Category Archives: Country Houses

Eat your way round Woodhall Spa

Petwood, Woodhall Spa, Lincolnshire

Petwood, Woodhall Spa, Lincolnshire

There is no shortage of places to eat and drink in Woodhall Spa – the Dower House Hotel [http://www.dowerhousehotel.co.uk], the Golf Hotel [http://www.thegolf-hotel.com/default.htm] and the Woodhall Spa Hotel (formerly the Eagle Lodge)[http://www.legacy-hotels.co.uk/legacy-woodhall/index.php].

The most historically interesting of them all is the mock-Tudor Petwood [http://www.petwood.co.uk], built by the Baroness Grace Von Eckhardstein, daughter of the furniture-store owner Sir John Blundell Maple in 1905.

In 1910, she divorced her German husband and married Captain Archibald Weigall, grandson of the eleventh Earl of Westmorland, who served as land agent for the Earl of Londesborough’s nearby Blankney estate.

The following year they commissioned the London architect Frank Peck to extend Petwood, building a staff wing to the east on what the Horncastle News described as “an enormous scale”.

Peck’s carefully stylised modifications give this wholly twentieth-century house a “borrowed history”, suggesting a series of additions through the Tudor and Jacobean periods.  The main staircase, often attributed to Maples carpenters, is more likely the work of Peck’s foreman-carver James Wylie.  At an unknown later date – but probably not much later – the grandiose two-storey oriel-windowed entrance bay was added.

Also, mainly during 1913-4, Harold Peto was employed to design the ambitious gardens.

In 1933 Petwood became a hotel, and during the Second World War this was the officers’ mess for 617 Squadron, the “Dam Busters”.

Now, it’s an exceptionally relaxing place to eat, drink or stay.  Indeed, you could spend a very satisfactory weekend staying at any one of the Dower House, the Golf, Petwood or the Woodhall Spa, and wandering off to have coffee, tea or a meal at each of the others.

And you could take home a picnic from the Bakery & Delicatessen at 14 Broadway (01526-352183):  they’re far too busy selling superb food to bother with a website.

The history of Petwood, successively as a house and a hotel, is detailed and illustrated in Edward Mayor, Petwood:  the remarkable story of a famous Lincolnshire hotel (Petwood 2000).

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

 

Edgwarebury

Edgwarebury, Hertfordshire

Edgwarebury, Hertfordshire

Branching off Station Road, in the middle of the North London suburb of Edgware, is Edgwarebury Lane, lined with elegant thirties houses.

It crosses the busy A41 Edgware Way, otherwise the Watford by-pass, where pedestrians are provided with a very grand footbridge.

North of the A41 the houses eventually give way to tennis courts and a cemetery, and the road diminishes into a bridleway, though the bridge over the M1 motorway is built to main-road dimensions.

Edgwarebury Lane then climbs steeply past the Dower House, and eventually reaches the former Edgwarebury Hotel, now the Laura Ashley The Manor Hotel:  https://www.lauraashleyhotels.com/en/themanorelstree/thehotel.html.

The name, and the persistence of the route against the grain of the modern road-system, suggest that Edgwarebury must have been at least as important as the once-rural village of Edgware.

This is, of course, not a sensible or practical way of reaching the Edgwarebury Hotel.  It’s reached via Barnet Lane and the last few hundred yards of the old lane.

The hotel was originally Edgwarebury House, the residence of Sir Trevor Dawson (1866-1931), managing director of the armaments company Vickers Ltd.

As an essay in Victorian or Edwardian black-and-white revival, it has one attractive show front, looking south across a gently-sloping garden surrounded by trees and looking across to distant views of London.

Within, the major rooms are embellished with antique carved timber and stained glass.  It has all the hallmarks of a late nineteenth-century interest in collecting architectural antiques.

It served as a location for the Hammer horror film The Devil Rides Out (1968), the rather more cheerful Stardust (1974) and much else.

It’s my favourite place to stay in the London area, whenever its special deals are cheaper than Premier Inn.

I like to walk down Barnet Lane, where the local motorists often drive at absurd speeds, to the crossroads and eat at the Eastern Brasserie [0208-207-6212], which serves the sort of Indian meals where you savour every mouthful, from the popadoms at the start to the slices of orange at the finish.

It’s always been one of my favourite start-of-the-weekend-in-London experiences.

There is an informative article about Edgewarebury Lane at http://hidden-london.com/gazetteer/edgwarebury.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

Nabob’s retreat

Aston Hall, South Yorkshire

Aston Hall, South Yorkshire

There’s a setting for a novel around Aston Hall, in the south-east corner of South Yorkshire – a sort of Alan Hollinghurst meets Jane Austen, with more than a dash of Anthony Trollope.

The key character, probably the narrator like Mr Lockwood in Wuthering Heights, is the poet Rev William Mason (1724–1797), the Rector of Aston, whose Musaeus (1747), a monody on the death of Alexander Pope, and his historical tragedies Elfrida (1752) and Caractacus (1759) have hardly stood the test of time.

He’s better known as the editor of the poems of his friend Thomas Gray, whose ‘Elegy written in a country churchyard’ is one of the best-loved eighteenth-century poems in English.

Mason and Gray shared friendship with Horace Walpole, whose catty observations are so vivid you can almost hear his voice.  Walpole’s residence, Strawberry Hill was a gathering ground for some of the brightest and most sophisticated wits of the day.  Mason’s rectory was similarly a centre for creativity, conversation and cyncism.

He was rector of Aston from 1754 to 1797, and though he didn’t live there continually, he must have watched from the rectory the rebuilding of Aston Hall on the opposite side of the church after a fire in the 1760s. 

The owner, the fourth Earl of Holderness, had it rebuilt in the Palladian style by the ubiquitous, versatile and highly respected architect John Carr of York.

Once it was finished in 1772, Lord Holderness declined to move in:  Walpole declared this was “because it is too near the ducal seat at Kiveton”;  in other words, the earl didn’t want to be overshadowed by the Duke of Leeds at Kiveton Park.

After all, Robert Darcy, 4th Earl had been ambassador to Venice and The Hague, Secretary of State (then one of the great offices of state) and later became tutor to two of George III’s sons, in which capacity Walpole described him as “a solemn phantom”.

Lord Holderness let the house to Harry Verelst (1734-1785), whom Walpole described as “the Nabob” – the term for an opportunist who had made money in India.  He was Governor of Bengal from 1767 to 1769.

Verelst purchased Aston Hall in 1774-5 and employed the local architect John Platt to install a finer staircase and the west wing.  His descendants lived there until 1928.

Mason was distantly related to both Lord Holderness and Harry Verelst.  One may imagine the twitching of curtains at the rectory, and the comments of Rev Mason and his wife about the nabob’s taste. 

Sitting in the bar and lounge of the Aston Hall Hotel [http://www.tomahawkhotels.co.uk/home.aspx?h=1], it’s possible to see Lord Holderness’ viewpoint.   Even though Carr’s rooms have been much carved about by institutional use it’s clear that they would hardly have been grand enough for an earl to entertain.

It’s more than comfortable for modern visitors, set in a quiet village literally within two minutes of Junction 31 of the M1.  It’s an interesting alternative to a comfort stop at Woodhall Services.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Cramped style

Cusworth Hall, South Yorkshire:  south front

Cusworth Hall, South Yorkshire: south front

Mrs Pearse, the last private owner of Cusworth Hall, didn’t make her land agent’s life at all easy.

After selling the contents of the house in 1952 to help pay her late brother’s death duties, she insisted that the sale of the Hall must not interfere with the use of the Chapel which, as Mother Mary Francis of the Order of St Hubert, she opened for worship in 1953.

She belonged to the Liberal Catholic Church (not to be confused with the Liberal Catholic Church International, the Liberal Catholic Church Grail Community, the Liberal Catholic Church Theosophia Synod, the Liberal Catholic Apostolic Church or the Reformed Liberal Catholic Church [http://en.wikipedia.org/wiki/Liberal_Catholic_Church]).

At one point there was a practical threat that Cusworth Hall would be purchased, compulsorily or otherwise, for use as a female Borstal.  Two separate occupiers moved in without legal contracts, and were removed with difficulty.  Doncaster Corporation considered turning the place into a zoo.

Eventually Doncaster Rural District Council – at the time the most prosperous rural-district authority in the country because of the wealth of coal-mining in its area – purchased it for £7,500 in 1961, first proposing to convert the Hall into a hospital.

In 1967 it opened to the public as an industrial museum and after transfer to the newly-formed Doncaster Metropolitan Borough Council in 1974 it became the Museum of South Yorkshire Life.

As such it presented a rich clutter of displays about every conceivable aspect of local life and culture – far more than could comfortably fit into the elegant ground-floor rooms and the bedrooms above.

In 2004-7, the council emptied the building and invested £7½ million in a superb restoration of the house and park.  And then they put all the stuff back inside.

The result is that the Georgian rooms, with the exception of James Paine’s superb chapel, are dominated by beautifully designed modern display cases which would fit well into a disused textile mill, a warehouse or a spacious church.  At Cusworth, you can’t see the room, and for that matter you can’t see the display case, though you can see the contents quite well.

It matters not, because the thorough restoration will last longer than any museum-display fashion.

Doncaster’s proud history needs much more space to celebrate the market-town, the agriculture and the mining industry, as well as the Great North Road, the Great Northern Railway and the racecourse, home of the St Leger.

The Borough of Wakefield has found means to move its art gallery out of a cramped Georgian terrace into Hepworth Wakefield [http://www.hepworthwakefield.org], a superlative new building by David Chipperfield.

Doncaster’s history deserves no less.  And Cusworth Hall would make a fine art gallery, like Tabley House in Cheshire [http://www.tableyhouse.co.uk] or a beautiful hotel-restaurant, like Colwick Hall in Nottingham [http://www.colwickhallhotel.com].

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Wilful progeny

Cusworth Hall, South Yorkshire:  north front

Cusworth Hall, South Yorkshire: north front

Cusworth Hall, on the outskirts of Doncaster, is one of those country houses where the life-stories of the owners rival in interest the magnificent architecture.

Ownership passed directly from the original builder of the present house, William Wrightson (1676-1760) for over two hundred years.

When William Henry Battie-Wrightson died suddenly in 1903 his widow, Lady Isabella, took on the responsibility of running the estates in Yorkshire, Durham and Northumberland and residences in London and St Leonard’s-on-Sea while bringing up her son and daughter, then aged fifteen and thirteen respectively.

She was a formidable character, eldest daughter of the third Marquis of Exeter of Burghley House near Stamford.  She fought off a rival claim to the estates from her brother-in-law, and improved the house by building the dining-room north of Paine’s chapel-wing and installing hot-water central heating and electric lighting.  She regularly gave fancy-dress parties for the estate workers, and mounted a magnificent celebration when her son came of age in 1909.

Her son, Robert Cecil Battie-Wrightson (1888-1952), must have been a disappointment.  In 1914 he married a widow, Mrs Louie Evelyn Lupton, daughter of the landlord of the Elephant Hotel in Doncaster.  After serving throughout the First World War he settled down to a life of ease, preferring the company of public-houses and maintaining cordial relationships with his own staff.

When his marriage with Louie Evelyn broke down they separated but did not divorce:  he had formed a relationship with Mrs Christabel Florence Bentley, whose divorced husband also ran a pub in Doncaster.  He did not mix with other local gentry families.

When he died of a stroke in 1952 the estate passed by entail to his sister Barbara, though he left his personal estate, valued at £64,000, to Mrs Bentley.

Barbara Battie-Wrightson (1890-1989) was perhaps even more independent-minded than her brother.  She had considerable musical talent, played violin and cello, and appeared on the music-hall stage without her mother’s knowledge in a song-and-dance routine as Hazel Barnard.  She held socialist opinions and trained as a nurse, working with poor and homeless people in London.  She changed her forenames to Maureen Leslie.

Her Cecil relatives effectively disowned her and her mother’s will threatened to cut off her income if – as seemed likely – she became a Roman Catholic.  Her first marriage, in 1917, to Major Oswald Maslen Parker was not a success, but only ended with his death.  Her second, to a dentist, Dr Walter Leslie Pearse, gave her much greater happiness, though her husband and her brother famously failed to get on.

Death duties of £280,000 on Robert Cecil Battie-Wrightson’s estate forced the sale of almost the entire contents in 1952.  Among the items dispersed were numerous pieces of Chippendale furniture, a gold presentation cup won at York races in 1725 and the Titian ‘Holy Family with Elizabeth and St John’, which fetched 130 guineas.  The total proceeds of the nine-day sale were £36,000.

The Hall itself was eventually sold to Doncaster Rural District Council for £7,500.

Mrs Pearse never occupied the house.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Money well spent

Cusworth Hall, South Yorkshire:  chapel

Cusworth Hall, South Yorkshire: chapel

Photo:  Mike Higginbottom, courtesy of Doncaster Metropolitan Borough Council

William Wrightson (1676-1760), the builder of the present Cusworth Hall, was, like his father, an able and successful lawyer.  He successively married two Northumbrian heiresses, one the daughter of a coal-merchant, the other co-heiress to a landed estate.  He acted as steward for the Duke of Norfolk’s Sheffield estate, and was still accumulating lucrative government offices at the age of 84.

By the time he inherited Cusworth in 1724 he was easily in a financial position to improve the property:  he enlarged the gardens, and in the late 1730s commissioned George Platt of Rotherham (1700-1743) to design a completely new house to the south of the earlier Hall.  When George Platt died his son John, then in his mid-teens, continued the project, possibly assisted by his grandfather William Rickard.

The Platts’ building work was finished in 1745, and shortly afterwards the heir, John Battie (1722-1765), suggested that the central block was “too tall for its length”, and recommended James Paine (c1716-1789) to extend the wings to improve the house and correct its proportions.

Paine’s suggestions included extending the side pavilions to make a chapel wing to the west and a library to the east.  Wrightson seems to have kept a close eye on the accounts, preferring quality to ostentation, and employing the excellent craftsmen recommended by Paine, such as the plasterer Joseph Rose and the artist Francis Hayman whose ‘Ascension’ remains in situ.  All this work was completed by 1755.

The only substantial further addition is the dining room of 1907, tactfully inserted behind the chapel for Lady Isabella Battie-Wrightson (1853-1917).

Cusworth Hall and its park can be enjoyed throughout the year as an amenity of Doncaster Metropolitan Borough Council:  its excellent teashop is as cramped as the fascinating museum inside the house, but the parkland and the view is a breath of fresh air.

For further information see http://www.doncaster.gov.uk/Leisure_and_Culture/Museums_and_Galleries/Cusworth_Hall_and_Park/Information.asp.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Do-it-yourself castle

Stainborough Castle, South Yorkshire

Stainborough Castle, South Yorkshire

Thomas Wentworth, Lord Raby, was furious when he failed to inherit the estate of Wentworth Woodhouse.

He bought the nearby Stainborough estate and had the family earldom revived in his favour.

Even after he’d tacked on to the existing house a grand baroque wing gazing east towards Wentworth Woodhouse he felt a need to impress his superiority over his Watson neighbours, so he built himself a ruined castle, Stainborough Castle, which its inscription describes as “rebuilt” in 1730.

Mining subsidence has made it even more of a ruin than Lord Strafford had intended, and it has in recent years been tidied up.

It’s the literal high spot of the longest walk round Wentworth Castle Gardens [http://www.wentworthcastle.org/view.asp?id=145], which takes in a sample of the other garden buildings that Lord Strafford and his son scattered about the estate – the Corinthian Temple, Archer’s Hill Gate and Lady Mary’s Obelisk which commemorates the bluestocking Lady Mary Wortley Montagu and her encouragement of inoculation against smallpox.

The restored garden has outstanding interpretation boards at regular intervals, so that it’s possible to understand the significance of near and distant features at leisure, strolling through a succession of small gardens, informal wildernesses and formal linear walks.

At a greater distance – up to four miles – there are walks around the park, taking in a greater series of monuments, including the Queen Anne Monument (1734), the Rotunda (1742-6) and the Duke of Argyle Monument.

Wentworth Castle Gardens has a superb visitor centre with a café and a programme of events throughout the year:  http://www.wentworthcastle.org/diary.asp.  Christmas is particularly attractive:  Santa feeds the deer, answers letters and hands out presents in his grotto, while parents are kept occupied with mulled wine.

There’s something for everybody, almost every day of the year.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

Keeping up with the Wentworths

Wentworth Castle, South Yorkshire:  east front

Wentworth Castle, South Yorkshire: east front

Wentworth Woodhouse is but one of the great estates of South Yorkshire.  Its literal neighbour, Wentworth Castle, is the result of a saga of gargantuan rivalry between distant relatives, expressed in grand architecture, extensive landscapes and demonstrative garden buildings.

Thomas Wentworth (1672-1739), Lord Raby, had what might now be called “issues” because he had expected to inherit the great estate of Wentworth Woodhouse from his cousin, the 2nd Earl of Strafford.  James Lees-Milne pinned him down as “an unbending Tory, an arch snob…and remarkable for ‘excess of bloated pride’ in his own descent”.

Lord Strafford chose to bequeath Wentworth Woodhouse to his sister’s son, Mr Thomas Watson, who took the name Wentworth and liked to be known as “His Honour Wentworth”.

Lord Raby, who had other names for the man he regarded as the usurper of his birthright, bought the neighbouring estate of Stainborough in 1708, and built a baroque wing, designed by the Huguenot Jean de Bodt, on to the existing house (1710-20).

He also persuaded Queen Anne to revive the Earldom of Strafford for him in 1711, while “His Honour” remained a commoner.

Thomas Watson Wentworth’s son, also Thomas, accordingly built a brick baroque wing at Wentworth Woodhouse, the so-called “back front”, and in 1728 took the title Baron Malton.

Then, six years later, he began the huge Palladian east front of Wentworth Woodhouse, back to back with the baroque wing, designed by Henry Flitcroft.  This huge project, later enlarged by John Carr of York, was still being completed at the start of the nineteenth century.

In 1746 Lord Malton became the first Marquess of Rockingham – in fact, the first marquess in the British peerage, and superior to an earl.

Quietly determined not to be outdone, William, 2nd Earl of Strafford of the 2nd creation, built the Palladian south wing at Wentworth Castle (1759-62).

And in between times this ludicrous competition in houses and titles was maintained by a descant of monuments – obelisks and columns, temples and follies.

The whole area is dotted with the mementoes of this rivalry, and there is much to see.

Wentworth Castle is now the Northern College, and though the tours of the house are available, the building is in active educational use throughout the year:  http://www.northern.ac.uk.  Wentworth Castle Gardens, however, are open to tourists almost every day of the year, and are well worth an extended visit:  http://www.wentworthcastle.org/view.asp?id=145.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Labour’s home

Wortley Hall, South Yorkshire:  south front

Wortley Hall, South Yorkshire: south front

In the uncertain times after the Second World War, when many country-house owners had to decide whether they could ever live in their big houses again, Wortley Hall, South Yorkshire became a socialist stately home, and for seventy years now has been a home for stately socialists.

In 1950 Archibald, 3rd Earl of Wharncliffe (1892-1953) leased the much-battered house to a consortium of Labour organisations under the leadership of Vin Williams, the South Yorkshire organiser for the National Council of Labour Colleges.

Trade union organisations have unusually good access to craftspeople, and in May 1951, powered by the efforts of a small army of volunteers, Wortley Hall opened as a conference centre under the title Wortley Hall (Labour’s Home).  Even with masses of goodwill from the Labour movement, the initial conversion cost the then huge sum of around £10,000.

John Cornwell’s account, The Voices of Wortley Hall: the sixtieth anniversary history of Labour’s home, 1951-2011, tells this remarkable story in detail.

Ever since, Wortley Hall has grown and thrived, hosting groups from Britain and abroad, from the Workers Music Association Summer School to the Clarion Cycling Club, and providing an entertaining series of public events from car rallies to comedy nights.  Friends of mine count themselves lucky if they are quick enough to book the Wortley Hall New Year’s Eve celebration.

Wortley Hall Ltd, as it’s now called, is a shining example of the spirit of co-operation which traces back directly to the Rochdale Pioneers.

It’s a very beautiful place – a Palladian show-house by John Platt of Rotherham on a more modest scale to the nearby Wentworth Castle and the gargantuan Wentworth Woodhouse, vigorously extended in Victorian times, and surrounded by elegant grounds with a panoramic view to the east across the Yorkshire countryside.

In the days when I ran senior-student training at Wortley Hall for a local comprehensive school, the younger kids aspired to become senior students so they could go to “that mansion”.

There is a detailed photograph-album of Wortley Hall at http://www.flickr.com/photos/59839574@N05/5981134438/in/photostream.  The conference-centre website is at http://www.wortleyhall.org.uk/wortley-hall.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Antique floorshow

Samlesbury Hall, Lancashire

Samlesbury Hall, Lancashire

Samlesbury Hall is only a couple of miles away from Hoghton Tower and can easily be visited on the same day.  It too is a palimpsest, though its architectural significance is completely different:  the current volume of Pevsner describes it as “one of the outstanding Lancashire halls of the timber-framed variety”.

The chapel was licensed in 1420 and was probably built around that time;  the hall is of a similar date, and the south range dates from around 1545, except for the west end which is 1862.  Originally the home of the Southworth family, the hall was apparently an inn by the 1830s.

There are all sorts of fascinating details.  The traceried window in the chapel, and presumably others, were imported from Whalley Abbey after the Dissolution.

The great hall had a movable screen like the one at Rufford Old Hall, and the bizarre carved finials were later incorporated in the minstrels’ gallery.  The hall fireplace is Victorian, probably dating from 1845.  The oriel at the dais end houses a magnificent Bechstein grand piano.

A frankly modern bridge leads visitors over to ancillary buildings in the courtyard.

The place was threatened with demolition in the 1920s and was bought by a group of Blackburn businessmen who established a Trust to preserve it for public enjoyment.  As such, the building has to earn its keep.

Consequently, several rooms are given over to the sales-floor of an antiques emporium and there are regular exhibitions of art, ceramics, sculpture and jewellery.  There is a wonderfully relaxed coffee-shop, stuffed with sofas, and a restaurant.  You can hire the place for many kinds of events, from a funeral to a hog roast.

For the casual tourist the presentation experience is completely different to Hoghton.  Visitors wander at will, guided by display panels which the lady greeter made no bones about declaring were incomplete.

Is it worth paying £3.00 admission to see?  Most definitely.  But I think I’d take exception to paying £3.00 for the privilege of buying antiques.  Perhaps they knock the admission charge off the price of the chaise-longue or whatever.

I think they would in Yorkshire.

Card-carrying Friends of the Historic Houses Association are admitted free to Samlesbury Hall:  see http://www.samlesburyhall.co.uk.