On my 2019 ‘Pugin and the Gothic Revival’ tour, we took a lunch stop, between the parish church of St Mary, Derby and St Barnabas’ Cathedral, Nottingham, at the astonishing Bestwood Lodge, now a Best Western hotel: https://www.bestwoodlodgehotel.co.uk.
Dropping Bestwood Lodge into a tour themed around the work of Augustus Welby Northmore Pugin was, as Londoners would say, “’avin’ a larf”.
The architect for this extravaganza was Samuel Sanders Teulon (1812-1873), who after twenty years of steady work within the mainstream of the Gothic Revival was beginning to take the theoretical principles of Pugin and Scott to extremes. He appears to have decided that the time and the market had arrived for him to throw stylistic caution to the wind and build aggressively. Some modern writers have labelled this style “muscular Gothic”.
Teulon’s client was William Beauclerk, 10th Duke of St Albans (1840-1898), who had the vestiges of a medieval hunting lodge removed to make way for a completely new and quite startling country retreat, in Nottingham pressed brick with Mansfield stone dressings vigorously carved by the Nottingham-born sculptor Thomas Earp (1828-1893).
The house stands high on a defined level terrace; its gables, dormers, chimneys and spires give it a lively skyline and its elevations bristle with a succession of varied bays, turrets and buttresses.
The main porch is a weird collection of Gothic ingredients – vaulting supporting an oriel, flying buttresses at right angles to each other and quirky pinnacles set diagonally. Carvings of Robin Hood and his merry men peer down from this bizarre composition.
The wing to the left of the entrance looks for all the world like a chapel but was designed originally – to the expressed disapproval of the ultra-orthodox Ecclesiologist – as the servants’ hall. Later on it did in fact become a chapel.
The most impressive interior space is the central hall, top-lit by an octagonal lantern, its Gothic arcading almost certainly modified by a later owner. The heavy stepped fireplace shows how far Teulon was prepared to squash, stretch and distort orthodox Gothic forms. It seems not to have harmed his commercial prospects; Pevsner relates that it was on the recommendation of his work at Bestwood that he was invited to work at Sandringham.
The tenth Duke’s friendship with Albert Edward, Prince of Wales, brought numerous royal visits, sometimes incognito: the Prince and Princess of Wales stayed at Bestwood for the opening of the Castle Museum in 1878, and Prince Leopold, Queen Victoria’s youngest son, visited when he opened University College in 1881.
After the death of the tenth Duke in 1898 the house was leased for long periods while his son, Charles, 11th Duke (1870-1934) was confined to an asylum. It was finally vacated when the estate was sold to pay the eleventh Duke’s death duties in 1938.
The purchaser was Sir Harold Bowden, 2nd Bt (1880-1960), chairman of the Raleigh Bicycle Company. The house was first requisitioned and later purchased by the Army for headquarters, and became a hotel in the 1970s.
Pugin would have loathed it.
The 56-page, A4 handbook for the 2019 ‘Pugin and the Gothic Revival’ tour, with text, photographs and a reading list includes a section on Bestwood Lodge and is available for purchase, price £15.00 including postage and packing. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.