and practical alternative to burial when the Cremation Society inaugurated their Woking Crematorium in 1885, but the practice remained expensive and practically difficult while Woking remained the only crematorium in the country.

Commitals remained in the low hundreds per annum, peaking at 301 in the year 1900. By the start of the new century crematoria had begun to appear in the north, in Manchester (1895), Glasgow (1895), Liverpool (1896) and Hull (1901).

The Cremation Society had attempted to find a site in London for some years before they bought a twelve-acre site at Hoop Lane, Golders Green, directly across the road from a recently opened Jewish cemetery.

Golders Green Crematorium opened in 1902, designed in red brick by Sir Ernest George (1839-1922) and Alfred Bowman Yeates (1867-1944). Not only was this the first crematorium in the metropolis, but it was the first anywhere in Britain designed by architects of national repute.

From the start its policy was secular – rites of any religion, and none, were and are acceptable – and the Lombardic Romanesque style was deliberately unecclesiastical. Furthermore, the garden layout designed by William Robinson (1838-1935) looked as little like a Victorian cemetery as possible.

The facility gained popularity, and its existence was influential in making cremation the preferred means of disposal in the UK. In 2013, 74% of funerals were cremations.

Cremation gradually became respectable, rather than radical. The first member of the royal family to be cremated was Princess Louise Margaret, Duchess of Connaught and Strathearn (1860-1917), Queen Victoria’s daughter-in-law. Her ashes were transported from Golders Green to the Royal Burial Ground at Frogmore in an urn inside a conventional coffin.

After the actor Sir Henry Irving (1838-1905) was cremated before burial in Westminster Abbey, the Dean and Chapter moved to a policy whereby burials in the Abbey had to be preceded by cremation to save space. The only exception is the Percy Dukes of Northumberland, who are still free to use their family vault in the Abbey for burial if they wish. A parallel rule was adopted by the Dean and Chapter of St Paul’s Cathedral.

Reading the memorial plaques in the cloisters at Golders Green makes one wonder who wasn’t cremated there.

The most recent well-known funerals there have included John Inman (1935-2007), Michael Foot (1913-2010), Amy Winehouse (1983-2011), Peter O’Toole (1932-2013) and Doris Lessing (1919-2013).

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

One of the Met’s finest

Monument to PC William Frederick Tyler (c1878-1909), Abney Park Cemetery, London

Monument to PC William Frederick Tyler (c1878-1909), Abney Park Cemetery, London

Abney Park Cemetery, in Stoke Newington in north London, is the nineteenth-century Campo Santo of the Dissenters, freighted with ministers, missionaries and other dignitaries from the Congregational, Baptist, Methodist and Salvation Army denominations.

It was laid out as a garden cemetery on land that has strong associations with seventeenth- and eighteenth-century nonconformity.

In particular, the long-term residence of the great hymn-writer, Dr Isaac Watts (1674-1748), stood on the site and though he is buried at Bunhill Fields in Islington, his statue stands at the centre of the cemetery. It was sculpted by Edward Hodges Baily RA FRS (1788-1867), who also carved the statue of Lord Nelson that tops the column in Trafalgar Square.

Abney Park was a particularly desirable place for nonconformists to be buried because, for the first forty years after it opened in 1840, its peculiar legal status meant that burial fees were not paid to the local Anglican clergy – a great bugbear for non-Anglicans almost everywhere else.

Perhaps the most evocative monument of all in the cemetery commemorates PC William Frederick Tyler (c1878-1909) who was shot dead in the spectacularly desperate Tottenham Outrage.

Two armed Latvian anarchists, Paul Helfeld and Jacob Lepidus, set out to steal the wages (amounting to about £80 in coin) from the factory where they worked. They were pursued by officers from the nearby police station.

In the chase that followed, Helfeld and Lepidus used their guns freely, and Helfeld shot PC Tyler in the head when asked to surrender.

After a chase that involved two hijacked trams, a horse-drawn carriage and a milk cart, both robbers shot themselves: http://www.pfoa.co.uk/uploads/asset_file/The%20Tottenham%20Outrage%20-%201909%20v3.pdf.

PC Tyler was given a ceremonial funeral, and lies in Abney Park Cemetery: his monument, beautifully carved in white marble, shows his helmet and his cape neatly folded and carries his badge number.

Nearby lies the ten-year-old schoolboy Ralph Joscelyne who was caught in crossfire during the incident.

PC Tyler’s death and the bravery of his colleagues led directly to the establishment of the King’s Police Medal.

For details of Mike Higginbottom’s lecture Victorian Cemeteries, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Emotive power

'Prince Consort', Crossness Pumping Station, London

‘Prince Consort’, Crossness Pumping Station, London

The Crossness Pumping Station, located in the midst of the treatment works that deals with all the sewage of South London, represents one of the most remarkable stories of the post-war industrial-heritage movement.

I first visited Crossness with a Matlock Travel Society group in 1987. Our Derbyshire coach-driver was astonished that we should travel all that way to have a sandwich buffet in a sewage works.

At that time the engines had been disused since the 1950s, left to rust, and were prey to thieves and more than usually intrepid vandals. The lower levels of the engine house were filled with a hundred tons of sand and cement to prevent accumulation of methane. The degree of dereliction was spectacular.

The small group of enthusiasts from the Crossness Beam Engines Preservation Group talked hopefully of bringing the place back to life. It was, frankly, hard to believe.

In fact, Crossness has huge significance. John Yates, of the Historic Buildings Division of the Greater London Council, had written in his 1980 report, “The engines as they now stand reflect the best practices of mechanical engineering in two periods: first, the middle period of steam engineering, largely reliant upon cast iron, and the late period with steel a dominant material. They are certainly the largest surviving rotative beam engines in this country, and are probably the largest in the world. There is no other comparable group of engines in one house…”

In 1993, after protracted negotiations, the Crossness Engines Trust, which arose from the earlier Preservation Group, secured a long lease from Thames Water of the engine house and its immediate surroundings, and set about restoring Prince Albert, the last of the four engines to have operated in 1953.

There followed a ten-year saga of patient, unglamorous, physical restoration work, much of it carried out by a core team of not much more than a dozen: http://www.crossness.org.uk/restoration.html.

By 2003 Prince Albert gleamed as good as new.

When the beam moved under steam for the first time in fifty years, grown men grew teary-eyed.

The power of live steam is emotional as well as physical. It makes the earth move.

Crossness Pumping Station features in Mike Higginbottom’s lecture Temples of Sanitation.  For details, please click here.

The 80-page, A4 handbook for the 2015 Cemeteries and Sewerage:  the Victorian pursuit of cleanliness tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Sheffield’s surviving cinemas 4: Manor Cinema

Former Manor Cinema, Manor Top, Sheffield

Former Manor Cinema, Manor Top, Sheffield

The most intriguing of all the surviving Sheffield picture-houses is the Manor Cinema (1927) at the top of Prince of Wales Road.

Like the Hillsborough Park Cinema this was until recently a supermarket, latterly operating as a Tesco. When you walked in off the street there was no hint that until 1969 it was an auditorium.

But the oddity about the Manor Cinema is that it was built into a steep hillside, and the street-level access led into a wide foyer and then into the circle. The stalls area was downstairs.

Indeed, the Manor was unusual for having two balconies: the three tiers were described as saloon, first balcony and second balcony.

Below the first balcony, and behind the saloon, was a basement billiard hall, with three additional private billiard rooms which projected beyond the building line under the street pavement.

This was the work of Pascal Stienlet, who had previously worked in Sheffield at the Abbeydale Picture House (1920), which also stands on a sloping site and had a ballroom and billiard hall below the auditorium and stage.  He also designed the Majestic Cinema, Leeds (1922).

Before the Tesco store closed I was told that there was no access to the parts of the building that aren’t in practical use.  A Poundland store currently occupies an area equivalent to the original foyer.

Apparently, the last time the building was surveyed was when Tesco took it over in 2010.

It would be an interesting revelation to discover if, like the Hillsborough Park Cinema, anything of the auditorium remains.

Sheffield’s surviving cinemas 3: Hillsborough Park Cinema

Former Hillsborough Park Cinema, Middlewood Road, Sheffield

Former Hillsborough Park Cinema, Middlewood Road, Sheffield

Sheffield has two Grade II listed cinemas, the Adelphi and the Abbeydale. Of the others remaining, one of the best and most surprising survivals is the Hillsborough Park Cinema of 1921.

Its elegant brick and faience façade, vaguely classical but with mullion-and-transom windows, decorates the streetscape on the tram-route at Parkside Road.

An English Heritage inspector would no doubt turn up his or her nose at the place, because when you walk through the door you’re in a perfectly conventional Asda supermarket. There’s hardly any indication that this was once a picture palace.

But thirty-odd years ago, when the Sheffield journalist Steve McClarence and I went exploring for his ‘Sheffielder’ column, we were taken through a door back into the 1950s, climbed the staircase to the circle, and found ourselves on the balcony, devoid of seating but otherwise intact.

There was the proscenium, and the clock, and through the panels of the suspended ceiling that fills the void in front of the balcony, we could glimpse unsuspecting customers trundling their trolleys.

Back downstairs we tried to run a trolley by gravity towards the screen end, but the floor has been levelled.

We thought this rather a pity, though practical.

Sheffield’s surviving cinemas 2: Wincobank Picture Palace

Former Wincobank Picture Palace, Sheffield

Former Wincobank Picture Palace, Sheffield

Sometimes, when you explore old buildings, the least prepossessing places still produce surprises.

Wincobank, round the corner from the huge modern Meadowhall shopping centre, was very much a separate community from both Sheffield and Rotherham until well after the First World War. There were two railway stations, one called ‘Wincobank and Meadow Hall’, the other ‘Meadow Hall and Wincobank’, but electric trams never came near and the bus-service was sparse.

Wincobank people looked for their entertainment to the 550-seat Wincobank Picture Palace, opened in 1914 and operated at least from the 1920s by the Wadsworth family, who also owned the nearby, long-vanished Tinsley Picture Palace.

After the Wincobank Picture Palace closed in February 1959 it was used by a plumbers’ merchant, now operated by the Graham chain [http://www.grahamplumbersmerchant.co.uk/branch-locator/?location=Wincobank].

The outside of the building is in beautiful condition, but in the course of fifty-odd years of industrial use the interior has been heavily beaten up.

The manager, Mick Adams, encouraged me to take a good look round, mainly because the balcony front, installed in 1926 to add a hundred extra seats, is visible and largely intact.

Otherwise, the proscenium has disappeared and all the plasterwork from the walls has been stripped away, though the shallow barrel ceiling with its ventilators remains.

The floor has been levelled and an extra level has been built out from the balcony, but it’s clear that the original raked floor and balcony flooring remain.

I did my best to contrive a series of photographs to illustrate my forthcoming presentation at Sheffield City Libraries, and then Mick mentioned the staircase that his staff don’t use to get upstairs.

He opened a door by the front entrance, to reveal the original staircase to the balcony, now used only for storage, beautifully preserved and tiled in cream, brown and chocolate, with wooden handrails intact.

It was like stepping back into the 1920s.

Mick tells me that under the floor at the entrance there remains a mosaic design with the words ‘Wincobank Picture Palace’.

You never know what you’ll find…

Update:  The Wincobank Picture Palace was advertised for sale with a guide-price of £199,000 in May 2020:  https://colloco.co/find-a-property/properties/1006-5-merton-road-sheffield.  It’ll be interesting to see if a buyer makes any use of the remaining historic features of this much altered building.

Further update:  A planning application has been lodged to convert the Picture Palace into apartments, which would provide a practical opportunity to incorporate the remaining historic features but would necessitate windows in the existing outside walls.

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Sheffield’s surviving cinemas 1: Darnall Picture Palace

Former Darnall Picture Palace, Staniforth Road, Sheffield

Former Darnall Picture Palace, Staniforth Road, Sheffield

I first explored the surviving cinema buildings in Sheffield for the South Yorkshire Group of the Victorian Society circa 1983.

I’ve been asked to give a presentation at Sheffield City Library, so I decided to do a further survey of what is left of the fifty-odd auditoria that were built in the city up to the start of the Second World War.

One of the most attractive survivals – well cared-for though not intact – is the former Darnall Picture Palace, designed by Walter Gerald Buck and opened in 1913. Because the Darnall Picture Palace isn’t really in Darnall, and there was also a Darnall Cinema, locals called it the Balfour, because it was on the corner of Balfour Road, and by 1931 the proprietors were using that name in their advertising.

After it closed in 1959 the building was used by Clarks of Retford for their dry-cleaning business, and it’s now a quirky carpet showroom, run by a family firm as Balfour Carpets: http://www.balfourcarpets.com.

The mock-medieval castellated exterior is a landmark on the main road, and the barrel-ceiling interior has particularly fine fibrous plasterwork.

The sides of the proscenium arch remain, with faint traces of gilding, though the top of the arch has disappeared.

There was no overhanging balcony, though in 1920 the auditorium was extended to provide a raised rear section. It’s difficult to discern among the rolls of carpets exactly how this was done.

Ryan Jackson, one of the owners, who showed me round, took me upstairs to the staff room where there remains one of the hatches of the projection suite, still in situ.

158 Squadron Bomber Command

185 Squadron Memorial, Lissett, East Yorkshire

185 Squadron Memorial, Lissett, East Yorkshire

I was privileged to be a guest when the Derwent Decorative & Fine Arts Society listened to a presentation about the 158 Squadron RAF Memorial on the site of RAF Lissett, by the artist Peter Naylor.

The story of 158 Squadron encapsulates the sacrifice of the men of Bomber Command in the Second World War. 851 personnel of the squadron were killed while based at RAF Lissett. Across Bomber Command as a whole, nearly 65% of those who flew didn’t come back. Their average age was 22. They were all volunteers.

Located on the East Yorkshire coast south of Bridlington, Lissett was the closest Yorkshire RAF base to Germany. It operated from February 1943 and was abandoned at the end of the War when 158 Squadron became part of Transport Command.

When Novera Energy PLC took over the site for a wind-farm in 2007, they agreed to finance a memorial to 158 Squadron, and the design competition was won by the Beverley artist Peter Wallwork Naylor: http://www.peternaylor.co.uk/public/158_Squadron_Memorial.html.

His vision is a silhouette in 15mm weathering steel of a seven-man bomber crew, based on a photograph. The figures are eight feet high, and the composition is curved so that on the seaward, convex side, the men are marching out to fight, and on the landward, concave side, they are returning home – as so many of them were unable to do.

On the steel are engraved the names of the 851 personnel who lost their lives, placed randomly rather than in alphabetical order, with the added phrase “And for all who served with 158 Squadron”.

It’s a particularly powerful image to come across, driving down a quiet lane in the depths of East Yorkshire: http://www.158squadron.co.uk/158_Squadron_pages/158_Memorial.html.

There’s a lay-by with informative interpretation boards.

In the fields behind the memorial are Novera Energy’s twelve huge wind-turbines, made in Germany.