Category Archives: Country Houses

Castle for the weekend

Castell Coch, Tongwynlais, Cardiff:  Drawing Room chimneypiece

Castell Coch, Tongwynlais, Cardiff: Drawing Room chimneypiece

While William Burges was unhurriedly transforming Cardiff Castle for the 3rd Marquess of Bute, the question arose of what to do about the crumbling Castell Coch (the Red Castle), an outlying Bute property in Tongwynlais, north of the city centre.

Presenting William Burges with a medieval ruin inevitably led to a plan to rebuild it.  Presenting the Marquess of Bute with a project to rebuild a castle could have only one outcome.  He opened his cheque-book.

The result is a beguiling Victorian fantasy of medieval life and art, a wealthy magnate’s weekend retreat into a Gothic dream world.

Though the project was compromised by being brought to a conclusion after Burges’ death, it contains some of the finest examples of his design genius, such as Thomas Nicholls’ figures of the three Fates, Clotho spinning the thread of life, Lachesis measuring its length and Atropos with her shears.

Lord Bute’s bedroom is fairly spartan, but a spiral stair leads from it to Lady Bute’s bedroom, a huge vaulted space decorated with symbols of love.

And to ensure privacy, this High Victorian castle was fitted with a fully functioning drawbridge.

Castell Coch is administered by Cadw:  http://cadw.wales.gov.uk/daysout/castell-coch/?lang=en.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

 

Burges and Bute – architectural dream team

Cardiff Castle:  boundary wall

Cardiff Castle, South Wales: boundary wall

John Crichton-Stuart, 3rd Marquess of Bute (1847-1900), was born with every advantage.  His father, the second Marquess, had tapped the trading wealth of the South Wales coalfield by establishing Cardiff Docks on his ancestral lands from 1822 onwards.  John came into his vast patrimony when he was just over six months old.

Though he was a conscientious Victorian aristocrat and landowner and nurtured his great inheritance, he had time and energy to spare for his fascination with art, architectural and the medieval.

The architect William Burges (1827-1881) was also born with advantages.  His civil-engineer father, who outlived him, provided him with an ample private income, so he could travel extensively and, when he set up his practice, pick and choose his collaborators, and pick and choose his clients.

When the 3rd Marquess of Bute came of age, he called for Bruges to transform the Roman, medieval and eighteenth-century structures that made up Cardiff Castle, first into a bachelor residence which was then extended, after his marriage in 1872, into a palatial residence from which to dominate the port and city growing on the doorstep.

Burges’ capacity for solid, sculptural, dramatic skylines and mysterious, whimsical interiors makes Cardiff Castle a fascinating place.  Every surface is thronged with colour, relief and meaning.  The craftsmanship is of the highest quality.  And the humour is quirky and irreverent, like medieval manuscripts and misericords – a monkey bell-push, a crocodile sitting at the top of a bannister eyeing a baby beneath.

Such was Bruges’ creative power that his team of craftsmen – William Frame (1848-1906), Horatio Walter Lonsdale (1844-1919), the Carrarra-born sculptor Ceccardo Egidio Fucigna (1836-1884) – that after his unexpected death the work carried on for years.  The sculptor Thomas Nicholls (c1825-c1900) completed a typical piece of whimsy, the boundary wall of Cardiff Castle, bristling with escaping animals, designed in 1866 but only executed ten years after Burges’ death.

Cardiff Castle is open to the public:  http://www.cardiffcastle.com/content.asp?nav=4,57&parent_directory_id=1&id=159.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.

Wentworth Monuments: Needle’s Eye

Wentworth Woodhouse Estate, South Yorkshire:  Needle's Eye

Wentworth Woodhouse Estate, South Yorkshire: Needle’s Eye

The most enigmatic of the Wentworth Monuments is the Needle’s Eye.

It is simply 45ft-high ashlar pyramid penetrated by an ogee arch sitting at the topmost point of a ride that runs in a direct line from the home-park gate to the distant Lion Gate at Rainborough, which was described on a 1778 map as “the coach road from Wentworth House to Pontefract”.

It’s a distinctive eye-catcher with no discernible purpose.

The story universally but vaguely told is that it enabled the second Marquis to win a wager that he could drive a horse and carriage through the eye of a needle, contradicting Matthew 19:23-26 (and also Mark 10:24-25 and Luke 18:24-25).

The date of the wager, 1780, would associate the design with John Carr, who also designed Keppel’s Column (1773-80) and the Rockingham Mausoleum (1784-1788), but it appears on a bird’s-eye view dated 1728, and there is evidence of an “obelisk” on the site as early as 1722-3.

The nearest approach to firm corroboration of this likeable story is an account of the 7th Earl Fitzwilliam driving a gun carriage through the Eye at the time of the Great War.

If he did so he was probably also good at reverse parking.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Wentworth Monuments: Hoober Stand

Wentworth Woodhouse Estate, South Yorkshire:  Hoober Stand

Wentworth Woodhouse Estate, South Yorkshire: Hoober Stand

Hoober Stand is an intriguing building, whichever way you look at it.

It’s triangular in plan, pyramidal in profile, with a cupola at the top which always looks off-centre, though in fact it isn’t.

It ostensibly celebrates the victory of King George II at the Battle of Culloden in 1745, while also marking the elevation of the Thomas Watson-Wentworth, 1st Earl of Malton, to the superior title of 1st Marquis of Rockingham.

It was designed by Henry Flitcroft, “Burlington’s Harry”, the super-conventional Palladian designer of the east wing of Wentworth Woodhouse,– here allowed to go a little crazy at the crest of a hill to provide a grandstand view of the mansion and the park of Wentworth Woodhouse,

Like the later Rockingham Mausoleum, it is maintained the Fitzwilliam Wentworth Amenity Trust and opened to the public on Sunday afternoons in the summer:  http://www.wentworthvillage.net/monuments/hoober-stand.

98 feet high, it has 150 steps to the platform.  The view is spectacular.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Wentworth Monuments: Rockingham Mausoleum

Wentworth Woodhouse Estate, South Yorkshire:  Rockingham Mausoleum

Wentworth Woodhouse Estate, South Yorkshire: Rockingham Mausoleum

Charles, 2nd Marquis of Rockingham, who built Keppel’s Column, died unexpectedly in 1782, a few months after he became prime minister for the second time.

His nephew and heir, the 4th Earl Fitzwilliam, erected a great monument to him within sight of the front door of the mansion.

Designed, like Keppel’s Column and much else on the estate, by John Carr of York, the Rockingham Mausoleum isn’t actually a mausoleum.

Rockingham is buried in York Minster, so this memorial to the prime minister is in fact a cenotaph.

The three-stage structure contains a fine statue of the Marquis in his Garter robes by Joseph Nollekens, surrounded by niches containing busts of his political allies – Edmund Burke, Lord John Cavendish, Charles James Fox, Admiral Keppel, John Lee, Frederick Montagu, the 3rd Duke of Portland and Sir George Saville.

After years encased in steel to protect it from post-war mining, the Rockingham Mausoleum is now maintained the Fitzwilliam Wentworth Amenity Trust and opened to the public on Sunday afternoons in the summer:  http://www.wentworthvillage.net/monuments/the-mausoleum.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Wentworth Monuments: Keppel’s Column

Wentworth Woodhouse Estate, South Yorkshire:  Keppel's Column,

Wentworth Woodhouse Estate, South Yorkshire: Keppel’s Column (2013)

The landscapes around the two great Strafford mansions of Wentworth Woodhouse and Wentworth Castle are dotted with towers, columns, obelisks and other structures, making statements about status and politics.

When I take people to explore the Wentworth Woodhouse estate I like to begin at Keppel’s Column, the column on the horizon marking the southern boundary of the estate.  From there you can see the mansion and all the most significant monuments dotted around the miles of parkland.

It was erected by Charles, 2nd Marquis of Rockingham to celebrate the acquittal of his friend, Admiral Viscount Keppel, who had been court-martialled for losing a naval engagement against the French.

Rockingham was at the time leader of the opposition between his two terms as prime minister, and made a point of celebrating Keppel’s political victory over the Tory court party of George III.

The column is not as the architect John Carr would have wished.  It was intended to be a 150ft rostral column (with ships’ prows projecting) surmounted by a 30ft-high statue of the admiral.

During construction the height was reduced to 115ft, which made the proportions unsatisfactory:  the entasis – the bulge which is necessary to make any classical column appear straight-sided – changes uncomfortably part way up.

Keppel’s Column is now maintained by Rotherham Borough Council:  Keppel’s Column – Rotherham Metropolitan Borough Council.  There is a spiral staircase which has been renewed so that members of the public can safely climb to the platform at the top for the first time since the 1960s.

Those who don’t wish to tackle the 217 steps to the top can enjoy this video:  https://www.youtube.com/watch?v=r9jJoMdnvQo&feature=youtu.be

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Vanburgh in Lincolnshire

Grimsthorpe Castle, Lincolnshire:  north front

Grimsthorpe Castle, Lincolnshire: north front

It’s curious how the flat lands of Lincolnshire produce architectural surprises.  Tattershall Castle can be seen from miles away, but Grimsthorpe Castle, though it’s visible from the main road, is a sudden revelation.

The show front is unmistakably the work of Sir John Vanburgh, the architect of Castle Howard (1699-1726), Blenheim Palace (1705 onwards) and Seaton Delaval Hall (c1720-8).

Colen Campbell’s Vitruvius Britannicus Volume III (1725) shows three elevations, dated 1722, respectively for the north, south and west or east sides of the house.  These façades were intended to mask rather than entirely replace the earlier fabric behind, as at Vanburgh’s Kimbolton Castle, Huntingdonshire (1707-9).

Vanburgh was commissioned by the first Duke of Ancaster who died in August 1723, but he was almost immediately summoned by the heir, Peregrine, 2nd Duke, to begin construction which was under way before Vanburgh’s death in 1726.

Once the north front and forecourt were completed, possibly under the supervision of Nicholas Hawksmoor, around 1730 the project abruptly stopped.

Walking round the four sides of this huge courtyard house shows that it is in fact a palimpsest:  though the facades were tidied up in 1811, it’s obvious that the fabric grew over centuries:  the earliest identifiable fragment dates from the twelfth century.

It’s one of the English country houses that developed in interesting ways during the twentieth century.

When Gilbert, 2nd Earl of Ancaster, inherited Grimsthorpe Castle in 1910, he and his American wife, Eloise, brought in the architects Detmar Blow and Fernand Billerey and the decorators Lenygon & Company to modernise the house and built a service wing in the courtyard.

After wartime military occupation, the estates and titles passed in 1951 to the 2nd Earl’s son, James, 3rd Earl of Ancaster and 27th Baron Willoughby de Eresby, who with his countess, Phyllis Astor, employed the architect R J Page and the decorator John Fowler to alter and improve the house, replacing the Edwardian service block with a single-storey kitchen range and turning the riding school into a garage.

Now Grimsthorpe Castle belongs to the third Earl’s daughter, Jane Marie Heathcote-Drummond-Willoughby, 28th Baroness Willoughby de Eresby.

It’s one of the finest country-house experiences for miles around.  It deserves a whole day:  there’s plenty to see, do, eat and drink.

Of all the entertainments on offer at Grimsthorpe, the ranger-led Park Tour by minibus is particularly good value:  http://www.grimsthorpe.co.uk/index.php?ID=15.

The 40-page, A4 handbook for the 2010 tour Country Houses of Lincolnshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It contains chapters on Boothby Pagnell Manor House, Ellys Manor House, Belton House, Grimsthorpe Castle, Fulbeck Hall, Fulbeck Manor, Leadenham House, Harlaxton Manor and Stoke Rochford Hall.  To view sample pages click here. To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Barnsley’s stately home

Cannon Hall, South Yorkshire

Cannon Hall, South Yorkshire

Visiting Cannon Hall, at Cawthorne near Barnsley, is a game of two halves.

The extensive park, which includes a farm and a garden centre, is a magnet for visitors.  The house, which was the seat of the Spencer-Stanhope family until 1951, opened as Barnsley’s municipal museum six years later.

Barnsley Borough Council acquired a completely empty house:  the contents have been collected since 1957 and so the visitor sees an elegant eighteenth-century house, substantially as it was designed by John Carr of York, with a late-Victorian ballroom wing added, and elegant eighteenth-century furniture that doesn’t necessarily belong.

That needn’t detract from the enjoyment of the place.  It’s not a house-that-time-forgot, like nearby Brodsworth Hall, nor is it a fully displayed glass-case museum like the Doncaster museum at Cusworth Hall.

The best way to enjoy the country-house aspects of this particular country house is to join a guided tour, when curatorial staff can explain and explore the furniture and bring to life the lifestyle of the family of Walter Stanhope (1750-1821), who commissioned Carr, the plasterer James Henderson of York, and “the most eminent Cabinet Makers” whose original items have long since been scattered.

The other historical interest of Cannon Hall lies in the family associations with the Pre-Raphaelite Brotherhood.

The younger son of Walter Spencer-Stanhope’s heir John Spencer-Stanhope (1787-1873) was the artist John Roddam Spencer-Stanhope (1829-1908).  A dreamy video of his work can be seen at http://www.youtube.com/watch?v=lQYZq3DCB2g&list=PLvIwNyf0RZgMPgydtjejzTLjQxZ62W3He&index=10.

Two of Roddam’s nieces were Gertrude Spencer-Stanhope (1857-1944) and Evelyn de Morgan (1855-1919).  Three of Gertrude’s bronze sculptures belong to the Cannon Hall collection.

Many of Evelyn’s paintings belong to the De Morgan Foundation, a collection gathered by Evelyn’s sister Wilhelmina, the formidable Mrs A M W Stirling (1865-1965).  The De Morgan Centre is housed adjacent to Wandsworth Museum:  http://www.demorgan.org.uk.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

The biggest semi-detached house in Britain

Wentworth Woodhouse, South Yorkshire:  west front

Wentworth Woodhouse, South Yorkshire: west front

I wrote about the rivalry between the descendants of the 2nd Earl of Strafford that littered eighteenth-century South Yorkshire with mansions, temples, obelisks and columns in an article about Wentworth Castle.

The race to amass the most and best titles and houses was ultimately won by Thomas Watson-Wentworth (1693-1750) who became Baron Malton (1726), 1st Earl of Malton (1734) and then 1st Marquis of Rockingham (1746), and built not one but two magnificent houses, consecutively, back-to-back.

He began what is now the west wing of Wentworth Woodhouse, a fine but not entirely symmetrical baroque house in brick, in 1726.

The gentleman-architect, Sir Thomas Robinson, disciple of the pioneer of the Palladian style, Lord Burlington, thought little of it:  “…partly patchwork of the old house…little can be said in its praise…”

Even before this brick house was finished in 1734, Lord Malton turned his back on it and began the vast east wing, designed by Henry Flitcroft, “Burlington’s Harry.”

A plan dated 1725 proves that an east wing was always intended, but Flitcroft’s beautifully proportioned design was a gigantic version of the long-gone Wanstead House in Essex, stretched to 606 feet.

By this means Wentworth Woodhouse became the largest and grandest semi-detached house in Britain.

After the Second World War this vast place became impossible to maintain, especially when the Minister of Power, Emmanuel Shimwell, insisted on bringing opencast coal mining to within sixteen feet of the west wing.  The 8th Earl Fitzwilliam’s aunt, the Labour councillor Lady Mabel Smith, arranged for the East Wing to be leased to West Riding County Council as a teacher-training college.

After the death of the tenth and last Earl in 1979 and the closure of the college some years later the two houses were reunited and now belong to Mr Clifford Newbold who is gradually restoring the buildings and grounds.

At last it’s possible to visit Wentworth Woodhouse, and to marvel at the way it’s being brought back from the brink.

And wherever you step from the East Wing to the West Wing and back again, there are always a couple of steps, because the two parts of the house are on different levels.

The 56-page, A4 handbook for the 2014 tour Country Houses of South Yorkshire, with text, photographs, maps, a chronology and a reading list, is available for purchase, price £7.50 including postage and packing.  It includes chapters on Aston Hall, Brodsworth Hall, Cannon Hall, Cusworth Hall, Hickleton Hall, Renishaw Hall, Wentworth Castle, Wentworth Woodhouse and Wortley Hall.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

Home from home

Alton Castle, Staffordshire

Alton Castle, Staffordshire

Photo:  Maureen Mannion

When you drive down the hill from the entrance to Alton Towers, into the steep valley of the River Churnet, you see on the opposite cliff the gaunt outline of Alton Castle, built by Augustus Welby Northmore Pugin for Charles, 16th Earl of Shrewsbury.

Quite why Lord Shrewsbury wanted a Bavarian-style mock castle on top of the twelfth- and fifteenth-century remains of the original Alton Castle is unclear.

He might have wanted a more compact retreat from the extravagant splendours of Alton Towers.  He could have intended it as a dower house for his mother.

He was a major patron of the Catholic Church, a great deal more pious than his predecessor, and the unfinished castle includes a spectacularly tall, narrow, unexpectedly tiny private chapel.

Lord Shrewsbury also had Pugin design a chapel, schoolroom and almshouses for “decayed priests”, which became known as Alton Hospital (in the original sense of a home, rather than a medical facility).

The Earl rarely constrained the great architect’s genius with a budget, and the result – though not fully complete – is an exquisite complex of Victorian Gothic buildings by the greatest architect of the day, working for one of the most generous patrons.

Alton Castle was used by the Sisters of Mercy for a prep school from 1919 to 1989.  It stood empty until 1996 when the Archdiocese of Birmingham put it to good use as a retreat centre run for, and largely by, young people:  http://www.altoncastle.co.uk.

The 56-page, A4 handbook for the 2019 ‘Pugin and the Gothic Revival’ tour, with text, photographs and a reading list, is available for purchase, price £15.00 including postage and packing.  To order a copy, please click here or, if you prefer, send a cheque, payable to Mike Higginbottom, to 63 Vivian Road, Sheffield, S5 6WJ.

For details of Mike Higginbottom’s lecture Survivals & Revivals:  past views of English architecture, please click here.