Category Archives: The Derbyshire Derwent Valley

No mushrooms – ever

Grindleford Station Café, Derbyshire

Grindleford Station Café, Derbyshire

One of the finest, and simplest, eating experiences in Derbyshire is the full breakfast at the Grindleford Station Café.

Grindleford is the first station westwards on the Hope Valley Line, which carries passenger services between Sheffield and Manchester.  This line between Dore and Chinley was a late link in the Midland Railway network, opened in 1894.  The station building, like others on the line, is a standard design, built in timber with stone footings and chimneys.

Its interior has been altered, and for well over thirty years it has housed one of the truly great hikers’ pit-stops.  Whether you walk, cycle, motor-cycle or drive it’s a rest-and-be-thankful port-in-a-storm.  You can of course reach it by train with no more effort than walking the ramp up from the platform to the bridge;  if you’re really decadent you can arrive by car.  (The station is a mile north of the village of Grindleford, on the B6521 road to Fox House.)

It was founded and driven by Philip Eastwood, a man who affected a truculence which would have been noticeable in the grumpiest eateries of Lower Manhattan.  His notices are legendary:  “Don’t even think of asking for mushrooms”, “Unaccompanied children will be sold into slavery”, “This is a serving hatch, not a gawping hatch” and “If you want to be a fire guard, join the fire brigade”.

Inevitably, some innocent customers took exception to this, but astute reviewers recognise that nobody builds a successful business by hating customers.  Review comments on http://russelldavies.typepad.com/eggbaconchipsandbeans/2004/07/grindleford_sta.html describe the service as “charmingly grumpy”, “curt but helpful”, “so awful it was wonderful”.  The place is so special its Wikipedia entry contains irony: http://en.wikipedia.org/wiki/Grindleford.

Philip Eastwood Snr died in 2007 at the age of 63, dancing at a party, and his son, also Phillip, then aged nineteen, promptly gave up his business-management degree-course and his plans for an athletic career to take on the family legacy, much to the relief of the rambling community.

The café continues, and Phillip Jnr has added to the notices, but long-standing visitors will sense that the new management has a gentler temperament, and some of the heart has gone out of the truculence.  A Sheffield Telegraph writer [‘Station café still on track’, January 13th 2009] even spotted one that ended with the words “Thank you”.

For cholesterol-on-a-plate breakfasts and lunches with chips piled high there is nowhere finer anywhere in the Peak District.  Don’t use the loo without making a purchase, and if you want to check if the hair-dryer’s still working, ask for mushrooms.

Update:  Phillip and Kulbir Eastwood celebrated the forty-fifth anniversary of the Grindleford Station Café on October 27th 2018:  https://www.thestar.co.uk/news/how-much-loved-grindleford-station-cafe-has-survived-for-45-years-1-9410432.

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

The Padley Martyrs

Padley Chapel, Grindleford, Derbyshire:  interior

Padley Chapel, Grindleford, Derbyshire: interior

North Lees Hall was built by the Jessop family, associates of George, 6th Earl of Shrewsbury, probably in the 1570s.  Lord Shrewsbury was staunchly Protestant, and had a political need to distance himself from the Catholic captive queen, Mary, Queen of Scots, whom he guarded for fourteen years.  The pressure to demonstrate adherence to Queen Elizabeth’s Protestant settlement was at its most intense in the late 1580s, the period of Mary Stuart’s execution and the Armada, and Lord Shrewsbury made a particular point as Lord Lieutenant of enforcing the recusancy laws that oppressed practising Catholics.

The resulting atmosphere of paranoia and persecution must have been akin to modern totalitarian regimes.

At that time North Lees was leased to Richard Fenton, one of the original Twelve Capital Burgesses of Sheffield and a Mayor and alderman of Doncaster who lost influence in the late 1570s because of his Catholicism.  By 1580 he had chosen to retire to obscurity at North Lees:  on his way through Sheffield his baggage was searched and revealed “books and other furniture for Mass”, a discovery which aroused no immediate comment but was doubtless carefully noted.

On Candlemas Day, 1588, acting under the Earl’s orders, one Roger Columbell –

…went to the Northelees and took Mr Fenton, and searched his house, but found no suspicious persons.  He used himself very obediently and came with him willingly to Haddon where he shewed a protection and desireth if it may stande with your Lordship’s pleasure, to have the benefit thereof for the liberty to be in his owne house,…And if this cannot be graunted him then his humble request is that he maye have respit to goe to his own howse for a week to take order for his things, and, chiefly, to comfort his doughter [sic], who was broughte in bed the same morninge and seemed amazed at his soden apprehension.

It seems likely that Richard Fenton was not released to return to North Lees until he left detention in London late in 1589.  He was repeatedly imprisoned until his death around 1604.

A couple of miles away, Padley Hall, outside Grindleford, belonged to Sir Thomas Fitzherbert, a recusant who in 1588 was found to be harbouring two priests, Nicholas Garlick (c1555-1588), Robert Ludlam (c1551-1588), who along with a third priest, Richard Simpson (c1553-1588), were subsequently martyred at Derby on July 25th of that year. These three – energetic and determined men in the prime of life – were beatified by Pope John Paul II in 1987.

Sir Thomas Fitzherbert, who was also arrested, died in the Tower of London in 1591.

Padley Hall itself gradually declined until in the late nineteenth century much of it was ruinous.  In 1933 the remaining barn was converted into a Roman Catholic chapel to commemorate the Padley Martyrs by the Sheffield architects, Hadfield & Cawkwell.

Padley Chapel is usually open to visitors on Sundays through the summer.  Its website is still under construction but details of opening arrangements are at http://www.derbychurch.net/find/detail.php?OrgRef=padleychapel.  The nearest Tourist Information Centres are Bakewell [01629-816558] and Castleton [01433-620679].

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

No sign of Mrs Rochester

North Lees Hall, Derbyshire

North Lees Hall, Derbyshire

North Lees Hall, near Hathersage in Derbyshire, is a highly significant building, built for the Jessop family of Broom Hall who belonged to the sphere of influence of George, 6th Earl of Shrewsbury, custodian of the captive Mary, Queen of Scots and long-suffering husband of Bess of Hardwick.

Many of the Earl’s associates built “high houses”, with tall turrets, gridiron mullioned windows and skied chambers and galleries.  The plasterwork at North Lees Hall includes the arms of the Rodes family of Barlborough Hall;  other families with Shrewsbury links and comparable houses included the Sandfords of Thorpe Salvin Hall and the Hewitts of Shireoaks Hall.

Because North Lees Hall was more or less continuously let from the mid-seventeenth century until after the Second World War it was hardly altered, but at times unoccupied.  Sometime before 1792 the tenancy came to one Thomas Eyre, whose descendants stayed here until 1882. Their occupation had an interesting effect:  a whole procession of scholarly visitors assumed a quite spurious connection with the ancient and prolific Catholic family of Eyre.  The resulting legends are extremely attractive.

A more famous connection came from the 1845 visit of Charlotte Brontë, who is often assumed to have based Thornfield Hall at least partly on North Lees in writing the novel she entitled Jane Eyre – “…three stories high, of proportions not vast, though considerable…battlements round the top gave it a picturesque look. Its grey front stood out well from the background of a rookery.”  She may have taken her heroine’s family name from the occupants, and named the nearby fictional village Morton after the actual landlord of the George Inn, Hathersage.

After the Second World War the house was neglected, and at one stage was used for storing grain.  It was converted it into holiday accommodation by Lt-Col Hugh Beach.  It was purchased by the Peak Park Planning Board in 1971, and in 1987 it was leased to the Vivat Trust, who restored and reopened it as self-catering holiday apartments in 1989.  A further restoration took place in 2002, and it is now let as a residence.

Other sites associated with Jane Eyre are described and illustrated at http://walk2read.com/books/jane_eyre.html.

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Slow boat to Cromford

Cromford Canal, Butterley Tunnel west portal (1963)

Cromford Canal, Butterley Tunnel west portal (1963)

The history of inland waterways in Britain has gained a fresh chapter within the past generation.  When the author Tom Rolt (1910-1974) struggled to navigate silted and derelict waterways before and after the Second World War in his narrow boat Cressy it seemed inevitable that water transport had at best a minimal place in the future economy.

Not least through the campaigning energy of Rolt and his quarrelsome colleagues who founded the Inland Waterways Association, political momentum built up, first to save barely navigable waterways from destruction and ultimately to resuscitate canals that were thought irretrievably lost – among them, the Rochdale, the Huddersfield Narrow, the Chesterfield, the Hereford & Worcester, the Lancaster, the Manchester, Bolton & Bury and the Montgomery.  Now canals that were proposed over two centuries ago and never built, such as the link between the Sheffield and Chesterfield Canals, are seriously discussed:  Rother Link – Wikipedia.

There is clearly much more to this than air-headed enthusiasm.  The growth of leisure boating (of which Tom Rolt was a famous pioneer), the real-estate possibilities of waterside property and the recognition that waterways are an amenity not an eyesore have led to an environmental revolution.

My first personal experience of inland waterways was exploring the Cromford Canal in Derbyshire in the early 1960s, just as its course was repeatedly broken up by mining subsidence, opencasting, road upgrading and industrial development.

Fifty years later, the upper five miles from Ambergate to Cromford is now a Site of Special Scientific Interest [SSSI] while the bottom three miles from Ironville to Langley Mill has been completely obliterated by opencast mining.  In between, the obstructions include industrial installations, at least one bungalow and a major trunk road.

Repeated collapses within the Butterley Tunnel put paid to through traffic as far back as 1900 and provided easy justification for abandoning this particularly scenic waterway.  In fact, now that coal mining has ceased in the area, the tunnel appears to be stable, and an intrepid canoeist, Robin Witter, surveyed a substantial length of it in 1979:  Butterley Tunnel | Friends of the Cromford Canal.  Tina Cordon made a more extensive exploration from both ends of the tunnel in October-November 2006:  Microsoft Word – Butterley Tunnel Survey Edited.doc (tinas-sliderules.me.uk).

It’s no longer facile to suggest the restoration of long-vanished canals.  There are now sufficient examples of resurrected waterways to provide economic and amenity arguments for schemes that in Rolt’s time seemed utterly impractical.

In each case, it won’t happen quickly, but that doesn’t mean it won’t happen.

For more information see the website of the Waterway Recovery Group – http://www.waterways.org.uk/wrg.

Genius of the knife, fork and spoon

David Mellor Factory, Hathersage, Derbyshire

David Mellor Factory, Hathersage, Derbyshire

My friends Doug and Marion, who share my appetite for life-enhancing experiences, took me to the David Mellor Factory  [http://www.davidmellordesign.com/visitor-centreat Hathersage, in Derbyshire, recently.

David Mellor (1930-2009) is a fascinating figure.  A Sheffield lad, the son of a toolmaker, he was the beneficiary of an education system that allowed him to begin training at art school in metalwork, pottery, woodwork, painting and decorating at the age of eleven.

As a teenage student at the Royal College of Art he designed his first cutlery, ‘Pride’, which was manufactured by the Sheffield company, Walker & Hall, in 1953, and remains David Mellor Designs’ best-selling range.  Later cutlery designs include ‘Symbol’ (1963), the first stainless-steel mass-produced cutlery, for Walker & Hall, ‘Embassy’ (1963) for use in UK embassies across the world, and ‘Thrift’ (1965), a further Government commission which combined economy with good design by reducing the number of items in a place-setting from eleven to five for bulk institutional orders ranging from prisons to railway buffets.

He made Sheffield his base, and became famous not only for cutlery, but also for Eclipse saws for James Neil, garden shears for Burgon & Ball, and much, much else.  Working with the Abacus company, he redesigned the standard British traffic-light and pedestrian crossing (1965-70).  He devised a bus shelter that ran to 140,000 units and, at the request of the Postmaster General, Tony Benn, rethought the traditional post-box:  his square design was intended to be easier to empty, but encountered much public resistance because it wasn’t round.  A letter-writer to the Scotsman newspaper complained that it would endanger passing drunks.

His first customised workshop building in Park Lane, Sheffield, was designed by Patric Guest in the early 1960s and is now a listed building.  He then took over the derelict Broom Hall, once the home of the Jessop family and dating back to the late fifteenth century, and turned it into a integrated living space and workshop, described in his Guardian obituary as “a rare example of a family house containing a 55-ton blanking press, a 180-ton coining press and two grinding machines”.

Then, in 1990, he moved his business out to the Peak District National Park, taking over the site of the former Hathersage gasworks:  here the factory, the famous Round Building, was built on the base of the demolished gasholder with a roof derived from the principle of the bicycle wheel, upending the Sheffield tradition of fragmented cutlery manufacture so that the processes were integrated within a single space.

The architect was David Mellor’s friend, Sir Michael Hopkins (1935-2023), whose other work includes Portcullis House opposite the Houses of Parliament, the Mound Stand at Lord’s, and the Inland Revenue building and the initial phase of the University Jubilee Campus in Nottingham.

Hopkins returned to Hathersage to convert the retort house and other ancillary buildings on the site into a shop, a restaurant and the David Mellor Design Museum, opened in 2006.

David Mellor married Fiona MacCarthy (1940-2020), the biographer:  their son Corin Mellor (b 1966) is now Creative Director of David Mellor Design, while their daughter Clare (b 1970) is a graphic designer.

David Mellor’s Sheffield-born near-contemporary, Roy Hattersley, added this comment to the Guardian obituary:  “William Morris urged his followers:  ‘Have nothing in your house that you do not know to be useful or believe to be beautiful.’  Mellor extended that precept to Britain’s streets.  In the argot of Mellor’s home town, ‘he did all right’.”

The David Mellor Factory is on the B6001 south of Hathersage, just beyond the railway station.  The café is excellent and the design museum fascinating;  factory tours are held at the weekend.

The David Mellor Factory opened a new Street Scene exhibition in September 2013:  http://www.bbc.co.uk/news/uk-england-23977482.

The most comprehensive account of David Mellor’s life and work is Fiona MacCarthy’s David Mellor Master Metalworker (David Mellor Design 2013).

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Chatelaine of Chatsworth

Chatsworth House, Derbyshire:  south front (detail)

Chatsworth House, Derbyshire: south front (detail)

There was a time when Deborah, Dowager Duchess of Devonshire could claim to be non-literary.  When her friend Evelyn Waugh sent her a copy of his biography of the Catholic theologian Ronald Knox, he inscribed it “For Darling Debo, with love from Evelyn.  You will not find a word in this to offend your Protestant sympathies”, and she noticed that every page was blank – “the perfect present,” as she described it, “for a non-reader”.

Her two masterly descriptions of her home, The House:  a portrait of Chatsworth (Macmillan 1982) and The Estate:  a view from Chatsworth (Macmillan 1990), showed her to be a charming, lucid and informative writer, with an unerring facility for the apt anecdote.

Since that time she has written extensively and has published an autobiography, Wait for me!  Memoirs of the Youngest Mitford Sister (John Murray 2010), which is characterised by the candour that contemporary memoirs allow, discussing her miscarriages and her husband’s alcoholism, with the comment, “Sixty years ago none of this would have been discussed:  it would have been swept under the carpet…in the pretence that it was not happening”.

(Andrew Devonshire, shortly before his death, wrote his own memoir, Accidents of Fortune [Michael Russell 2004], honest and modest, as befits a man who declared he won his Military Cross “for being cheerful”.)

In everything the Duchess writes, and in the interviews she gives, there is a characteristic astute common-sense, tipped with asperity – wondering, in a Sunday Times interview with Rosie Millard [September 7th 2008], if the media reporters who hounded her nephew Max Mosley had dull private lives, and vastly preferring Attlee to Blair among Labour prime ministers.

The survival of Chatsworth as a great house and a functioning landed estate is entirely attributable to the courage of Andrew, 11th Duke and to the business acumen of his duchess, Deborah.  When Edward, 10th Duke, died in 1950 four months too soon to escape death duties, it would have been an easy option for his son to sell up, pay the 80% duty and live the life of a prosperous publisher.

Instead, Andrew Devonshire took the view that he and his wife were “life custodians of what has been at Chatsworth for centuries”:  he sold outlying land, handed over Hardwick Hall to the National Trust and gave items from the Chatsworth collection worth four-fifths of the duty owed.  The debt on the actual death duty was settled by 1967;  paying off the accrued interest took until 1974.  Then, with a further sale of a single Poussin and a collection of 69 Old Master drawings, he set up a £21 million trust to maintain Chatsworth.  Visitor entry pays about one-third of the running costs;  the rest is met by the Chatsworth House Trust.

His Grace was always the first to give credit for the way his Duchess turned the estate into an extremely effective cash generator.  She took great pride in the fact that “there are no merry-go-rounds”;  her personal interest has always been in making the house and the estate popular and good value:  “I love shopkeeping better than anything.”

It’s Her Grace’s flair that created the Chatsworth Farm Shop [http://www.chatsworth.org/shop-eat/the-farm-shop], the Cavendish Hotel and Restaurant in Baslow [http://www.cavendish-hotel.net] and the Devonshire Arms Hotel, Bolton Abbey [http://www.thedevonshirearms.co.uk].

When the 11th Duke died in 2004 the title and the Devonshire estate passed to his son, Peregrine, and his wife Amanda.  They are now making their own mark on the house and the estate:  details of the Chatsworth Masterplan can be found at http://www.chatsworth.org/the-chatsworth-masterplan.

Deborah, Dowager Duchess of Devonshire died on September 24th 2014 at the age of 94, and is buried with her husband at Edensor on the Chatsworth estate.

The 80-page, A4 handbook for the 2016 The Derbyshire Derwent Valley tour, with text, photographs, maps and a reading list, is available for purchase, price £10.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Cosy curry

Brunswick Inn, Railway Village, Derby

Brunswick Inn, Railway Village, Derby

The other rite-of-passage at the age of sixty, after the bus pass, is the Senior Railcard.  It has to be after the bus pass because there is a cost and it’s not worth having until the first time you use it:  if you buy it the first day you need it, you have more days to use it at the other end (assuming you live that long).

We chose to launch my mate Richard’s railcard by taking the train from Sheffield to Derby, a mere forty minutes, to visit the Brunswick Inn in the Railway Village, three minutes’ walk from the station:  http://www.brunswickderby.co.uk.

Take a close look at the Railway Village houses and it’s obvious that this is polite architecture, not speculative artisan housing – actually by Francis Thompson, company architect of the North Midland Railway – built very early in the railway age, 1840-2.

The pub, occupying the apex of the triangular street-pattern, is distinctly elegant:  apparently it was originally the Brunswick Railway & Commercial Inn – catering for commercial travellers by offering storage for sample-cases, telegram facilities and generous opening hours.

The houses and the pub were scheduled for demolition in 1970, and were rescued by the Derbyshire Historic Buildings Trust.  The Brunswick reopened in 1987, and a microbrewery was added in 1991:  the place collects awards, including UK Beer Pub of the Year, 2001.

From the Brunswick, we walked round to London Road, where there is a superlative Indian restaurant called Anoki [Derby | Anoki].  Anoki’s chief claims to fame are its superb food – £35 buys a multi-course banquet that leaves you full but not bursting – and its assiduously attentive staff.  The male waiters, who are in a majority, wear the sort of elaborate uniforms I associate with Indian border guards – hats with fans and shoes with curly toes.  The place is high camp:  the immaculate gents is liberally provided with fluffy white towels, the floor scattered with rose-petals.

Its historical claim to fame is that the building is the former Cosy Cinema, built in 1913, and later renamed the Forum (1939) and finally the Cameo (1950).  As the Cameo it featured an adventurous and unsuccessful line in French avant garde films;  better business was done by placing an advertisement at the exit to Derby Midland Station to attract long-distance passing trade.  Occasionally, when the house-lights went up, patrons would be found wearing dressing-gowns and pyjamas, refugees from the Infirmary across the road.

After the cinema closed in 1959 it became a furniture showroom:  installing display windows wrecked the ornate baroque façade.  The restaurant occupies the balcony level, built across to the former proscenium.  The barrel ceiling and caryatides are beautifully decorated and, where the original screen would have been, an endless loop of Bollywood clips is projected.

The place has impeccable style.

Risk of grounding

Ecclesbourne Valley Railway, Derbyshire

Ecclesbourne Valley Railway, Derbyshire

One of the peculiar attributes of the Cromford & High Peak Railway was that it provided water-supply, not only for its own engines but also for adjacent farms and quarries on the high limestone hills that it traversed.

The water was carried along the line in trains of reused locomotive tenders which were filled from a spring at High Peak Wharf.  One of these tenders was rescued when the line closed in 1967 and ultimately ended up in the reserve collection of the National Railway Museum.

This fascinating but unspectacular piece of railway archaeology would hardly attract attention in the main museum at York, and has been loaned to the Ecclesbourne Valley Railway [http://www.e-v-r.com] in Derbyshire, where it’s locally relevant.  There it stands, in a siding, labelled “Cromford” as you’d expect.

Apparently, this is incorrect.  Someone at the Middleton Top Visitor Centre [http://www.derbyshire.gov.uk/leisure/countryside/countryside_sites/visitor_centres/middleton_top/default.asp], which is beside the actual trackbed of the C&HPR, has interviewed the last surviving engine-driver, who is adamant the tender at Wirksworth couldn’t possibly have got up the cable-hauled Middleton Incline.

It has six wheels.  All the tenders based at Cromford had four wheels:  indeed, the six-wheeled versions had their middle wheels removed precisely so they could breast the top of the inclines.

The tender now at Wirksworth must have come from the other end of the line.  Perhaps it should say “Parsley Hay” on the side.

Does this matter?  Certainly not to 99.9% of the EVR’s visitors.  But it shows that to make historical and archaeological facts as accurate as possible, it’s important to listen to living witnesses.  Oral history matters, even if it’s as prone to misinterpretation as written or moving-image evidence.

Shunter hunters

Peak Rail, Rowsley, Derbyshire:  British Railways D2284

Peak Rail, Rowsley, Derbyshire: British Railways D2284

Wandering round the Peak Rail site at Rowsley South in Derbyshire, I came across a gentleman in a shed surrounded by more 1960s and 1970s heavy diesel shunting locomotives than you could shake a stick at.

Peak Rail provides a home and facilities for a number of specialist rail-preservation societies, and I was intrigued by the work of the Heritage Shunters Trust [http://www.heritageshunters.co.uk], who conserve and commemorate an extraordinary episode in the non-development of British Railways.

When the Attlee government nationalised the railways in 1948, the initial policy was to run the railways on steam and coal-fired electricity to make best use of the British coal industry.  Only later did the cheapness of imported oil become economically irresistible.

After British Railways decided in 1955 to phase out steam (having built over 3,500 locomotives since 1948, 999 of them to brand-new designs) there was a rush to obtain sufficient diesel locomotives on a one-for-one replacement basis.  In particular, small, heavy-duty steam shunters were replaced by a great variety of diesel equivalents, some to designs which had not been fully tried and tested.

This policy ignored the fact that single-wagon loads of freight were diminishing, as road transport became more efficient and cost-effective.  By the mid-1960s increasing amounts of rail freight were moving in train-loads not wagon-loads and there was less and less need for shunting locomotives.

This huge, diverse fleet proved to have been a waste of money, and not all of them were capable of doing the job they were intended for.  As pieces of engineering history, however, the different designs are fascinating.

There are over twenty of these engines at Rowsley, some fully restored, others awaiting attention.  I asked my guide what the display policy was – is it an art gallery of locomotive design, or do the workable engines have a practical function?  There is, after all, not much more shunting to do at Rowsley than there was on British Railways after the 1960s.

The major annual jamboree when the working shunters get an outing used to be the Shunter Hunter weekend when the Trust took over the Peak Rail line and worked all the passenger services.  This put up to ten shunting locomotives on the line.

As a means of raising funds to help volunteers preserve the engineering heritage it was a worthwhile enterprise.  And it was entertaining into the bargain.

The Shunter Hunter weekend has now become part of Peak Rail’s Diesel Weekend:  http://www.peakrail.co.uk/dieselweekend

Rails and quarries in the Derbyshire Peak

Middleton Top Engine, Cromford & High Peak Railway, Derbyshire

Middleton Top Engine, Cromford & High Peak Railway, Derbyshire

The Ecclesbourne Valley Railway runs an excellent ‘Rails and Quarries‘ tour from their Wirksworth station, using their diesel railcar to run up the steepest section of line in use in the UK – 1 in 27 – to Ravenstor, the foot of a slightly mysterious incline that connected with the Cromford & High Peak Railway at Middleton Bottom.

The day I visited, the guide was Vince Morris – informative, professional and endlessly patient with people who struggle with stiles.  His itinerary involved a steep climb through the National Stone Centre [http://www.nationalstonecentre.org.uk] to the High Peak Trail [http://www.derbyshire-peakdistrict.co.uk/thehighpeaktrail.htm], which follows the trackbed of the Cromford & High Peak Railway, up the 1 in 8½ incline to Middleton Top Engine House and then over the fields and through the derelict moonscape of Middle Peak Quarry and back through the centre of Wirksworth.

Middleton Top Winding Engine [http://www.middleton-leawood.org.uk] is an interesting survival, the only remaining example of eight built by the Butterley Company to haul trains up and down the inclines which in 1825 were judged the most effective and economical method of running a railway over the Peak massif.  William Jessop II was a director of both the Butterley Company and the C&HPR:  his younger brother, Josias, had engineered the railway though he died during the construction period.  The total cost of the railway, when it was completed in 1831, was £149,206 16s 8d.  Of this the eight winding engines cost £20,000.

More significantly, the largest single item of expenditure was for cast-iron rails, provided by the Butterley Company for £61,950.  The Butterley Ironworks was incapable at that time of manufacturing wrought-iron rails, so that when the railway wanted to replace horses with locomotives (as Josias Jessop had suggested in his initial specification), the track couldn’t stand the weight and had to be re-laid in wrought iron from end to end.

As the Americans say, do the math.

This unique railway, which was technologically sound when it was promoted in 1825 and an anachronism almost as soon as it opened in 1831, continued to work with periodic modifications on the principle that if it works, don’t fix it.  Middleton Top stopped winding in 1963, but at the Sheep Pasture Incline further down the line a steam engine built in 1883 was replaced with an electric winder in 1965.  The entire line finally closed in 1967.

As the French say, C’est la vie.

Events on the Ecclesbourne Valley Railway can be found at Events 2021 – Ecclesbourne Valley Railway (e-v-r.com).