Category Archives: Life-enhancing experiences

Dawdling at Dundas

Dundas Aqueduct, Kennet & Avon Canal, Somerset

You have to be a special person to have an aqueduct named after you.

Charles Dundas, 1st Baron Amesbury (1751-1832) was in fact the chairman of the Kennet & Avon Canal company:  someone thought it would put a smile on his face to give his family name to John Rennie’s aqueduct across the River Avon at Monckton Combe.

Its parapet carries a plaque commemorating Charles Dundas on one side and, on the other, John Thomas, the company’s chief engineer, “by whose skill, perseverance and integrity, the Kennet and Avon canal was brought to a prosperous completion”.

The Dundas Aqueduct is slightly larger than the Avoncliff Aqueduct.  The main span is 65 feet (Avoncliff 60 feet) and the whole aqueduct 150 yards long (Avoncliff 110 yards).

Whereas the Avoncliff Aqueduct has a light, simplified Corinthian entablature, the Dundas Aqueduct has full-dress twin Roman Doric pilasters and an exaggerated cornice that may be a not entirely successful attempt to give weather-protection to the masonry beneath.

Only at the Lune Aqueduct on the Lancaster Canal [http://en.wikipedia.org/wiki/Lune_Aqueduct], with its five arches, Doric entablature and buttresses, did Rennie exceed his aqueducts on the Kennet & Avon.

As a tourist attraction, and an excuse for gongoozling [see http://en.wikipedia.org/wiki/Gongoozler], the Dundas is a prime spot.

You can even buy cheese and an ice-cream from the floating dairy that is currently moored alongside the aqueduct:  http://www.dawdlingdairy.co.uk/index.html.

You don’t get that at any old aqueduct.

The 72-page, A4 handbook for the 2012 Waterways and Railways between Thames and Severn tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To view sample pages click here. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Live from Ferrymead

Radio Ferrymead, Christchurch, New Zealand

Radio Ferrymead, Christchurch, New Zealand

Ferrymead Heritage Park, Christchurch, New Zealand, portrays an early twentieth-century township, complete with trams, trolleybuses, buses, trains, a working cinema, shops and houses, populated with volunteers in costume.

It’s in the same genre as the British museums at Beamish [http://www.beamish.org.uk], the Black Country [http://www.bclm.co.uk]  and Blists Hill [http://www.ironbridge.org.uk/our_attractions/blists_hill_victorian_town], and reminds me of Old Sturbridge in Massachusetts [http://www.osv.org].

Its constitution is interesting:  because of its historical development [see http://en.wikipedia.org/wiki/Ferrymead_Heritage_Park], Ferrymead is run by an umbrella trust and provides a home for a fascinating variety of independent societies, in the same way that some British rail and tramway museums offer homes to subsidiary groups [see Shunter Hunters].

Its transport exhibits include steam, diesel and electric trains, running on the trackbed of the first railway in the South Island (opened 1863, closed 1867, restored 1964 onwards), as well as tram and trolleybus services [http://www.ferrymeadtramway.org.nz/index.htm] and a magnificent aircraft display [http://www.ferrymead.org.nz/societies/aeronautical].

The museum has a convincingly scaled tiny picture house, a post office which accepts mail and a practical radio station that broadcasts on AM, using 78rpm, vinyl and cassette recordings for mature listeners.  When the station is on air, it’s possible to listen online at [http://www.radioferrymead.co.nz].

The museum escaped serious damage in the February 2011 earthquake [http://www.ferrymeadtramway.org.nz/news.htm], and is back in operation:  http://www.ferrymead.org.nz/index.html.

 

Labour’s home

Wortley Hall, South Yorkshire:  south front

Wortley Hall, South Yorkshire: south front

In the uncertain times after the Second World War, when many country-house owners had to decide whether they could ever live in their big houses again, Wortley Hall, South Yorkshire became a socialist stately home, and for seventy years now has been a home for stately socialists.

In 1950 Archibald, 3rd Earl of Wharncliffe (1892-1953) leased the much-battered house to a consortium of Labour organisations under the leadership of Vin Williams, the South Yorkshire organiser for the National Council of Labour Colleges.

Trade union organisations have unusually good access to craftspeople, and in May 1951, powered by the efforts of a small army of volunteers, Wortley Hall opened as a conference centre under the title Wortley Hall (Labour’s Home).  Even with masses of goodwill from the Labour movement, the initial conversion cost the then huge sum of around £10,000.

John Cornwell’s account, The Voices of Wortley Hall: the sixtieth anniversary history of Labour’s home, 1951-2011, tells this remarkable story in detail.

Ever since, Wortley Hall has grown and thrived, hosting groups from Britain and abroad, from the Workers Music Association Summer School to the Clarion Cycling Club, and providing an entertaining series of public events from car rallies to comedy nights.  Friends of mine count themselves lucky if they are quick enough to book the Wortley Hall New Year’s Eve celebration.

Wortley Hall Ltd, as it’s now called, is a shining example of the spirit of co-operation which traces back directly to the Rochdale Pioneers.

It’s a very beautiful place – a Palladian show-house by John Platt of Rotherham on a more modest scale to the nearby Wentworth Castle and the gargantuan Wentworth Woodhouse, vigorously extended in Victorian times, and surrounded by elegant grounds with a panoramic view to the east across the Yorkshire countryside.

In the days when I ran senior-student training at Wortley Hall for a local comprehensive school, the younger kids aspired to become senior students so they could go to “that mansion”.

There is a detailed photograph-album of Wortley Hall at http://www.flickr.com/photos/59839574@N05/5981134438/in/photostream.  The conference-centre website is at http://www.wortleyhall.org.uk/wortley-hall.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

By rail across the Southern Alps

Arthur's Pass, South Island, New Zealand:  approach to Otira Tunnel

Arthur’s Pass, South Island, New Zealand: approach to Otira Tunnel

The TranzAlpine train-journey across the breadth of New Zealand’s South Island from Christchurch to Greymouth is not cheap, and it’s worth every cent.  Parts of the journey are spectacular, and the 4½-hour journey unfolds a variety of landscape across the divide between the dry eastern plains and mountains to the tropical, rainy west of the country.  The Midland Line depends heavily on its coal traffic.  The lengthy and heavily engineered route couldn’t possibly survive solely on passengers.

The most exciting part of the route traverses the Waimakariri and Broken River gorges through a series of tunnels and vertiginous viaducts including the Stair Case Viaduct, 240 feet high [http://en.wikipedia.org/wiki/File:TranzAlpine_bridge_by_Waimakariri_River.JPG].

The line climbs continuously to Arthur’s Pass (population 54), in the heart of the aptly-named Southern Alps, and plunges downgrade into the Otira Tunnel, 5.3 miles long, with a gradient of 1 in 33.  Built between 1907 and 1923, this was originally only workable by electric locomotives;  since 1997 trains have been diesel-hauled with a system of airtight doors and fans at the tunnel mouths to enable trains to expel their foul air.

The line skirts Lake Brunner, itself strongly reminiscent of the European Alps, and terminates at Greymouth.  This is the nearest large town to the Pike River Mine, where 29 miners were killed in explosions in November 2010.

The long main street is well geared to the daily one-hour influx of tourist train-passengers, and provides coach links to places along the coast that might once have been rail-connected.
 
Since I rode in February 2011, the odd-looking yet extremely comfortable 1950s TranzAlpine rolling-stock has been replaced by new ‘AK’ panoramic sightseeing stock.  New Zealand railways run on 3ft 6in-guage, so the carriages, rebuilt from older stock, are compact, yet there’s room for two seats each side of a central aisle and more than adequate leg-room.  The rear coach is an enclosed observation car.

In the middle of the rake is a generator car, with viewing platforms at each end for fresh air and photographers.  A further observation platform, with less panoramic views, is built into the end of the baggage car.  As the train approaches the major viaducts these areas become a species of genteel, geriatric cage-fighting.

The on-board team-members are friendly and eager to please, and service is excellent – plenty of food and drink to purchase, pauses for fresh air at major stops and an informative, well-scripted commentary.  (I’m fully tuned to the New Zealand habit of turning most vowels to a short ‘i’, but one young man on the TranzAlpine insisted on turning the ‘i’-vowels to apostrophes, describing the route as the “M’dln’d Line” and referring to “licim’ves” and “trick m’nance crews”.)

The central Christchurch rail terminal, opened in 1960 [http://christchurchcitylibraries.com/Heritage/Photos/Disc10/img0041.asp], was sold off in the 1980s and demolished after the February 2011 earthquake, and the present rail station for South Island’s largest city is a one-platform affair in an industrial estate, a ten-minute drive from the centre.

My hotel promoted a so-called complimentary station shuttle.  There is no such thing.  Only at the end of the spectacularly relaxed journey out to the train does the driver reveal that it costs NZ$6 to return at the end of the day – the oldest con-trick in transport history.  The alternative taxi no doubt costs more, but nevertheless I didn’t like the feeling of being taken for a ride.

A detailed description of the route and advice about booking the TranzAlpine from outside New Zealand is at http://www.seat61.com/TranzAlpine.htm.

 

One notch after another

Ultimate Driving Experience, National Tramway Museum, Crich, Derbyshire

My friend John from the Isle of Man had the time of his life learning to drive a tram at the National Tramway Museum, Crich.

The Ultimate Tram Driving Experience was a retirement present from his colleagues.  I had the privilege of being the photographer, which brought with it the challenge of working out how to capture someone driving a moving vehicle fitted with a windscreen.

John was superbly looked after from start to finish by his instructors Nigel and Paul.  Paul is a superlative driving instructor, and Nigel (nominally the conductor) kept us interested and informed and patiently answered our questions throughout the day.

The day starts, over a cup of coffee, with classroom instruction.  John needed to know one end of a tram from the other, as it were, and to be aware of the safety requirements of steering fifteen tons of tram along predestinate grooves.  (Nigel told us that a recent visitor actually asked him how you steer a tram.)

John’s chosen Blackpool tram was in the sick bay, so he was given a huge, bosomy Liverpool “Green Goddess”, a shiny powerful beast that hadn’t been out of the depot for some weeks and took a certain amount of getting going.  At one point we had to call the Crich equivalent of the AA when 869 mysteriously parked itself on the main line and refused to budge.

I was grateful to be allowed to listen in on the entire day so that I learnt a lot that I’d never realised about these ponderous vehicles.

The technology, for instance, is at once simple and complicated;  the machinery is both robust and extremely delicate.  Six hundred volts moving from wire to rail through a wood, steel and glass double-deck vehicle is not to be messed with.  Direct current behaves in a different way to the alternating current we use at home.

If you treat the tram properly, John was told, it’s really quite easy to move;  if you’re uncertain, there can be smoke and bangs and flashes – and you can cause damage that takes time and money to put right.  It very rarely happens.

I learned, watching and listening to Paul’s meticulous instruction and encouragement, that driving a tram is much more about coasting and momentum than I’d imagined.  As with a car, you keep your foot off the throttle as much as you can.

Making it move is one thing;  stopping it is another.  This is why the regular Crich tram-drivers have one or more of seven different licences, largely because of the variety of braking systems in the historic fleet.

We were hospitably received by this exceptionally professional museum – coffee in the morning, lunch, and then more coffee at the end of the day, constant friendly attention, the run of the museum both on foot and in our own big green tram.  We arrived at 10 am and left at 5 pm, and Paul and Nigel showed no haste to see us off.

I know more about trams and Crich than I’d have learned any other way, and – thanks to his former colleagues – John has another skill to add to his CV.

Stop short of Scarborough

Scampston Hall, North Yorkshire

Scampston Hall, North Yorkshire

Motorists hammering along the A64 to the coast have little chance of noticing that they fly through the Capability Brown park of Scampston Hall.  An understated road-sign indicates ‘Scampston only’.  It’s worth following.

Apart from its historic interest, Scampston Hall has a superb restaurant, offering better lunches than you’ll find within sight of the A64.

Its historic interest is considerable.  Five St Quintin baronets, all of them called William, developed this estate.  The 3rd baronet built the original house, parts of which are still visible at the back, in the 1690s.  The 4th baronet brought in Lancelot ‘Capability’ Brown to landscape the park.  The 5th baronet accumulated a significant art collection.  His heir, William Thomas Darby St Quintin, employed the architect and interior designer Thomas Leverton to transform the house in 1800-3, so that it looks – inside and out – Regency in style.

The man who takes your ticket when you start a house tour is, in fact, the current owner, Sir Charles Legard, 15th Bt.  He and his wife Caroline took on the place in 1994 when it was, as Sir Charles puts it, “tired”, reroofed, rewired and replumbed it, and welcome the public on a limited number of days each year.  Their son Christopher’s family now lives there.

Lady Legard had, through her voluntary involvement in the National Trust, gained an invaluable apprenticeship from the interior designers John Fowler and David Mlinaric, planning the restoration of Beningborough Hall, Nostell Priory (after a fire) and Nunnington Hall.  She was more than qualified to take on the challenge of managing the restoration of her family home to the highest standards.  Scampston Hall was the Country Life House of the Year in 2000:  John Cornforth’s account of the house and family appeared in the January 27th and February 3rd 2000 issues.

Lady Legard then set about finding a purpose for the former kitchen garden.  She commissioned the internationally renowned Dutch designer Piet Oudolf [see http://www.oudolf.com/piet-oudolf/references] to create a flower garden to attract public visitors, and engaged the local architects Mark Bramhall and Ric Blenkharn to design the restaurant.  The Walled Garden opened in 2004.

The result is an utterly delightful visiting experience.  Sir Charles shows groups round his house in relaxed style:  visitors are encouraged to ask questions and to sit on the furniture.  Outside, a half-hour walk around the inner park, the Cascade Circuit, passes the Pump House with its plunge bath, the Palladian Bridge and the ruined ice-house.  The Walled Garden is a fascinating essay in contemporary garden design.  And the restaurant offers the sort of menu you need to return to.

You can always go to Scarborough another day…

Details of all that Scampston Hall has to offer are at http://www.scampston.co.uk/metadot/index.pl?id=0.  Card-carrying members and Friends of the Historic Houses Association are admitted free.

 

Everyman

Everyman Theatre, Liverpool (1978)

Everyman Theatre, Liverpool (1978)

Everyman Theatre, Liverpool (2018)

Almost opposite Liverpool’s Catholic Cathedral stands – for a short while longer – an undistinguished building of huge cultural importance.

The former Hope Hall, a nonconformist chapel of 1837, after many transformations, became the Everyman Theatre in 1964.  This was the cockpit of artists, writers and playwrights in the great wave of Liverpool’s prominence that followed the success of the Beatles.

The poets Adrian Henri, Roger McGough and Brian Patten, the playwrights Alan Bleasdale and Willy Russell, and a cluster of actors including Bernard Hill, Anthony Sher, Julie Walters and the late Pete Postlethwaite were associated with the building before and after a further rebuilding in 1975-7.  The premieres of Willy Russell’s John, Paul, George, Ringo…and Bert (1974) and Shirley Valentine (1986) took place at the Everyman Theatre.

The building was also celebrated for its Everyman Bistro, founded in 1970 by Paddy Byrne and Dave Scott in the basement.  Here was as good a buffet as you could find in Liverpool, and a convivial atmosphere without rival.

Now the Everyman is to be replaced by an entirely new building, opening in 2013, and you can watch the process, day by day, at http://www.everymanplayhouse.com/content/Home/AboutUs/NewEveryman/LiveCam.aspx.  Sooner or later, you’ll see the queue for the reopening.

Sarah Horton and Ronnie Hughes’ film tribute to the Everyman Bistro is at http://www.youtube.com/watch?v=EibgxJnWMKU&feature=player_embedded.

The opening season at the new Everyman begins on Saturday March 8th 2014 with Twelfth Nighthttp://www.everymanplayhouse.com/show/Twelfth_Night/1031.aspx.

Christchurch by bus

London Transport RTL68, operated by Hassle-free Tours, Christchurch, New Zealand, February 2011

London Transport RTL68, operated by Hassle-free Tours, Christchurch, New Zealand, February 2011

I wrote this piece while I was staying in Christchurch, New Zealand, in the week before the February 2011 earthquake.

On my first morning in Christchurch I spotted the familiar and unmistakable shape of a London Transport red double-decker, and booked a tour that afternoon.  My friend Doug, who likes buses, would have been miffed not to ride on the roof-box RTL that I’d seen;  I rode in a common-or-garden Routemaster, but I’m easy to please and a red bus is a red bus.  I’m only concerned that it has a top deck and windows that open in hot weather.

The conductor, for so he called himself though he didn’t ring the bell or shout “Hold tight”, was Paul, who quickly entered my pantheon of tour-guides I wish to emulate.  He was adept at the fortissimo bonhomie required by cruise-groups and loud American ladies who chirp and squawk fit to drown the PA system.  When they stopped talking and listened it was quickly apparent that Paul knew his way round Christchurch, and that his presentation was as sharp as a pin.  He could fill in time when stuck in traffic, yet never missed a cue to point out sites, and if he said look left he meant left not right.

The bus company is aptly named Hassle-free Tours [Christchurch Double Decker City Tour – Hassle-free Tours (hasslefreetours.co.nz)].  The logo and web-address on the side panels of the Routemaster use the elegant, authentic London Transport Johnston font.  It’s a quality outfit:  the entire fleet runs on biodiesel fuel from restaurant cooking-oil.

As an introduction to Christchurch the itinerary was ideal – a quick spin round the city centre for orientation, a walk in the park to Mona Vale Mansion (designed by Joseph Clarkson Maddison 1899-1900), a walk in another park to Riccarton House (1856 onwards) and the transplanted Deans Cottage, the successive homes of the Deans family who first settled the site of Christchurch, and a look at the Riccarton Bush, a preserved area of the vegetation that filled the Canterbury Plain before the Deans tamed it, now used as a kiwi nursery.

Then the bus headed out of town for an ice-cream at the seaside resort of Sumner – Christchurch’s answer to Bondi Beach (though no-one with sense would surf around Cave Rock).

And then Steve the driver came into his own as the bus crawled up the precipitous road over the Port Hills to the port of Lyttelton, where cruise liners sit alongside the wharves from which west-coast coal is loaded for shipping to China, Japan and South Korea.

There’s no finer introduction to Christchurch and its surroundings than the precipitous ride back over Mount Pleasant Road, savouring the views from the top deck of a vehicle built to chug down Oxford Street, driven with care and precision and much horn-sounding on the hairpin bends by Steve.

Strawberry Hill forever

Strawberry Hill:  Gallery

Strawberry Hill: Gallery

Horace Walpole (1717-97) didn’t expect his house at Strawberry Hill to last much longer than he did:  he built in plaster and papier-mâché and decorated his “little plaything-house” with wallpaper.

The house that gave its name to a style, “Strawberry Hill Gothic”, was for amusement only, so small that one of his visitors, Lady Townsend, declared, “Lord God!  Jesus!  What a house!  It is just such a house as the parson’s where the children lie at the end of the bed.”

As a reaction to the stern mansion at Houghton in Norfolk built by his father, the Prime Minister Sir Robert Walpole, and indeed to his own town house off Piccadilly, Walpole extended Strawberry Hill between 1749 and 1776 asymmetrically, as if built over centuries, because he was “fond of the Sharawaggi, or Chinese want of symmetry”.

He commissioned a group of friends as his “committee of taste” – among them John Chute (1701-1776) and Richard Bentley (1708-1782) – to advise on designs based on medieval originals.  This is why the chimneypiece in the library imitates John of Eltham’s tomb in Westminster Abbey, and that in the Holbein Chamber is based on Archbishop Warham’s tomb at Canterbury, while the gallery ceiling is derived from the side aisles of Henry VII’s chapel at Westminster Abbey.

The house was a cabinet of curiosities, a Schatzkammer, filled with every kind of object from Cardinal Wolsey’s red hat to the gilded armour of the French King Francis I, James I’s gloves to a lock of Edward IV’s hair “cut from his corpse in St George’s Chapel at Windsor”.    Stripped of Walpole’s collections in a sale of 1842, its rooms currently stand virtually empty.  Yet they have the unmistakable feeling of what Walpole called “gloomth”, which inspired his Gothic novel, The Castle of Otranto (1765), an important milestone on the road which leads to Frankenstein, Dracula and Hogwarts.

For a building that was outrageously against the prevalent architectural fashion, it was the object of insatiable curiosity.  Walpole was so pressured by visitors that he issued timed tickets.  “Never build a charming house for yourself between London and Hampton Court,” he wrote to a friend.  “Everyone will live in it but you.”  He declared that he should marry his housekeeper, because her gratuities were such that she had more money than he did.

Strawberry Hill, for many years the core of a Catholic teacher-training college, is now – at a cost of £9 million – as bright and crisp as Horace Walpole would have remembered it.

Strawberry Hill House, Twickenham, is open to the public by timed ticket:  see http://www.strawberryhillhouse.org.uk/visit.php.  The café, called The Committee of Taste, is superlative:  I couldn’t bring myself to eat the cheesecake until I’d photographed it:

Cheesecake

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

Milntown – more than a cup of tea

Milltown House, Isle of Man

Milltown House, Isle of Man

The Isle of Man’s latest historic site to open is Milntown, a country house and garden on the outskirts of Ramsey.  (This is a reversal of history, for Ramsey was, until the late 1880s, on the outskirts of the Milntown estate.)

The house is a delightful early-nineteenth century Gothick confection, built around a seventeenth-century core on an estate that belonged to the McCrystyn, later Christian, family from the early fifteenth century at least.

This was the birthplace of the great Manx hero, William Christian, otherwise Illiam Dhone or Brown William (1608-1663) [See http://en.wikipedia.org/wiki/Illiam_Dhone].  Fletcher Christian, the instigator of the mutiny on the Bounty was of the same family.

After the Christian family left, Milntown was a school, a hotel and then a private house belonging to the owners of Yates’ Wine Lodges.  The last owner, Sir Clive Edwards, left the estate in trust to the Manx people, and it’s now gradually opening up for public enjoyment.

In an interesting reversal of UK National Trust practice, visitors enter through the tea-shop to reach the proudly organic gardens, which provide produce for the kitchen and an array of the sort of flowers that the monochrome photographer Cecil Beaton sourly described as “retina irritants”.

Designed by Richard Lucas, the garden is a vivid, crowded, complex place to wander, with woodland walks, seats and a mill-pond.  The waterwheel of the 1794 mill turns idly, and the mill will one day open to the public.

This will be a site to return to – not least for the serious catering.  When you walk in to pay your admission, you see satisfied customers tucking into the full cake-stand for afternoon tea.  It’s difficult to resist the temptation on the way out.

Details of Milntown’s opening arrangements are at www.milntown.org.

The 72-page, A4 handbook for the 2014 Manx Heritage tour, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.