Category Archives: Fun Palaces: the history and architecture of the entertainment industry

Circus maximus

Great Yarmouth Hippodrome

Great Yarmouth Hippodrome

There are two places in Britain where you can experience circus performed in a purpose-built building with a mechanism to convert the ring into a tank for water displays.  One is, of course, the Blackpool Tower Circus [http://www.theblackpooltower.co.uk/index.php], which is famous for where it is and what it is;  the other, a little less well known, is the Great Yarmouth Hippodrome [http://www.hippodromecircus.co.uk], which is unique in the way it belongs to, and continues to reinterpret circus and show-business traditions in exciting new ways.

The owner of the Great Yarmouth Hippodrome, Peter Jay, is remembered by a certain generation as the leader of Peter Jay & the Jaywalkers, one-time support band to the Rolling Stones.  He is in fact the descendant of one of Great Yarmouth’s showman families, married to Christine, who belongs to the other Great Yarmouth showman family.  Peter told a Daily Telegraph reporter, “When we started going out, everyone thought we were just trying to find out each other’s family business secrets.” [December 6th 2008].

After Peter and his father first bought the Hippodrome building to forestall a rival bingo operator in 1983, they gradually realised the potential to develop creative, innovative circus entertainment within the old traditions of highly skilled, risky physical performance, using lighting, music and dancers alongside the acrobats, trapeze-artistes – and synchronised swimmers.

The swimmers are the most unusual part of the Hippodrome performance:  as the second half of the show winds towards its finale, four pairs of stagehands unlock the bolts that hold the circus ring in place and it gently sinks into the water tank beneath.  Once, you could see this in a number of places – the London Hippodrome on Leicester Square, the Olympia Theatre in the Liverpool suburb of Everton.  Now only Blackpool and Great Yarmouth operate in Britain, and two others – Moscow and Las Vegas – elsewhere.

Several of Peter and Christine’s sons have been directly involved in the present-day show – Ben as the lighting designer, Jack as co-producer and drummer;  Joe, a trained trapeze artist, prefers to work on oil-rigs and other high-building sites.  In fact, one of the joys of working in circus is the way the whole troupe forms a family for the duration of the run.

Watching live circus is an inimitably thrilling experience.  Some people are intimidated by the level of risk that the artistes take on;  for most audiences, that is the sheer wonder of circus.  There are no special effects, though there is certainly a dash of conjuring in the clowning.  The precision, precariousness, athleticism, grace and beauty of the acrobatic acts is unique to this form of entertainment.

Actually, I don’t miss the animals.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

Lost Empire

Empire Theatre, Garston, Liverpool (2000)

Empire Theatre, Garston, Liverpool (2000)

The invaluable newsreel of the current Cinema Theatre Association Bulletin reports that the former Empire Theatre, Garston, in south Liverpool, is threatened with demolition – apparently to make way for a hospital car-park.

That would be a pity.

This modest suburban music hall, with a seating-capacity variously recorded as 876 or 1,040, was built, after several false starts, and opened in 1915.  It lasted as a theatre for barely three years, before becoming a full-time cinema, bravely advertised as “The Scala of the South”, with a local news Gazette and an augmented orchestra.

Ironically, for an enterprise with such shaky financial foundations, it prospered in the absence of any nearby super-cinema in the surrounding suburbs.

It eventually closed as a cinema, with a final double bill of Elvis Presley in Jailhouse Rock and Glenn Ford in The Fastest Guns Alive, on December 8th 1962.  After that it went over to bingo until 2009 – three years of theatre, forty-four years of cinema and forty-seven years of bingo.

When I photographed it in 2000 the auditorium was undivided;  by the following year a suspended ceiling had been inserted between the balcony and the proscenium, presumably to make the place easier to heat.  Nevertheless, the Theatres Trust website http://www.theatrestrust.org.uk/resources/theatres/show/1956-empire-garston
reports that the building is well-maintained and retains many original features.

The existing building, by an unrecorded architect, was designed as a full-scale theatre, with a thirty-foot proscenium, a stage fifteen feet deep and a tower of seven dressing rooms, and because neither cinema nor bingo required any substantial alteration, it survives as a virtually intact Edwardian music-hall/variety theatre.

It’s the classic setting for Mickey Rooney’s line, “Let’s do the show right here.”

It’s hard to estimate – because I’m not a Garston resident – whether there’s any community need for a compact auditorium with everything needed to return it to live performance.

It’s a shame if the car-park can’t go somewhere else.

The Cinema Theatre Association website is at http://www.cinema-theatre.org.uk.

For details of Mike Higginbottom’s ‘lectures’ Fun Palaces:  the history and architecture of the entertainment industry and Liverpool’s Heritage please click on the links.

Auditorium for sale

Former Tower Cinema, Anlaby Road, Hull (1999)

Former Tower Cinema, Anlaby Road, Hull (1999)

Earlier articles in this blog have featured auditoria across the north of England that have been neglected to varying degrees by owners who would like to see them flattened – in Bradford, Manchester and Derby.

The November/December 2010 edition of the Cinema Theatre Association Bulletin featured a cinema building with a more optimistic future – the former Tower Cinema, Hull.

The Tower opened on July 1st 1914, designed by the Hull architect, Horace Percival Binks.  Originally it seated 1,200 – 850 in the stalls and 350 in the balcony – and had a café serving “Morning Coffee, Luncheons, and High-Class Teas”.  Latterly, it was reseated to 523 in the stalls and 230 in the circle.

Its history is entirely conventional – sound in 1929, Cinemascope in the 1950s, closed in 1978.  Since then it has functioned as a night club, and is once again up for sale.

Its appeal, however, lies in the ornate exterior, a riot of cream and green faience, with domes (recently reinstated), obelisks, a belvedere with Ionic columns dripping with swags, topped by a bare-breasted female figure that no-one seems able to identify.

Despite Sir Nikolaus Pevsner’s dismissive 1972 comment “undeniably debased in the extreme, but the young have begun to like this sort of thing”, it was listed Grade II.  (Pevsner’s comment on the sister cinema across the road, the Regent of 1910, is “built in seven weeks and it shows”.)

Images in the Cinema Theatre Association Bulletin indicate that the decorative interior with its domed ceiling and gilded plasterwork is practically intact.  Indeed, David Salmon’s detailed history of the cinema at http://www.davesden.pwp.blueyonder.co.uk/tower016new.htm suggests that the plasterwork, woodwork and stained glass were cleaned by a team of volunteers in 1981.

The Cinema Theatre Association Newsletter for September/October 2012 reported that, after a failed attempt to restore it as a cinema, new owners have reopened the Tower as Tokyo nightclub http://www.thisishullandeastriding.co.uk/pictures/Tokyo-nightclub-opens-Hull-s-famous-Tower/pictures-16766642-detail/pictures.html with a commitment “to make the most of the beautiful building”.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

The 80-page, A4 handbook for the 2016 ‘Humber Heritage’ tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Reginald – and Reg

Blackpool Tower Ballroom

Blackpool Tower Ballroom

U3A in Sheffield has an admirable Lunch & Lecture event twice a year, and I was invited recently to be the “turn” with my lecture Fun Palaces:  the history & architecture of the entertainment industry which, inevitably, includes a segment on Blackpool Tower.

At the end of the lecture a gentleman came over and discreetly pointed out that I should not refer to the Tower’s most famous organist as “Reg” Dixon.  To Blackpool people, he was and is always Reginald Dixon.  In future, I mean to get that right.

As it happens, Reginald Dixon was born and bred in Sheffield.  He learnt to play at the Cemetery Road Congregational Church on the southern edge of town, and worked as a professional organist at, among other cinemas, the Heeley Palace, where he had to keep an eye on the level of the River Sheaf as it flowed past the building, in case it threatened to flood the orchestra pit.

When he applied for the vacant post as organist at the Tower, he bluffed in saying he could play dance music, but his idiosyncratic style proved ideal for the demands of accompanying ballroom dancers, rather than silent movies, on an orchestral organ.  His contract began in March 1930;  he made his first radio broadcast a month later, and by 1933 was able to persuade the Tower Company to install a completely new, three-manual, thirteen-rank Wurlitzer with a carillon and an additional piano.  The original Tower Wurlitzer was transferred to the Empress Ballroom in the Winter Gardens.

Reginald Dixon became one of the most potent of Blackpool’s legends.  He is famed for ‘Oh, I do like to be beside the seaside’, but when he reinaugurated the Wurlitzer after the 1956 fire he began with the first tune he ever played in the Ballroom, ‘Happy days are here again’.  He made a point of accompanying Christmas concerts and performances of Handel’s Messiah on the Wurlitzer.  He switched on the Illuminations in 1956 and was awarded the MBE in 1966:  he played his final concert at the Tower on Easter Sunday 1970.  He died, aged eighty, in 1985.

Actually, there was a Reg Dixon also.  He was born in Coventry in 1915, and died in 1984.  He was a comedian popular in the 1940s and 1950s, the closing years of variety. His catch-phrase was “I’m not well.  I’m proper poorly.”  There is interview-footage of him at http://www.britishpathe.com/record.php?id=78574 and further footage at http://deanocity3.piczo.com/coventrystvandradiopersonalities?cr=5&linkvar=000044.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.

For details of Mike Higginbottom’s lectures on seaside architecture, Away from it all:  the heritage of holiday resorts, Beside the Seaside:  the architecture of British coastal resorts, Blackpool’s Seaside Heritage and Yorkshire’s Seaside Heritage, please click here.

The 80-page, A4 handbook for the 2013 Lancashire’s Seaside Heritage tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

No additives

White Wells, Ilkley, West Yorkshire

The White Wells spring on the moorland above Ilkley was never a sophisticated resort.  The facilities are even today rudimentary, and it’s a stiff climb up the hill from the town.

Asses provided transport for patients who were too weak to walk up to the well.  A guidebook of 1829 indicates the rigours involved in seeking a cure:

Patience is a virtue which will every day be called into action here;  the best time for getting a bath soon after going to the wells, is between five and eight in the morning.  It is extremely unpleasant to be at the wells during a storm or heavy shower, as the hill is made so slippery, that in going down a person may think himself extremely fortunate, should he arrive at home, without a fall or two, not to mention the pleasure of riding, ie, sliding half way down the hill.

The White Well is first mentioned c1710, and was actively promoted for the first time by Dr Thomas Short in his Natural, Experimental and Medicinal History of the Mineral Waters of Derbyshire, Lincolnshire and Yorkshire &c (1734).  This was a masterpiece of marketing:

…this water is of the greatest esteem and repute of any of the north of England, in the King’s Evil [scrofula] and other old ulcers;  yet it derives these effects neither from its fixt nor volatile parts, but wholly from the coldness and the purity of the elements, its drying nature from the lime-stone it washes, tho’ a great part of it comes from blue clay.

In other words, this mineral water has nothing in it at all.  That’s why it does you good.

Ingenious.

For details of Mike Higginbottom’s lectures on spas and holiday resorts, please click here.

Educating Archie

Old Swan Hotel, Harrogate, North Yorkshire

Old Swan Hotel, Harrogate, North Yorkshire

One of the two finest places to have tea in Harrogate is the Old Swan Hotel http://www.classiclodges.co.uk/The_Old_Swan_Hotel_Harrogate.  (The other is the famous, and famously crowded, Betty’s http://www.bettys.co.uk.)

I took my cousin Cathryn and her family to the Old Swan when she received her Open University degree (thereby absolving me of being the only black sheep – that is, graduate – in the family).  We waded for above two hours through sandwiches, and cake, and scones, and pots of tea, and eventually admitted defeat.  It was wonderful.  I didn’t need to eat again till breakfast.

The Old Swan is also a relevant historic site because, although there was a hotel on the site in the eighteenth century, the present building is a fine example of a Victorian hydro, designed to offer the hugely popular “water cure”.  Built for the Harrogate Hydropathic Company in the late 1870s, the building is a conscious imitation of the even bigger Smedley’s Hydro at Matlock Bank.

Its major claim to fame, however, dates from 1926 when the crime novelist Agatha Christie (1890-1976) holed up at what was by then called the Swan Hotel for eleven days after her husband, Archie, declared he wanted a divorce so he could marry his mistress, Nancy Neele.

After a huge row he left their Berkshire house to spend the weekend with Nancy, and Agatha subsequently left, abandoned her Morris Cowley near Guildford and completely disappeared, as only a writer of murder mysteries can.

The ensuing search had elements of farce – the Home Secretary, William Joynson-Hicks, harassing the police for a “result”, Arthur Conan Doyle having one of Agatha’s gloves examined by a medium and Dorothy L Sayers inspecting the location of the abandoned car, later referenced in her novel Unnatural Death.

Eventually Agatha Christie was found, having an enjoyable time at the Swan, registered under the name Mrs Teresa Neele.

That gave Archie something to think about.

Archie and Agatha Christie divorced in 1928, and two years later she married the archaeologist (Sir) Max Mallowan (1904-1978). He once said that she said, “An archaeologist is the best husband any woman can have;  the older she gets, the more interested he is in her,” but she denied it.

For details of Mike Higginbottom’s lectures on spas and holiday resorts, please click here.

Don’t drink the water

Royal Pump Room, Harrogate, North Yorkshire

Royal Pump Room, Harrogate, North Yorkshire

Harrogate’s unique selling point as a spa is the sheer variety of its mineral springs.

The original spring that William Slingsby’s horse tripped over in 1571 was chalybeate, or iron-bearing:  this is now known as Tewit Well.  During the Thirty Year’s War, a “stinking well” at “old Haregate-head” was developed:  this Old Sulphur Well lies beneath the later Royal Pump Room which is now a museum [http://www.harrogate.gov.uk/immediacy-987].

Lady Elmes’ experience of the “nasty Spaw” and of her lodgings in 1665 suggests a degree of stoicism:

The first inst we arrived att the nasty Spaw, and have not began to drinke the horid sulfer watter, which all thowgh as bad as posable to be immajaned, yet in my judgment plesant, to all the doings we have within doorse, the house and all that is in it being horidly nasty and crowded up with all sorte of company, which we Eate with in a roome as the spiders are redy to drope into my mouthe, and sure hath nethor been well cleaned nor ared this doseuen yerese, it makes me much moare sicke than the nasty water.

Celia Fiennes, visiting in 1697, couldn’t persuade her horse to go anywhere near the sulphur well, yet considered the disgusting waters “a good sort of Purge if you can hold your breath so as to drinke them down”.

Traditionally, anyone is free to try the waters from a tap outside the Royal Pump Room.  Within the museum I have seen ladies behind a counter, bearing Mona Lisa smiles, prevailing on visitors to sample the water.

This is a characteristic Yorkshire welcome.

John Watson, former Conservative MP for Skipton & Ripon, told of one of his helpers, no doubt wearing his election rosette, calling at a pub between Skipton and Barnoldswick which advertised “A pie, a pint and a friendly word.”

The pie and a pint were served without a word.

“What about the friendly word?” he asked.

“Don’t eat the pie,” said the landlord.

For details of Mike Higginbottom’s lectures on spas and holiday resorts, please click here.

Before Bloomingdales

Former Medinah Temple, Chicago (detail)

Former Medinah Temple, Chicago (detail)

My Isle of Man friend John, whose antennae can detect a pipe organ over astonishing distances, has pointed me to footage of the interior of the Medinah Temple, Chicago, dating from 2000, when the Austin Opus 558 organ was intact and playable:  http://www.youtube.com/watch?v=W-3tYSxN8LQ.

Perhaps Bloomingdales missed an opportunity when they stripped out this instrument to convert the building into a department store.

Macy’s in Philadelphia, the current owners of what was once Wanamaker’s, have retained and restored the gigantic pipe organ which John Wanamaker purchased from the St Louis World’s Fair of 1904.  Designed by the great organ designer George Ashdown Audsley, this exhibition instrument – the largest in the world with over 10,000 pipes – proved insufficient to fill the volume of the store’s seven-storey atrium.  Enlargements took place in 1910-1917 and again in 1924-1930, so that there are now 28,500 pipes, controlled by six manuals.

The Wanamaker Organ, as it is still named, is a much-loved part of Philadelphia life.  It figured in one of the Knight Foundation‘s Random Acts of Culture in which 600 choral singers, disguised as shoppers, led by the chorus of the Opera Company of Philadelphia, burst into an impromptu performance of the ‘Hallelujah Chorus’ to the astonishment and delight of ladies trying on shoes and having their make-up done: http://www.knightarts.org/uncategorized/what-a-joyful-noise-650-singers-burst-into-hallelujah-as-part-of-random-act-of-culture%e2%80%a8%e2%80%a8%e2%80%a8.

A video history of the Wanamaker Organ is at https://www.youtube.com/watch?v=9i_mG-qDzD8.

Enjoy.

For details of Mike Higginbottom’s lecture Windy City:  the architecture of Chicago please click here.

 

Shrine for shoppers

 

Former Medinah Temple, Chicago

Former Medinah Temple, Chicago

The first couple of times I visited Chicago I stayed at the Cass Hotel on North Wabash Avenue – at that time an inexpensive, serviceable place to stay with a fluorescent-lit coffee-shop on the ground floor and a dark bar by the entrance.  Now it’s transformed into a boutique Holiday Inn Express:  http://www.casshotel.com/index.php.

On my first visit, in 2001, I was intrigued by the building on the next block, an exceptionally rich essay in Moorish Revival style, bristling with Islamic motifs, which I was told was the Medinah Temple – not in any sense a place of worship, but a Shriners’ temple.

The Shriners – properly entitled the Ancient Arabic Order of the Nobles of the Mystic Shrine – are virtually inexplicable to the British.  It’s akin to explaining Oddfellows to an American (though there is an American connection, the Odd Fellows).

The Shriners is a philanthropic organisation, responsible among much else for operating children’s hospitals.  The founders sought to combine Freemasonry with fun and fellowship, and their temples provided enormous auditoria in which huge fundraising entertainments could take place.

The Chicago Medinah Temple was a much-loved venue for circuses and graduations.  Built in 1912, it could seat 4,200, and because of its excellent acoustics and its huge five-manual organ it was regularly used as a recording studio by the Chicago Symphony Orchestra.

Noël Coward, obliged to undergo an uncomfortable medical procedure in the nearby Passavant Hospital (now part of the Northwestern Memorial Hospital), was at first irritated by the noise of the massed bands of the Shriners marching to their temple, but later admitted that their rhythmic rendition of ‘Darktown Strutters’ Ball’ “helped a little, spasmodically”.

In 2000-3 the Medinah Temple’s exterior was restored, but the interior was stripped out, apart from the proscenium, the dome and some stained glass, to create a spectacular branch of Bloomingdale’s http://www1.bloomingdales.com/store/index.ognc?action=STORE_DETAIL&lstRegion=all&storeId=70001.

To find out more about the Shriners, visit http://www.shrinershq.org and http://www.shrinershq.org/Hospitals/Main.

For details of Mike Higginbottom’s lecture Windy City:  the architecture of Chicago please click here.

 

 

Spirited enterprise

Gaumont Cinema, Dingle, Liverpool

Gaumont Cinema, Dingle, Liverpool

The Cinema Theatre Association Bulletin (September/October 2010) alerted me to activity at the Gaumont Cinema, Dingle, Liverpool – a huge Art Deco pile on the corner of Park Road and Dingle Lane that I’ve been driving past for years without ever having a chance to look inside.

It was designed by the Gaumont house-architect, W E Trent, assisted by Daniel Mackay, as a replacement for an earlier, smaller cinema called the Picturedrome.  It opened on Easter Monday 1937, seating 1,503, with a second-hand Wurlitzer organ (now in the care of the Lancastrian Theatre Organ Trust:  [http://www.voxlancastria.org.uk/heritage]) transferred from the Trocadero Cinema, Liverpool.

W E Trent excelled at simple, sweeping architectural effects, so the exterior has a vertically-banded centrepiece, originally neon-lit, and horizontal bands of stone and brick, curving round the street corner;  the interior is a calm essay in moderne stripped classical features intended to be highlighted by concealed lighting, probably with a range of colour-changes.  Small-scale live shows were provided for:  the proscenium is 45 feet wide, the stage 15 feet deep and there are four dressing rooms.

It operated as a cinema until 1966, and then became a Top Rank bingo-club until 1998.  Thereafter it stood empty until it was taken over for redevelopment as a cultural centre despite attacks from local vandals [http://www.liverpoolecho.co.uk/liverpool-news/local-news/2009/02/28/owners-hope-to-restore-former-gaumot-art-deco-cinema-in-liverpool-s-dingle-100252-23030627].

The Dingle Gaumont attracts more than vandals:  it has a reputation as the most haunted cinema for miles around.  The CTA Bulletin led me to a TV series I wouldn’t otherwise have come across, Most Haunted, with an over-the-top production-style that will strike viewers as gripping or hilarious depending on their views about the supernatural:  http://www.youtube.com/watch?v=8N08jo7kNqo&feature=fvw.  (More relaxed views of the interior can be found at http://www.urbexforums.co.uk/showthread.php/6799-Former-Gaumont-Cinema-Dingle-Liverpool-June-09.)

Because of its status as “one of the most haunted locations in the North West” it has now become a venue for ghost-hunters:  http://www.britevents.com/whats-on/merseyside/dingle/gaumont-cinema/74823.  Tickets cost £49, and you need to bring your own sandwiches.

Bingo kept the place going for decades.  It’s good to see a new way of gaining income from an old cinema.  And it’s an excellent way of deterring the vandals.

The Cinema Theatre Association website is at http://www.cinema-theatre.org.uk.

Images from a November 2011 urban explorer’s visit are at http://www.28dayslater.co.uk/forums/showthread.php/66021-Gaumont-Cinema-Dingle-Liverpool-November-2011.

Excellent undated images are at http://urbanliverpool.blogspot.co.uk/p/gaumont-cinema-dingle.html.

For details of Mike Higginbottom’s lecture Fun Palaces:  the history and architecture of the entertainment industry please click here.