Category Archives: Fun Palaces (cinemas)

Ritz in bits

Former Ritz Cinema, Parson Cross, Sheffield (1988)

Former Ritz Cinema, Parson Cross, Sheffield (1988)

Sitting innocuously in the midst of Parson Cross, Sheffield’s largest housing estate, the former Ritz Cinema, an Art Deco masterpiece, stood unknown, neglected and without a purpose until it was demolished at the end of January 2013.

It was built in 1937 on the site of Toad Hole Farm to serve a brand-new community.  The Parson Cross council estate covered the green fields with well-appointed houses for fortunate working-class families who had previously struggled with inadequate housing in the Victorian inner city.

The Ritz was designed by the well-reputed Sheffield architectural practice Hadfield & Cawkwell, with a restrained brick exterior and a sensational art deco auditorium which looked for all the world like the inside of a typewriter.

In its early days the Ritz was almost the only entertainment facility, apart from pubs and working-men’s clubs, on the estate.  There is a wartime photograph of the doorman, Mr Bilton, standing alongside a “House Full” sign at five to eight in the evening.

Between 1962 and 1966 the Ritz gradually went over to bingo, and was for many years run as an independent operation by Mr David Chapman.  He once told me that his business rested on being the only place in Parson Cross that ladies could go for entertainment without their husbands.

When I ran a Sheffield Cinema Society visit to the Ritz Bingo Club in 1988 the operating box (or projection room, to those of us who don’t belong to the industry) was intact.  Apparently the deeds of the building included a covenant requiring it to remain capable of reverting to cinema use.

Bingo finally ended at the Ritz sometime soon after 2001, after which it stood empty and became vandalised.

The last record of its condition that I can find is an urban explorer’s report from 2009 at Report – – The Ritz Cinema – Sheffield – 28/12/09 | Theatres and Cinemas | 28DaysLater.co.uk   The projectors were still in place, but trashed.

The Ritz deserved a much better fate.  It was a victim, not only of economic forces, but of the ungenerous and uninformed process of listing twentieth-century buildings in Sheffield.

Sometimes it seems as if listing is a process of creating rarities rather than protecting the historic-buildings stock for future evaluation and resuscitation.

It was eventually demolished in January 2013.

The Ritz Cinema, Parson Cross is featured in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom.

For details please click here.

“Sheffield’s perfection cinema”

Former Capitol Cinema, Sheffield Lane Top, Sheffield (1985)

Former Capitol Cinema, Sheffield Lane Top, Sheffield (1985)

When my mate Richard and I have our regular weekday evening putting the world to rights in whichever local pub is not having karaoke or a quiz night, towards the end of the night we phone our ETA to Lee or Jamie, fish-friers of distinction, and go to the Norwood Fish Bar, 411 Herries Road (0114-242-4127) for our supper, freshly cooked and timed to perfection.  It doesn’t matter whether it’s Lee or Jamie on duty:  the food is invariably top quality.

The Norwood Fish Bar is a shop-unit in an utterly unremarkable block that has been a Tesco supermarket since the early 1970s.  Before that, the site was the Forum Cinema, Southey Green, one of a series of huge 1930s cinemas built on Sheffield’s then new northern council estates.

(Someone on the council was clearly a lover of literature.  There are roads named after Chaucer, Wordsworth, Keats and so on.  Sheffield folk, as is their habit, choose to pronounce “Southey” to rhyme with “mouthy”, just as when a pub or street is named “Arundel” – after the home of the city’s ground-landlord, the Duke of Norfolk,– it’s always accented on the second, not the first syllable.)

The Forum was built by and for the Sheffield construction company M J Gleeson Ltd, who constructed the surrounding houses and appear to have had some kind of deal to build the adjacent shops as well as the cinema.

The architect was George Coles (1884-1963), a specialist cinema designer best known in London and the south-east for the Gaumont State, Kilburn, and a series of Odeons including the Odeon, Muswell Hill.

The Forum opened on September 17th 1938 and was closed on May 31st 1969.  It’s illustrated at http://cinematreasures.org/theaters/25709.

A couple of miles away, its sister cinema, originally the Capitol, Sheffield Lane Top, also by George Coles and built for M J Gleeson, survives as a carpet showroom.

The Capitol was due to open the week the Second World War broke out, so it stayed closed under the national ban on gatherings for entertainment until September 18th 1939, when it opened with Angels with Dirty Faces, starring James Cagney.

The opening-day description in the Sheffield Star refers to the cream faience dressing highlighting the brick exterior and the tubes of red and green neon on the canopy and the tower fin which inevitably remained switched off until 1945.

The Capitol subsequently became the Essoldo in 1950 and ultimately the Vogue in 1972, by which time it was one of only three remaining suburban cinemas in Sheffield.  It closed on October 4th 1975.

Its interior was understated, neo-classical in style, with alcoves and statues only recently concealed behind timber facing.

Even though the tower fin has been reduced in height, presumably for structural reasons and the marquee dismantled [https://www.mikehigginbottominterestingtimes.co.uk/?p=4786], it’s a more attractive structure than the architecturally illiterate 21st-century block of flats that has been built alongside.

It’s unlisted, and the interior décor that might justify listing is unrecognised.

The Capitol appears still to earn its keep and is for the moment in safe hands.

When it changes hands, however, a new owner might not recognise that they’ve acquired a building of some distinction by a nationally reputed architect.

Premiere picture palace

Embassy Theatre, Wellington, New Zealand

Embassy Theatre, Wellington, New Zealand

When I visited the Wellington Decorative & Fine Arts Society to present my Fun Palaces lecture in February 2011 my host, David Carson-Parker, showed me the Embassy Theatre, a restoration-project in which he had been involved.

The Embassy was originally and appropriately called the “De Luxe”.  It was designed by the New Zealand architect Llewellyn E Williams (1884-1967) for the theatre entrepreneur William Robert Kemball (1881-1969), and opened on October 31st 1924.

It was and is a notably distinguished building on a corner site facing Courtenay Place, four storeys high with an impressive classical frontage.  The grand tiled foyer and staircase remains:  originally the auditorium consisted of stalls and a generous balcony.  The stage was suitable for live performances and there was an orchestra pit, which was later used to house the console of a Wurlitzer organ and is now the second screen, the aptly-named Cinema Deluxe.

The De Luxe passed to another New Zealand cinema magnate, Robert Kerridge, who renamed it the Embassy.

In 1960 it was equipped with a wide screen for 70mm projection, and in the 1970s the auditorium was converted to a single rake by building out from the balcony front, so that the stalls space could be used for other purposes.

A 1991 project to convert it as a home for the Royal New Zealand Ballet came to nothing, and there was a risk that the Embassy would be lost.

To resist this possibility the Embassy Theatre Trust was formed in 1995.  In conjunction with the Wellington City Council, the Trust bought the building in 1997 and restored it to greater glory.

It re-opened in time to host the world premiere of Peter Jackson’s The Return of the King (2003), the final part of his Lord of the Rings trilogy.  As such, it now holds a place in the history of New Zealand film, and well as New Zealand cinema.

When David showed me round on a quiet summer Sunday morning, my first reaction was – what a splendid place to have coffee and read the Sunday papers.  You can eat and drink at Blondini’s Café & Bar, and indeed take your refreshments into the auditorium, which consists of the original balcony and a few additional rows beyond the balcony front.

The refurbished auditorium has all the comforts and amenity that contemporary filmgoers expect.  Behind the modern screen, however, the original proscenium and ante-proscenium remain in faded pale blue, grey, pink and gold.

David tells me there’s a scheme to make this original decoration visible from the auditorium.

When we showed images of it to the Wellington DFAS audience, people were astonished to discover that it still existed, and delighted to find that there’s more to the Embassy than meets the eye.

There is a detailed description of the Embassy Theatre at http://www.historic.org.nz/TheRegister/RegisterSearch/RegisterResults.aspx?RID=7500&m=advanced.  If you need to know what’s on at the moment, the website is at http://www.eventcinemas.co.nz/cinemas/the-embassy.aspx.

 

Flicks in the sticks

The Kinema-in-the-Woods, Woodhall Spa, Lincolnshire

The Kinema-in-the-Woods, Woodhall Spa, Lincolnshire

Photo:  Janet Miles

The March/April 2012 edition of the Cinema Theatre Association Bulletin mentions the then forthcoming ninetieth anniversary of the Kinema-in-the-Woods, Woodhall Spa – one of the most eccentric and evocative film-going experiences in England.

The Pavilion Cinema opened in a converted cricket pavilion in 1922 and only later became known as the Kinema-in-the-Woods.  It has always retained the original Greek spelling, derived from the word for ‘motion’.

The building started out as a cricket pavilion, and because the roof supports are integral to the structure, films have always been shown by back-projection of surprising clarity.

According to a 1937 advertisement, “while furnished with comfortable plush seats, deck chairs and cushions are provided for those who appreciate them”.  The deck chairs on the front six rows were priced at 1s 6d, threepence dearer than the best fixed seats in the house.

The Kinema was operated for half a century by its founder, Major C C Allport:  when he applied for his fiftieth licence in 1972 the magistrates waived the fee.

By the 1980s it had become a precious survival, and its next owner, James Green, installed the Compton organ from the Super Cinema, Charing Cross Road, to provide concerts in addition to current-release movies.  Its console is mounted on the lift from the former Regent Cinema, Hanley, Stoke-on-Trent.

Now there is a second screen, Kinema Too, opened in 1994, to complement the original auditorium and offer a wider variety of films.

Woodhall Spa is an unlikely spot to see first-release movies.  But after all, Woodhall Spa is an unlikely spot.

The history of the Kinema-in-the-Woods can be found in Edward Roy Mayor, The Kinema in the Woods: the story of Woodhall Spa’s unique cinema (J W Green Cinemas 2002) and at http://www.thekinemainthewoods.co.uk/history.

 

Iron curtain at the Abbeydale

Abbeydale Cinema, Sheffield:  auditorium (1987)

Abbeydale Cinema, Sheffield: auditorium (1987)

While the Adelphi Cinema lay dark Sheffield’s other listed cinema building found a practical use as a performance building.

I’ve a soft spot for the Abbeydale Cinema.  Though I only ever once saw a film there, I repeatedly visited it in the 1980s when it was an office-equipment showroom – an unexpected fate for a superannuated cinema.  The company that bought it, A & F Drake Ltd, sold filing cabinets and office desks in the stalls and balcony, and separately operated the former ballroom and billiard hall in the basement as a snooker club.  The Drakes and their manager, Ian Humphreys, repeatedly allowed me to take adult-education groups to see the place from top to bottom, and on one occasion Ian McMillan and Martyn Wiley broadcast Radio Sheffield’s Saturday morning show live from the Abbeydale auditorium.

Because the Drakes had the imagination to find a productive use for the building – they regarded it as a better customer attraction than an anonymous box on a trading estate – it survived intact long enough to attract the attention of a Friends’ group who are restoring it as a venue for film and amateur dramatics.  Cinemas in the 1920s featured live performance as well as silent movies, and the Abbeydale had an organ – long ago destroyed – and still has a full-scale stage with wings, fly-tower and dressing-rooms.

Even more interesting is the iron safety-curtain, which has remained in situ even after Drakes jacked up the stage-floor six feet to create more space for their wares.  This must date back to the 1920s, but its unique interest is the complete set of painted advertisements that faced audiences between films.  Clifford Shaw, the greatest expert on Sheffield cinemas, has dated the existing adverts to the 1950s.  Ian Humphreys observed to me in the 1980s that all but one of the businesses advertised had by that time folded.  The Cinema Theatre Association reports that, to the best of their knowledge, no other cinema safety-curtain survives with contemporary advertisements, and for this reason is supporting the proposal to upgrade the listing.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

 

Picture palace gathers dust

Former Adelphi Cinema, Attercliffe, Sheffield (1985)

Former Adelphi Cinema, Attercliffe, Sheffield (1985)

The Adelphi Cinema (1920) on Vicarage Road, Attercliffe, is one of Sheffield’s two listed cinemas alongside the more prominent and interesting Abbeydale Picture House on the other side of the city.

Originally located up a cul-de-sac, it has an interesting façade of buff and blue faience with a stubby little dome, designed to catch the eye.  Now that the surrounding buildings have been cleared, it’s more visible from the main road and forms one of a group of historic buildings alongside the former Attercliffe Baths (1879), the former Attercliffe Library (1894) and one of Attercliffe’s two Burton’s stores.

All these survive alongside the site of the Don Valley Stadium, formerly Brown Bayley’s steelworks, and now redeveloped.  There is an opportunity waiting to be taken to develop the possibilities of this location.  The Baths have been converted into a largely sterile office and conference facility, which at least safeguards the fabric, and the Library has recently opened as a splendid café and restaurant [Sheffield | Restauraunt & Bar | The Library by Lounge | Attercliffe] but the Adelphi remains dark.

The Adelphi closed as a cinema in 1967, and operated as a bingo club until well into the 1980s.  There was a project to take advantage of its elegant classical interior as a gay club, and eventually it was transformed into a rock venue.  It was listed Grade II in 1996 but after a period as a music-teaching venue in 2000-2006 it fell into neglect.

By 2013 it was used as a storage facility, and someone went to great trouble to strip out the original plasterwork.

This was an object-lesson in how not to treat a listed building.

Yet the Adelphi stands on the main road between Sheffield, Rotherham and the M1 motorway.  There’s no shortage of car-parking.

It’s a possibility waiting to be turned into a practicality.

Plans are afoot to rescue the Adelphi:  The new Adelphi | Mike Higginbottom Interesting Times.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

Picture palace bites the dust

Pavilion Cinema, Attercliffe (1982)

Pavilion Cinema, Attercliffe (1982)

Another building that the Victorian Society South Yorkshire group couldn’t visit during their Attercliffe walk in 2010 was the Pavilion Cinema, opened in 1915 and eventually demolished in 1982.

Though the original plans show that a classical interior was intended, in fact the auditorium was mock-Tudor, with black-and-white timbering, strapwork and lanterns as house-lights.  The auditorium was distinguished by side boxes, as in a theatre, very popular with couples:  the cinema management had an interesting strategy of pricing these box seats at 3/- for five people.

The Pavilion was converted to bingo briefly in 1970 and then became an Asian cinema:  at some point the owners repainted the entire auditorium in raspberry pink and two shades of blue.

When demolition began, in the innocent days before security fencing, I explored and photographed the entire building, primarily because it was one of the two Attercliffe cinemas that my parents patronised regularly on Saturday nights.  (My dad, who wasn’t nicknamed “Scottie” for nothing, declared around 1954 that we wouldn’t buy a television because they’d soon be making colour ones.)

I alerted the Victorian Society to the imminent demise of this unusual building, to be told that no-one had any idea how unusual it was, because no survey of Sheffield cinemas had been attempted.

So I tramped around the city checking out the survivors and was briefly the greatest living expert on the subject until Richard Ward produced his book In Memory of Sheffield Cinemas (Sheffield City Libraries 1988).  (I happen to know that Richard wanted the book to be titled A Memory… but made the common error of dictating his intention over the phone.)

I’ll always have a soft spot for the Pavilion, not so much because it was part of my childhood as because it kick-started my interest in the architecture of the entertainment industry, and led me to run continuing-education courses and study tours about pubs, theatres, cinemas and the seaside under the umbrella title ‘Fun Palaces’.

And that has proved to be one of the most enjoyable aspects of all my history work.

The demolition of the Pavilion Cinema, Attercliffe is illustrated in Demolished Sheffield, a 112-page full colour A4 publication by Mike Higginbottom.

For details please click here.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

Auditorium for sale

Former Tower Cinema, Anlaby Road, Hull (1999)

Former Tower Cinema, Anlaby Road, Hull (1999)

Earlier articles in this blog have featured auditoria across the north of England that have been neglected to varying degrees by owners who would like to see them flattened – in Bradford, Manchester and Derby.

The November/December 2010 edition of the Cinema Theatre Association Bulletin featured a cinema building with a more optimistic future – the former Tower Cinema, Hull.

The Tower opened on July 1st 1914, designed by the Hull architect, Horace Percival Binks.  Originally it seated 1,200 – 850 in the stalls and 350 in the balcony – and had a café serving “Morning Coffee, Luncheons, and High-Class Teas”.  Latterly, it was reseated to 523 in the stalls and 230 in the circle.

Its history is entirely conventional – sound in 1929, Cinemascope in the 1950s, closed in 1978.  Since then it has functioned as a night club, and is once again up for sale.

Its appeal, however, lies in the ornate exterior, a riot of cream and green faience, with domes (recently reinstated), obelisks, a belvedere with Ionic columns dripping with swags, topped by a bare-breasted female figure that no-one seems able to identify.

Despite Sir Nikolaus Pevsner’s dismissive 1972 comment “undeniably debased in the extreme, but the young have begun to like this sort of thing”, it was listed Grade II.  (Pevsner’s comment on the sister cinema across the road, the Regent of 1910, is “built in seven weeks and it shows”.)

Images in the Cinema Theatre Association Bulletin indicate that the decorative interior with its domed ceiling and gilded plasterwork is practically intact.  Indeed, David Salmon’s detailed history of the cinema at http://www.davesden.pwp.blueyonder.co.uk/tower016new.htm suggests that the plasterwork, woodwork and stained glass were cleaned by a team of volunteers in 1981.

The Cinema Theatre Association Newsletter for September/October 2012 reported that, after a failed attempt to restore it as a cinema, new owners have reopened the Tower as Tokyo nightclub http://www.thisishullandeastriding.co.uk/pictures/Tokyo-nightclub-opens-Hull-s-famous-Tower/pictures-16766642-detail/pictures.html with a commitment “to make the most of the beautiful building”.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Spirited enterprise

Gaumont Cinema, Dingle, Liverpool

Gaumont Cinema, Dingle, Liverpool

The Cinema Theatre Association Bulletin (September/October 2010) alerted me to activity at the Gaumont Cinema, Dingle, Liverpool – a huge Art Deco pile on the corner of Park Road and Dingle Lane that I’ve been driving past for years without ever having a chance to look inside.

It was designed by the Gaumont house-architect, W E Trent, assisted by Daniel Mackay, as a replacement for an earlier, smaller cinema called the Picturedrome.  It opened on Easter Monday 1937, seating 1,503, with a second-hand Wurlitzer organ (now in the care of the Lancastrian Theatre Organ Trust:  [http://www.voxlancastria.org.uk/heritage]) transferred from the Trocadero Cinema, Liverpool.

W E Trent excelled at simple, sweeping architectural effects, so the exterior has a vertically-banded centrepiece, originally neon-lit, and horizontal bands of stone and brick, curving round the street corner;  the interior is a calm essay in moderne stripped classical features intended to be highlighted by concealed lighting, probably with a range of colour-changes.  Small-scale live shows were provided for:  the proscenium is 45 feet wide, the stage 15 feet deep and there are four dressing rooms.

It operated as a cinema until 1966, and then became a Top Rank bingo-club until 1998.  Thereafter it stood empty until it was taken over for redevelopment as a cultural centre despite attacks from local vandals [http://www.liverpoolecho.co.uk/liverpool-news/local-news/2009/02/28/owners-hope-to-restore-former-gaumot-art-deco-cinema-in-liverpool-s-dingle-100252-23030627].

The Dingle Gaumont attracts more than vandals:  it has a reputation as the most haunted cinema for miles around.  The CTA Bulletin led me to a TV series I wouldn’t otherwise have come across, Most Haunted, with an over-the-top production-style that will strike viewers as gripping or hilarious depending on their views about the supernatural:  http://www.youtube.com/watch?v=8N08jo7kNqo&feature=fvw.  (More relaxed views of the interior can be found at http://www.urbexforums.co.uk/showthread.php/6799-Former-Gaumont-Cinema-Dingle-Liverpool-June-09.)

Because of its status as “one of the most haunted locations in the North West” it has now become a venue for ghost-hunters:  http://www.britevents.com/whats-on/merseyside/dingle/gaumont-cinema/74823.  Tickets cost £49, and you need to bring your own sandwiches.

Bingo kept the place going for decades.  It’s good to see a new way of gaining income from an old cinema.  And it’s an excellent way of deterring the vandals.

The Cinema Theatre Association website is at http://www.cinema-theatre.org.uk.

Images from a November 2011 urban explorer’s visit are at http://www.28dayslater.co.uk/forums/showthread.php/66021-Gaumont-Cinema-Dingle-Liverpool-November-2011.

Excellent undated images are at http://urbanliverpool.blogspot.co.uk/p/gaumont-cinema-dingle.html.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

 

Hug another Odeon

Former Paramount Cinema, Manchester (1996)

Former Paramount Cinema, Manchester (1996)

The New Victoria Cinema (latterly the Odeon), Bradford stands mouldering because its owners have pointedly neglected it for ten years and English Heritage has seen insufficient evidence to list it and secure its survival.

The Paramount Cinema, Oxford Street, Manchester, which finally closed in 2004, is in an even worse state.

Like the New Victoria, Bradford, it was opened in 1930 – in this case the very first Paramount cinema in the British provinces.  Designed by the Paramount house-architects, Frank T Verity and his son-in-law Sam Beverly, it seated 2,920 in an elaborate baroque auditorium with a Wurlitzer organ which survives in Stockport Town Hall.  Certainly it’s been knocked about a bit:  it was repeatedly subdivided in 1973, 1979 and 1992, and photographs show that the removal of the organ did no favours to the organ case.

The developers, Manchester & Metropolitan, carried out what they described as “limited and entirely lawful exposure works in anticipation of the forthcoming redevelopment”.  This involved ripping out easily accessible decorative features and discouraged English Heritage from listing, though a substantial amount of the original auditorium decoration remained.

The parallels with Bradford are instructive.  A hopelessly large auditorium is subdivided in the 1960s to maintain its commercial viability;  by the end of the twentieth century the game is up and redevelopment is seen as the answer.  Finding a creative solution to preserve such a building is understandably off the developer’s script while its true architectural and historical significance is hidden.

Yet both these erstwhile Odeons stand within a potentially lucrative cultural quarter.  The Bradford building is next to the Alhambra Theatre and is within sight of the National Media Museum.  The Cinema Theatre Association Bulletin (September/October 2010) suggests that the Manchester Odeon could have had a future use as a supplementary conference venue alongside Manchester Central, the former G-Mex.

Alternatively, the building next door is a J D Wetherspoon’s pub – called, suggestively, the Paramount.

Probably the last urban-explorer images of the Paramount, taken shortly before demolition started in January 2017), are at Report – – ODEON Cinema (Oxford Street), Manchester – July 2016 | Theatres and Cinemas | 28DaysLater.co.uk and Report – – Odeon / Paramount Cinema, Manchester, July 2016 | Theatres and Cinemas | 28DaysLater.co.uk.

For an up-to-date article about what eventually happened to the New Victoria Cinema, Bradford, go to Bradford Live | Mike Higginbottom Interesting Times.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.